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April 16,2025
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The Big Sleep,The Debut of Philip Marlowe

Welcome to sunny L.A. It's sunny unless you're caught without an umbrella or you're dead.

It's 1939. A lot of people don't know it, but in a couple of years, a lot of girls and boys are going to take the big sleep, courtesy of, if you want to call them men, Hitler, Hirohito, and Mussolini. Now there's an axis of evil. It's something called World War II. Forget about that "War to end all wars" stuff.

Me, I wasn't born yet. After I was more than a glint in Mom's and Pop's eyes, I grew up, became a lawyer and fought crime and sought justice for twenty-eight years as an Assistant D.A. When I started out and went out with the law, make that with a capital L, I didn't have a gun or a badge. The D.A. finally issued us badges, but whether we got a gun, was up to us. You don't get rich working for the State. I carried a Walther .380. Sometimes, I needed one. But I never had to use it. Showing it once, was enough. I still have it, though.

I've seen more dead bodies than some morticians. They aren't pretty. Murder in my world was in 3-D and Technicolor. I saw it and smelled it. What they say about Vick's, it works a while. Then the smell of sweet rot soaks into your clothes. It gets in your hair, too. I shaved my mustache after a bad floater. You want a real experience, be there when they pop the top on a coffin on an exhumation order. I'll take cremation any day. My crime world was black and white only at night, when the Maglites were the only thing to light a place up--that and a strobe flash. Then you'd get a splash of color here and there, kind of like that little girl's red coat in Schindler's List.

By the time I got home, I didn't need to read about crime, much less want to. So, I didn't. I'd read my share of mysteries before I went to law school. The nice, neat kind. Agatha Christie, Dorothy L. Sayers. Tossed in some Ngaio MarshNgaio Marsh The closest I got to P.I.s was Nero Wolfe by Rex Stout and Sherlock Holmes, by Arthur Conan Doyle.

I saw Humphrey Bogart and Robert Mitchum in "The Big Sleep. I liked the movies, liked the actors. I'll watch anything with either of them in it, more than once, and have. But, Raymond Chandler? Never read him. Until now.

That's the thing about being in a good book group, like "Pulp Fiction," a rag tag group of noire and hard-boiled crime fiends. They'll get you to read something you wouldn't take a second glace at, strolling through a bookstore. One of the moderators is a lady with a cattle prod. She's not afraid to use it.

I caved in. Resistance was futile. "What? You've never read Raymond Chandler?" The word "cretin" is left unsaid, but the implication is clear. Chandler, you say? I got Chandler, one of those Library of America editions I thought I'd told them never to send me. I walked over to the shelf. Damn. It was his later works. The Big Sleep was in the volume I didn't have. From the tone of this group, I figured I'd be reading more Chandler. So, off to Amazon, search, and one click, it's on the way. It was relatively painless.

The postman rang twice at the door a couple of days later. It was raining. He was a nice postman. He left it on the porch in the dry out front.

I have too many women in my life. It's complicated. There's the wife, my mother, one pup named Tilley. She's part Jack Russell, wire-haired, and shiatsu. As the vet said, "What you have here is a gen-u-ine "Jack S..., and if anyone ever tells you, you don't know Jack, just introduce 'em to your dog." I enjoy doing that. There's a bunch of defense lawyers thought I didn't. I send their clients Christmas cards to the State Pen. Each year.

There's one other fellow in the house besides me. Pepe, the supposed chihuahua, who weighs in around fourteen pounds. I told the Mum somebody forged his papers. At any rate, we're out numbered. He's not much help. The Mum "fixed" him when he was just a tyke. I don't think he's ever forgiven her. I wouldn't either.

The book came in on December 23. I cracked the seal on a bottle of Gentleman Jack, had a stout one on the rocks, and began to read. I took my cigarettes, booze, and Tilley, the Jack S... to the screened porch. It was warm for this time of year. Soon I was sippin' Gentleman, blowing smoke rings up to the ceiling fan and flipping pages so fast I didn't even feel the blister on my flipping finger.

In my real world, I don't care too much for P.I.s. Excluding a few former retired F.B.I.types in their black squeaky wing-tipped shoes and retired law enforcement officers, the P.I.s I've known were a sleazy lot in a sleazy business. I prosecuted a few of them for impersonating a law enforcement officer. It's amazing what you can get from a McClain's Catalog for Law Enforcement. Those badges look like the real thing. But they're not.

Marlowe's in the exclusive group that is the rare exception to the rule. He was an Investigator for the L.A. District Attorney. He's still connected there, Investigator Bernie Ohls, a friend and source of information. Ohl's will tip Marlowe to a case. In the business, Ohl's is a good man to know, especially when you only charge $25.00 a day plus expenses. Ohl's tips Marlowe that General Sternwood who's worth three and a half million big ones is needing help.

Sternwood is old L.A. money. His estate home leaves no question about that. It's good Marlowe wore his best suit and had diamond designs on his argyles when he came to call.

Not only is he old money, the General is old. He's sick and looks as if he's going to be taking the big sleep soon. It may be hot in L.A., but the General is cold. Marlowe meets him in a greenhouse that is a humid, hot glass room full of orchids. It's too hot, but Marlowe doesn't argue about it.

Somebody's put the touch on the General for big dollars. He's got two daughters who like life on the wild side. Marlowe's job is to put the quietus on the black mail. It's happened more than once. The General's not happy. He also mentions his son-i-law of whom he's quite fond is missing. But he doesn't ask that Marlowe find him. Marlowe's got it pegged this blackmail job is a test. Marlowe takes the job as asked. The General could handle the freight, but Marlowe's got his code of ethics. The cost of the service is the same, even if you're as rich as Croesus.

Before leaving the prestigious address, Marlowe meets the General's daughters. Vivian is long, svelte, lithe, and curved in all the right places. She wants to know why Daddy has hired Marlowe. Marlowe's not talking. He strictly keeps his client's requests confidential. That doesn't please Viv, who is obviously a woman who generally gets what she wants from a man. You can just tell it. But not Marlowe.

Daddy's second little darling is a cute little kitten named Carmen who bats her eyes like a coy little child with that little curl in the middle of her forehead that indicates she can be truly horrid. Tell her no, she's going to pout and stomp her foot. She think's Marlowe's cute. Marlowe thinks she's cute, too. But he's not playing with that kitten. He knows better.

Faster than you can say gat, the body count starts to mount. Chandler's deaths are quick and clean. There's not a whole lot of gore to it. A few quick pops from a gat--that's a gun to you rookies, and a body hits the floor.

Seems there's an exclusive lending library operated by a man named Geiger. He lends out books of smut to a list of exclusive customers whose names he keeps encoded in a book.

A fella named Joe Brody wants to take over the smut business. His love interest works for Geiger.

There's another young man in a green jerkin that works for Geiger who's awfully upset when Geiger doesn't show up for work at their little bookstore.

The Sternwood family chauffeur drives off the end of Lido Pier about thirty miles outside of LA. It looks as if somebody sapped him. Was it murder or suicide.

Then there's the gray man, Eddie Mars, who's operating a casino, openly protected by the local cops. Mars has got his fingers in a lot of pies, most of which have nasty ingredients.

Marlowe is always in the middle of things as the bodies stack higher and higher. He's playing his cards close to the vest. He's not even tipping his old friend Ohls until he knows the whole story. Wiles, the DA isn't happy that Marlowe's being stingy with the scoop. However, a man after my own heart, the DA looks the other way because he recognizes an honest man when he sees one. Never doubt that Marlowe is honest. He may not tell you everything he knows, but he's not going to tell you a lie. Bluff? Maybe. Lie? No. Let's just say he may omit what he considers to be an immaterial detail.

After the blackmail angle is resolved, the General does want to know where his son-in-law is. Marlowe takes the job. And Marlowe finds Regan, the old man's friend who kept him company when his own daughters wouldn't.

Good? You bet it is. Right down to the last page. There are hints of who Marlowe will become. We're barely getting to know him in his debut. But we do know he won't take money for a job he's not satisfied with his results. He plays chess, by himself, solving complex chess problems. He's tough. He can be violent, but only when forced to that point. He likes a good looking woman, but knows better than to play with the wrong one. He's a man never at a loss for words, who doesn't mind telling you what you don't want to hear, or refusing to tell what you don't need to know. He likes a good smoke and a good drink. He works alone. He has no secretary. He doesn't need one. Every indication is that this tough shamus with a bent for honesty and honor will be the knight of Sunset Boulevard.

By my reckoning, with the complete Chandler on my shelves now, I've got about 2,400 more pages of good reading ahead of me. Mr. Chandler, this looks like the beginning of a beautiful friendship.
April 16,2025
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I’m late to this particular party. Very late. I’ve long enjoyed American crime fiction but my diet has mostly been that of contemporary novels. Writers like Lawrence Block, Michael Connelly, James Lee Burke have kept me entertained for endless hours. But I’ve seldom delved further back in time to the heyday of the hard-boiled mysteries. I did try Hammett once but I confess I didn’t much enjoy the experience. So it was with a slight sense of unease that I set about exploring the world of Philip Marlowe.

The first thing that struck me was the language, well the slang really. There were words and phrases that I recognised – many not used today – but lots I didn’t. It wasn’t hard to work out what they meant but it did accentuate the feeling that I’d been transported back into some ancient, alien place. The second thing was the attitude and behaviour of the men in this book: even Marlowe comes across as a homophobic misogynist, and he’s probably the only character with any kind of moral compass. As if that wasn’t enough, everyone (male and female) smokes and drinks hard liquor continuously. No wonder the old movies look so dark; you’re having to peer through the fog of their cigarette smoke to see the action.

As for the story itself, it was ok. A bit over complicated really and I lost track of the large(ish) cast at one point. The star attraction is Marlowe himself, who despite his faults really is the sole good guy here. In truth, this book isn’t going to make a Chandler fan out of me – I’ll stick the modern stuff, thank you – but I did find it an interesting and not entirely unpleasant foray into the past.
April 16,2025
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I read this one a few years back, but I'm just now adding my review to Goodreads.

How can you not love a classic whodunit by an old time favorite author? And, this was the age when it was old time police procedurals that solved the cases. Besides, the way they talked...back in the day.

After you read this one, grab the old Humphrey Bogart movie
April 16,2025
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She was the first thing I saw when I walked into the bookstore. Such a looker I damn near tripped over a stack of calf-high hardbacks set next to a stand of morning papers.
"I'm sorry," she said. "We're not quite open yet."
"That's okay," I told her. "Neither are my eyes."
I could tell right away I wasn't going to win any hosannas by being a smart-aleck.
"I need a book," I continued by way of apology. "Something fun but dark. I'm looking at five hundred miles today, but I'm not in the mood for an epic. Noir, maybe. It takes a lot of plot to get through Tennessee."
She went to the shelves and started looking at the books. I was looking at her looking at the books. I'm pretty sure I had the better view.
"Try this." She handed me a trade paper---nothing flashy. Minimalist even. But I recognized it, and the title went down like a good steak. "You ever read it before?"
"The Big Sleep? Sure. It's been twenty years, though. I don't remember much."
"Literary hair of the dog," she nodded. "It should suit you. It's got a dead dirty books dealer, a nympho with a pistol, some scrape-ups, and a lot of snap-cracklin' wit. Maybe one or two too many jawbreakers, but there's no mush. My guess? You'll hit the FINIS before you make Cullman."
Something caught my eye. Outside, three cruts piling out of a red pickup. I thought about the night before, the money at the casino one interstate exit up, the deal that didn't go down so straight. I looked at my scraped knuckles and licked the cut in my gums. I hoped I made it to Cullman. Hell, I hoped I could make it to a last page.
"What about the sentences?" I asked.
"What about them? You start with the big letter and follow the rest to the dot at the end. That's all you need to know about sentences, Jack."
"I like mine short, but not stuttery. Any joe who speaks one-word ones is likely to get a smack upside the head from me. By the same token, I don't go for gabber.s Long, windy ones give me an ache. You know why? Because long sentences are a tough chew when you're sporting a busted rib or two."
She saw the cruts outside. They hadn't spotted me, but I wasn't lucky enough to stay the invisible joe indefinitely.
"You got a broken rib, do you?" She was watching the dufuses outside.
"Not right now, but something tell me I will before I get to Chapter 2." An idea came to mind. "Hey, how about you give a dying man his wish and read me a paragraph or two of this Chandler guy?"
She took the book back, not looking at it but looking at me, not a dab of fear in her eyes, but hard as a charcoal and twice as haughty. For a second I wondered what it would cost me for her and the book both, but what with the ride I was headed for, I didn't need any baggage.
She opened the book and purred out the antepenultimate paragraph. You know the one: the one that explains the title. The big sleep. It had the kind of sentences a man could die for. With my luck, I probably would.
"You better ring me up," I said. The cruts had spotted the bookstore and were headed for its door. They knew me too well.
"I'll pay cash," I told her. "Because neither of us has time for credit."
"If you ever get back to town, swing by. I stock noir like air. I'll hook you up."
"Sure. If I make it back. Maybe then I can swallow a longer paragraph."
I was on my way to head off the cruts when I nearly tripped again over the stack of hardbacks next to the morning papers.
"You sell many of these?" I asked.
"Not a one," she shrugged.
I looked at my name on the book jacket.
"Figures," I shrugged back.
I set it back on the stack---gently, because tossing it would've been ungentlemanly---and I stepped outside to meet my fate.
Damn if the little livro pusher didn't do me right. The Big Sleep turned out pretty durable, especially for a trade paper.
Just ask the first crut who came at me. He crumpled the second he took its spine upside the temple.
April 16,2025
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Now, this I call a detective - smart, strong, rough, brutal, smelling of cigars and whiskey.

I know S. King once said "When you catch an adjective, kill it. No, I don’t mean utterly, but kill most of them—then the rest will be valuable. They weaken when they are close together. They give strength when they are wide apart."

But every adjective used here was worth it.
April 16,2025
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Quintessential noir, The Big Sleep is worth reading for the similes alone. Chandler was a master at creating ambiance. The plot can be confusing at times, and I didn't always understand the slang, but it was like stepping into a bygone era.
April 16,2025
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Since I've been reading a lot of detective-type urban fantasy lately, I decided to pick up one of the original texts of the genre, just to see what it was like.

Chandler wrote this back in 1939, and the book itself holds up remarkably well even though it's been 70 years.

It's very readable. Some of the slang is a little opaque, sure, but not nearly as much as you'd think.

And some of the intuitive leaps Philip Marlow takes are a little difficult to grasp. But I'm not sure if that's because:

1) The cultural gap between now and the time the novels were written.

2) The fact that it was assumed that a reader then should be willing to work a little harder back then.

3) The fact that this was Chandler's first novel.

Most interesting to me were the parts of the novel that didn't have anything to do with the story itself. Marlowe constantly laments how corrupt society and the government are, and I'd always thought of that as a relatively modern sensibility.

The biggest and most pervasive stumbling block to enjoying the book is the fact that racism and sexism are moderately rampant. It's not a piece of malicious propaganda like Birth of a Nation, but the fact remains that Marlow slaps a dame a couple times to bring her to her senses. And there's talk openly demonizing "queers" and "fags."

It's similar to Gone with the Wind in a lot of ways. There's racism and sexism and casual violence against women. And given the time period, it's hard to imagine how you could tell a story set in then and there without those things. It all seems very much a natural part of the story, and so matter-of-fact that it's almost inoffensive.

That said, I don't know if that makes it better or worse than something malicious and blatantly attempting to promote these poisonous views. We tend to be aware of propaganda and therefore it's easier to think about and possibly resist. Propiganda is like someone too close to you, talking too loud, poking you in the chest with a finger. It's pushy, and for the most part, humans resent and resist being pushed.

Stories like this though, where these toxic element seem like natural parts of the genre, world, culture, or story... they're persuasive in a way that outright persuasion can never be. They're like visiting a cool loft apartment in a repurposed warehouse. It's quirky and interesting and cool people live there, and also all the old industrial solvents have soaked into the brick, and so every time you go there, without even noticing, you breathe in a bunch of benzine. And when you touch the banisters or walk around barefoot, you absorb just a *little* lead from the old paint. And so every time you visit, just by passing through, you become ever so slightly poisoned without even realizing it....

That said, this was a book that was instrumental in founding a genre. And reading this now, I see how so many people have been following in Chandler's footsteps. Many of the tropes were obviously set down by him, and they carry forward to this day.

All it all, a complicated but worthwhile read depending how much you're interested in the history of a type of story. But probably more informative than straight-up enjoyable.

(Note: I originally wrote this review back in 2013, and today (in March of 2021, 8 years later) someone brought to my attention that some of what I originally wrote about the problematic elements of this book were themselves problematic. Re-reading it, I realized I hadn't done a good job communicating what I really *meant* to say. So I've revised this to make my thoughts more clear.)
April 16,2025
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"Well, you do get up," she said, wrinkling her nose at the faded red settee, the two odd semi-easy chairs, the net curtains that needed laundering and the boy's size library table with the venerable magazines on it to give the place a professional touch. "I was beginning to think perhaps you worked in bed, like Marcel Proust."

"Who's he?" I put a cigarette in my mouth and stared at her. She looked a little pale and strained, but she looked like a girl who could function under a strain.

"A French writer, a connoisseur in degenerates. You wouldn't know him."

"Tut, tut," I said. "Come into my boudoir."

-The BIg Sleep

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Chandlerisms...

https://www.goodreads.com/author/quot...
April 16,2025
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Chandler's 1939 classic crime novel is the first that featured Phillip Marlowe, the famous private detective who would appear in 7 of Chandler's novels. Humphrey Bogart brought him to life on the silver screen in the 1946 production of The Big Sleep. Even though it was written almost 80 years ago, it's not dated, meaning it has an almost modern feel to it. Good writing almost always equals good novel.
April 16,2025
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I've read all Raymond Chandler's books on multiple occasions and, like P.G. Wodehouse, his literary charms never waver. In a way the plots are irrelevant as its all about the wonderful writing, and of course the world weary Marlowe character, a 1930s knight-errant, trying to rise above LA's endemic corruption and cynicism. In The Big Sleep (1939) he finds plenty of both whilst working for the wealthy Sternwood family - the old house-bound patriarch barely clinging onto life, and his two wild daughters. You probably know the plot as well as me but, as I've discovered yet again, that won't diminish the pleasure of one more ride around the block in 1930s Los Angeles in the peerless company of Philip Marlowe.

5/5

April 16,2025
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“Tall, aren't you?" she said.
"I didn't mean to be."
Her eyes rounded. She was puzzled. She was thinking. I could see, even on that short acquaintance, that thinking was always going to be a bother to her.”
― Raymond Chandler, The Big Sleep



A masterpiece of flowing words.

Marlowe investigates two daughters on the road to Perdition which leads to darker things than expected.

There's a lot to say but many others have already said it. They're right. It's brilliant. I prefer the novel but I listened to the audio and Elliot Gould was truly awesome with his voices. He caught the spirit of the book.

OVERALL GRADE: A minus.
April 16,2025
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I had never read anything by Chandler before and as I listened to the audiobook I was attracted to the snappy dialogue and quick pace of the plot. This book from the 1930s has all of the characteristics that later became clichés of the
hard-boiled detective genre, but they were new when Chandler wrote them.

The book doesn't waste any time. There's no padding with detective angst, soul searching, romance or social commentary. It's all tight plot, snappy dialog and action. Every woman in the book is a femme fatale. Marlowe is constantly peeling a woman off of him. There's also blackmail, pornography, murders, missing persons, many bad guys and a lot of wrestling over guns. In fact, although this is a short book, it may have a little too much plot, but I enjoyed it.
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