Philip Marlowe #2

Farewell, My Lovely

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Alternative cover edition of ISBN 9780394758275

Marlowe's about to give up on a completely routine case when he finds himself in the wrong place at the right time to get caught up in a murder that leads to a ring of jewel thieves, another murder, a fortune-teller, a couple more murders, and more corruption than your average graveyard.

292 pages, Paperback

First published January 1,1940

This edition

Format
292 pages, Paperback
Published
August 1, 1992 by Vintage Crime/Black Lizard
ISBN
ASIN
Language
English
Characters More characters

About the author

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Raymond Thornton Chandler was an American-British novelist and screenwriter. In 1932, at the age of forty-four, Chandler became a detective fiction writer after losing his job as an oil company executive during the Great Depression. His first short story, "Blackmailers Don't Shoot", was published in 1933 in Black Mask, a popular pulp magazine. His first novel, The Big Sleep, was published in 1939. In addition to his short stories, Chandler published seven novels during his lifetime (an eighth, in progress at the time of his death, was completed by Robert B. Parker). All but Playback have been made into motion pictures, some more than once. In the year before his death, he was elected president of the Mystery Writers of America.
Chandler had an immense stylistic influence on American popular literature. He is a founder of the hardboiled school of detective fiction, along with Dashiell Hammett, James M. Cain and other Black Mask writers. The protagonist of his novels, Philip Marlowe, like Hammett's Sam Spade, is considered by some to be synonymous with "private detective". Both were played in films by Humphrey Bogart, whom many consider to be the quintessential Marlowe.
The Big Sleep placed second on the Crime Writers Association poll of the 100 best crime novels; Farewell, My Lovely (1940), The Lady in the Lake (1943) and The Long Goodbye (1953) also made the list. The latter novel was praised in an anthology of American crime stories as "arguably the first book since Hammett's The Glass Key, published more than twenty years earlier, to qualify as a serious and significant mainstream novel that just happened to possess elements of mystery". Chandler was also a perceptive critic of detective fiction; his "The Simple Art of Murder" is the canonical essay in the field. In it he wrote: "Down these mean streets a man must go who is not himself mean, who is neither tarnished nor afraid. The detective must be a complete man and a common man and yet an unusual man. He must be, to use a rather weathered phrase, a man of honor—by instinct, by inevitability, without thought of it, and certainly without saying it. He must be the best man in his world and a good enough man for any world."
Parker wrote that, with Marlowe, "Chandler seems to have created the culminating American hero: wised up, hopeful, thoughtful, adventurous, sentimental, cynical and rebellious—an innocent who knows better, a Romantic who is tough enough to sustain Romanticism in a world that has seen the eternal footman hold its coat and snicker. Living at the end of the Far West, where the American dream ran out of room, no hero has ever been more congruent with his landscape. Chandler had the right hero in the right place, and engaged him in the consideration of good and evil at precisely the time when our central certainty of good no longer held."

Community Reviews

Rating(3.8 / 5.0, 99 votes)
5 stars
24(24%)
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34(34%)
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99 reviews All reviews
April 16,2025
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This must the fourth or fifth time I have read Farewell, My Lovely and it's still brilliant. It’s the second Marlowe book and opens with an unforgettable scene in which the huge Moose Malloy literally hauls the unwitting Marlowe into an old nightclub to look for Velma, the singer whom he loved there before doing eight years for an armed robbery. The plot becomes convoluted but is always comprehensible, and involves jewel thieves, blackmail and murder – and poor old Marlowe being knocked out and ill-treated more than once.

I have to say that right at the start, the racist attitudes and language of the USA in 1940 are obvious and very ugly. It can be hard to take (it was for me) but that is how it was then and it has to be faced.

Everything else about the book is brilliant. The prose, the characters and the plot are just as great as ever; Moose Malloy, Lieutenant Nulty, Anne Riordan, Mr Lindsey Marriott and others – even the man on the desk of a hotel, who makes a brief appearance – are are all unforgettable. And no one does similes better than Chandler, I think (with the possible exception of Wodehouse, of course). "I felt like an amputated leg", "a blonde to make a bishop kick a hole in a stained-glass window", “Mr Lindsey Marriott’s face looked as if he had swallowed a bee”, and so on. Genius. Added to this are occasional contemplative paragraphs, some humorous, some quite profound – like this, after Marlowe has been knocked unconscious:
“I had been out for twenty minutes. Twenty minutes sleep. Just a nice doze. In that time I had muffed a job and lost eight thousand dollars. Well, why not? In twenty minutes you can sink a battleship, down three or four planes, hold a double execution. You can die, get married, get fired and find a new job, have a tooth pulled, have your tonsils out. In twenty minutes you can even get up in the morning. You can get a glass of water at a night club—maybe.”

Chandler was in a class of his own in this genre. After eighty years it remains quite outstanding, I think – and I’m sure I’ll be reading it again at some point, just for the pleasure of it.
April 16,2025
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Uno de los pendientes de Chandler.
La trama se desarrolla más lentamente que en otras ocasiones y el nudo central se encalla un poco ya que da la sensación de que el autor alarga innecesariamente la novela y este hecho le resta valor a un inicio trepidante y a un final al más puro estilo Marlowe.
Tiene todos los ingredientes "Hard Boiled" de siempre, aunque no es tan "perfecta" como "El sueño eterno" o "La dama del lago".

One of Chandler's list .
The plot unfolds more slowly than others occasions and the central knot becomes a bit stranded since it gives the feeling that the author unnecessarily lengthens the novel and this fact substrats value to a fast-paced beginning and an end in the purest Marlowe style.
It has all the "Hard Boiled" ingredients of all time, although it is not as "perfect" as "The big sleep" or "The lady of the lake".
April 16,2025
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Reading Raymond Chandler is a bit like wandering through a haunted house. You know that around every corner will be something new, some person popping out with a chainsaw to make you scream. In Chandler's case, it is an incredible description or metaphor or stylized piece of dialogue that will make you scream, and they'll be screams of delight.

Consider this description:

A large, thick-necked Negro was leaning against the end of the bar with pink garters on his shirt sleeves and pink and white suspenders crossing his broad back. He had bouncer written all over him. He put his lifted foot down slowly and turned slowly and stared at us, spreading his feet gently and moving a broad tongue along his lips. He had a battered face that looked as if it had been hit by everything but the back of a dragline. It was scarred, flattened, thickened, checkered, and welted. It was a face that had nothing to fear. Everything had been done to it that anybody could think of.

In one paragraph, Raymond Chandler's genre-defining noir detective Philip Marlowe perfectly describes this bouncer and what he looks like. And when the huge convict, one Moose Malloy picks him and tosses him aside, easy as a lion swats aside a ball of yarn, well... you know you've got a man who's not to be trifled with. And you know you've got a story with more twists n turns than that same ball of yarn. But somehow, someway, Marlowe will manage to unravel it.

I could, perhaps, talk more about how Philip Marlowe has spawned the long-lasting archetype for the gruff, wise-cracking broody and flawed detective with a heart of gold. But I find myself unable to give it justice. Instead let me just quote Raymond Chandler himself:

In everything that can be called art there is a quality of redemption. It may be pure tragedy, if it is high tragedy, and it may be pity and irony, and it may be the raucous laughter of the strong man. But down these mean streets a man must go who is not himself mean, who is neither tarnished nor afraid. The detective in this kind of story must be such a man. He is the hero; he is everything. He must be a complete man and a common man and yet an unusual man. He must be, to use a rather weathered phrase, a man of honor—by instinct, by inevitability, without thought of it, and certainly without saying it. He must be the best man in his world and a good enough man for any world. I do not care much about his private life; he is neither a eunuch nor a satyr; I think he might seduce a duchess and I am quite sure he would not spoil a virgin; if he is a man of honor in one thing, he is that in all things.

He is a relatively poor man, or he would not be a detective at all. He is a common man or he could not go among common people. He has a sense of characters, or he would not know his job. He will take no man’s money dishonestly and no man’s insolence without a due and dispassionate revenge. He is a lonely man and his pride is that you will treat him as a proud man or be very sorry you ever saw him. He talks as the man of his age talks—that is, with rude wit, a lively sense of the grotesque, a disgust for sham, and a contempt for pettiness.

The story is this man’s adventure in search of a hidden truth, and it would be no adventure if it did not happen to a man fit for adventure. He has a range of awareness that startles you, but it belongs to him by right, because it belongs to the world he lives in. If there were enough like him, the world would be a very safe place to live in, without becoming too dull to be worth living in.

Farewell, My Lovely is my favorite Chandler novel. It's got just the right mix of sadness and mania, truth and deception, all wrapped up in Chandler's scintillating prose. So if you're the type of person who loves fine writing, you'll be hard-pressed to find finer than in these pages and a thrilling crime story to boot. That's like having your cake AND eating it too, and that's a rare thing.
April 16,2025
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Дадох тази книга на един приятел да я прочете. "Толкова ми харесва - каза ми той след време, - че няма да ти я върна. Сърди се,ако искаш..."
April 16,2025
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Probably one of Chandler's best novels, as it was adapted for screen three times.
We have the same tough but sensible detective, a good plot, some interesting sayings, a sort of rather black humor and a somehow unexpected final. But, as usual for Chandler's stories, the journey is far more important than the destination: it matters less WHAT he's writing than HOW he does...





April 16,2025
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I will reread this book at some point, because I feel like due to life circumstances I had a harder time focusing, but I couldn’t make sense of the plot. Of course the language was crisp and on point. Chandler’s a real master of the turn of phrase.
April 16,2025
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It's impossible to think of anything that might be remotely fresh and interesting to say about this book. It's a classic of crime fiction; it was first published in 1940, and it's been reviewed thousands of times, mostly by people far more competent than I.

Suffice it to say that this is the second full-length novel featuring Los Angeles detective Philip Marlowe, following The Big Sleep, which had been published in 1939. Marlowe was the prototype for all the tough, wise-cracking P.I.s that would follow, and Chandler was really the first crime fiction writer to fully exploit the setting of Los Angeles. Scores of writers have followed in his footsteps, but very few have succeeded as well as Chandler did.

As the book opens, Marlowe is searching for a missing husband when he encounters a mountain of a man named Moose Malloy who is staring up at a bar above the barber shop where Marlowe had hoped to find the aforementioned missing husband. Malloy, fresh out of prison after an eight-year stretch, is looking for his lost love, Velma. Malloy hasn't heard from Velma in all of that time, but that has not quenched his affections for the woman who used to work in the bar.

Eight years is a long time, and in the interim, the bar, which used to be a white establishment, has now become an African-American one, although in 1940, no one would have described the place quite that politely. Well, one thing leads to another and Malloy drags Marlowe up the stairs and begins demanding answers from the people in the bar who, not surprisingly, have never heard of Velma.

Malloy winds up killing someone in the bar and takes off, leaving Marlowe to explain things to the cops. From that point on, Marlowe is entangled in Malloy's search. As a sideline, he also takes a job body guarding a guy who is trying to exchange cash for a valuable jade necklace that was stolen from a friend.

Neither job is simple and neither turns out very well, and before long, Marlowe is up to his neck in trouble with the cops and a whole lot of other people as well. Before it's all over, he'll be beat up, doped up, pushed around, and lied to, but it's all in the nature of the job.

The plot really doesn't make a lot of sense, but nobody reads Chandler for the plot. The book is beautifully written with one great line following another. Through Marlowe, Chandler rolls back the curtain and exposes the seamy side of pre-war L.A. It's not a pretty sight, and you sometimes get the impression that Marlowe might be the only honest, decent man in the state.

The Big Sleep may be one of the greatest crime novels ever written, and it's an impossible act to follow, even for Raymond Chandler. I like this book a lot, but I don't think it's quite on a par with the first book in the series. A solid 4.5 stars for me.
April 16,2025
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Chandler is simply a joy to read. He’s the standard to which all other crime fiction writers are held. He’s a good model for all writers, if you ask me. If you don’t like it, you don’t like the genre. Every page is brimming with mood, setting and great dialogue. I like how he carefully describes each character as they are introduced, and he paints each scene remarkably well. I once told my kids that a great book can conjure up such vivid images in your head that it’s as if you’re watching a movie, and that’s the miracle of reading. Chandler is one of the best in that regard.

In this one, Marlowe is on the trail of a missing torch singer, and so is her ex, and enormous brute named Moose Malloy. The trail leads to jewel thieves, big time gamblers, a mysterious fortune teller, crooked cops, drug dealers, gorgeous dames, and the usual cast of colorful secondary characters. I have learned that many of Chandler’s novels were cobbled together from some of his short stories. After finishing this one, I felt like I read two stories. That’s not necessarily a bad thing, but readers looking for every plot point to tie nicely together at the end may be a bit surprised.

There are plenty of great lines and passages in this one, of course. Many can be found in the sidebar on GoodReads. This one had me grinning from ear to ear:

“We went down three steps to the living room. The carpet almost tickled my ankles. There was a concert grand piano, closed down. On one corner of it stood a tall silver vase on a strip of peach colored velvet, and a single yellow rose in the vase. There was plenty of nice soft furniture, a great many floor cushions, some with gold tassels and some just naked. It was a nice room if you didn’t get rough. It was the kind of room where people sit with their feet in their laps and sip absinthe through lumps of sugar and talk with high affected voices and sometimes just squeak. It was a room where anything could happen except work.”

Ah, Marlowe!!!
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