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Impossible Things
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Winner of six Nebula and two Hugo awards for her fiction, Connie Willis is acclaimed for her gifted imagination and bold invention. Here are eleven of her finest stories, surprising tales in which the impossible becomes real, the real becomes impossible, and strangeness lurks at every turn.
The end of the world comes not with a bang but a series of whimpers over many years in "The Last of the Winnebagos."
The terror of pain and dying gives birth to a startling truth about the nature of the stars, a principle known as the "Schwarzschild Radius."
In "Spice Pogrom," an outrageous colony in outer space becomes the setting for a screwball comedy of bizarre complications, mistaken identities, far-too-friendly aliens--and even true love.
The last of the Winnebagos --
Even the queen --
Schwarzschild radius --
Ado --
Spice pogrom --
Winter's tale --
Chance --
In the late Cretaceous --
Time out --
Jack --
At the Rialto
The end of the world comes not with a bang but a series of whimpers over many years in "The Last of the Winnebagos."
The terror of pain and dying gives birth to a startling truth about the nature of the stars, a principle known as the "Schwarzschild Radius."
In "Spice Pogrom," an outrageous colony in outer space becomes the setting for a screwball comedy of bizarre complications, mistaken identities, far-too-friendly aliens--and even true love.
The last of the Winnebagos --
Even the queen --
Schwarzschild radius --
Ado --
Spice pogrom --
Winter's tale --
Chance --
In the late Cretaceous --
Time out --
Jack --
At the Rialto
461 pages, Paperback
First published February 1,1994
This edition
- Format
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461 pages, Paperback
- Published
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January 1, 1994 by Bantam Spectra
- ISBN
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- ASIN
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- Language
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English
About the author
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Constance Elaine Trimmer Willis is an American science fiction writer. She is one of the most honored science fiction writers of the 1980s and 1990s.
She has won, among other awards, ten Hugo Awards and six Nebula Awards. Willis most recently won a Hugo Award for All Seated on the Ground (August 2008). She was the 2011 recipient of the Damon Knight Memorial Grand Master Award from the Science Fiction Writers of America (SFWA).
She lives in Greeley, Colorado with her husband Courtney Willis, a professor of physics at the University of Northern Colorado. She also has one daughter, Cordelia.
Willis is known for her accessible prose and likable characters. She has written several pieces involving time travel by history students and faculty of the future University of Oxford. These pieces include her Hugo Award-winning novels Doomsday Book and To Say Nothing of the Dog and the short story "Fire Watch," found in the short story collection of the same name.
Willis tends to the comedy of manners style of writing. Her protagonists are typically beset by single-minded people pursuing illogical agendas, such as attempting to organize a bell-ringing session in the middle of a deadly epidemic (Doomsday Book), or frustrating efforts to analyze near-death experiences by putting words in the mouths of interviewees (Passage).
She has won, among other awards, ten Hugo Awards and six Nebula Awards. Willis most recently won a Hugo Award for All Seated on the Ground (August 2008). She was the 2011 recipient of the Damon Knight Memorial Grand Master Award from the Science Fiction Writers of America (SFWA).
She lives in Greeley, Colorado with her husband Courtney Willis, a professor of physics at the University of Northern Colorado. She also has one daughter, Cordelia.
Willis is known for her accessible prose and likable characters. She has written several pieces involving time travel by history students and faculty of the future University of Oxford. These pieces include her Hugo Award-winning novels Doomsday Book and To Say Nothing of the Dog and the short story "Fire Watch," found in the short story collection of the same name.
Willis tends to the comedy of manners style of writing. Her protagonists are typically beset by single-minded people pursuing illogical agendas, such as attempting to organize a bell-ringing session in the middle of a deadly epidemic (Doomsday Book), or frustrating efforts to analyze near-death experiences by putting words in the mouths of interviewees (Passage).
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