"It was the best of times, it was the worst of times...". The opening line says all that is needed to be said about the book. The time was worst, for it was tainted with hatred, violence, and vengeance. The time was also the best because there were love and compassion which endured it all.
The only historical novel that I've read of Charles Dickens, A Tale of Two Cities moved me like none other. I can still feel the effect of the suspense and tension even when writing the review a few days later.

Set on the backdrop of France before and after the French Revolution, Dickens weaves a sensitive and sympathetic tale on all those affected while laying down the grounds which caused the frenzy. Dickens's historical portrayal is balanced and impartial. He shows what lead to the uprise of the peasants so brutally against the king and aristocracy. They were suppressed and were treated no better than animals. When people are so treated like beasts for a long time, it is no wonder that they would turn beasts eventually. That is what happened with them and Dickens is full of sympathy and empathy. But the reign of terror that followed exercised more than retributive justice. Like the bloodthirsty vampires, it hunted the innocents whose only crime was being of aristocratic blood. Dickens boldly exposes this monstrous side as well. He doesn't judge the frenzied Republic, nor condemn it, but he compares the action to a season of pestilence where some will have a secret attraction to the disease. In short, Dickens shows the abuse of power by both aristocrats and the republicans equally.

The story is one of the warmest of Charles Dickens. Witty and bold would be my description of Dickens's writing, and it may extend to being sympathetic. But I wouldn't have associated warmth with his writing. So it seems I still haven't fully comprehended him. The story drew me in from its opening. Though it had a bit of a disorganized structure and some repetitive writing, it was a solid four-star for me. The storyline was beautiful irrespective of the brutality and my nervous tension.

The characters, being few (another surprise for a Dickens book), it was easy to keep close contacts with them all. I've read many reviews of the book where it was said that they disliked Lucy Manette, so I went into the read with a prejudiced mind. But to my surprise, I liked her from the start. I also liked Charles Evremond, Dr. Manette, and Sydney Carton. I felt that all of them were victims, and were full of sympathy. The latter, however, rose to the heights of a hero at the end, and without prejudice, I believe Sydney Carton is the noblest hero that ever graced classical literature for giving his life to keep a life dear to the woman he loves. While I'm at the characters, I must say a word about the villain of the story. It is none other than Madame Defarge - a sinister woman - a sworn enemy of the aristocratic Evremond family (with reasons of course), but who displays a disproportionate propensity for vengeance. Charles Dickens seems to have surpassed Dumas there, for Madam Defarge surpassed Milady de Winter of The Three Musketeers in her villainy.

The book was a solid four-star as I already mentioned until I reached the final few chapters. Those few chapters took me through such a bittersweet journey that my rating jumped up another star and complemented the book with a firm five star.

This was a great story with a wonderful hero. But, I felt that the other Dickens I have read so far (Great Expectations, Bleak House, and David Copperfield) were more powerful evocations of humanity. There was perhaps a touch too much moralizing against the French and the French Revolution (said as a French citizen I suppose). Still, the descriptions of Paris under the Terror were realistic feeling and as always the dialogues were lively.

Excuse me while I'm CRYING over this MASTERPIECE.

[I know I promised a review, but the truth is, I am at loss for words. Who am I to talk about Dickens? Who am I to talk about a gut-wrenching, brilliant story that brings out the magnitude of human nature? A Tale of Two Cities haunts me. Follows me everywhere. And I have to thank Will Herondale and Tessa Gray for cultivating the need to read it.]

Quick plot synopsis -


Set against the backdrop of the famous French Revolution, it is a tale of the cities of London and Paris. Mr. Jarvis Lorry (confidential clerk at Tellson's Bank) is travelling to meet Lucie Manette (a ward of Tellson's Bank), to inform her that she isn’t an orphan. They travel together to meet her father in Paris, Doctor Manette (a Parisan doctor), her father, is released from Bastille after 18 years. Currently he is housed in the Defarges' wine-shop, has lost his memory, but starts to regain it upon meeting his daughter and is transported back to London. Post 5 years of this episode, Charles Darnay (French emigrant to England) is accused of a charge of providing English secrets to the French. Another remarkably similar-looking Sydney Carton (a London lawyer), helps in Darnay’s acquittal. Lucie Manette has three suitors- Darnay, Carton, and Stryver (another London lawyer with colossal ego), but she ends up marrying Charles Darnay! On the wedding day, Darnay divulges to his father-in-law about his connection with the French nobleman family. Meantime, in France, Darnay’s uncle, Monseigneur, has been murdered on charges of crime again the French poor people. Darnay is imprisoned in Paris as a nobleman. Doctor Manette, Lucie, and her child all travel to Paris to save Darnay, but in a course of dramatic events, Madam Defarges(the ringleader of the Saint Antoine female revolutionaries , with a nickname "vengeance") makes a strong charge against him in court, Darnay is sentenced to death.

Most heart-rending twist for me, the epitome of selfless love is when-

When the similar-looking Sydney Carton all the way travels to Paris, on account of his selfless love for Lucie Manette, to sacrifice his life to save her husband’s life. Carton gets the information that Defarges are planning to kill Lucie and her child. Using influence he even arranges for the Manettes to leave Paris safely along with Darnay. Alas, Carton dies on behalf of Darnay (epitome of love………)my stomach jumped to my heart, and my heart leapt into my throat…all my organs displaced and shuddered and welled ☹
===============================================
My views –

The sinister Madame Defarge, with incessant propensity for vengeance, has outgrown all the villainy that I have read so far in any novel. She is emblematic of VENGEANCE AND MALICE!

There are many themes talked about, but what enticed me majorly were around resurrection and family, apart from the atrocities during the French Revolution and projection of the struggle of classes, tainted with violence and hatred.

The striking theme of resurrection, Lucie’s father’s memory recovery, Sydney’s sacrifice of his life to save Charles and family, is analogous to Jesus’s sacrifice!

The importance of the family has been threaded uniformly throughout. Given the centre stage!
From Lucie’s trip to Paris for the union with the long-lost father, to the lamentations of Charles Darney upon being sentenced to death, all more concerned about family than himself. The final nail in the coffin was the sacrifice of Carton(who is not connected to the family, without kinship!), just for the selfless love for Lucie and to protect her family.
While writing this brief, my heart is welling with tears!!!!!!!!!

The majestic opening with the contrasting lines to the profound impactful ending, this classic is an evergreen work of vengeance and love , family and sacrifice!

It was the best of times,
It was the worst of times,
It was the age of wisdom,
It was the age of foolishness,
it was the epoch of belief,
it was the epoch of incredulity

No one can sail through the last chapter “The footsteps die out forever” without a heavy heart, without sobbing, without an emotional sadness. The last chapter is the final embellishment of sacrifice and tragedy. Sydney Carton is executed at the guillotine along with other French prisoners, and Charles Dickens closes the chapter with a hypothetical speech on behalf of Carton and marks an end to this tragic tale. The ending melodramatic speech was analogous to the sacrifice of Jesus for the mankind!

This book cannot be given any finite stars…it is an epic laden with infinite stars, of the Dickensian epoch !

“It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known.”

NB- This book , like most of the other Dickens’ work cannot be savoured in one stretch, but gradually. It is one of the most emotionally painful novels I have ever savoured ! It is melting…..

This is another one of those Charles Dickens classics I was supposed to read as a kid and never did. Since I've never seen any of the movies either, it was actually pretty unspoiled for me, though I did know how it ends (anyone growing up in the English-speaking world can hardly have avoided knowing Sydney Carton's famous last lines: "It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known.".

Once again, I am in awe of Dickens's ability to craft larger-than-life characters whose defining personality traits and conversational tics carry them strongly through the story, and his depiction of France before and during the Revolution is as vivid and bloody as the Terror, despite his exercising all the expected Victorian restraint when it comes to actually describing bloodshed. He also contrasts Paris with London, and not always in London's favor; Dickens was a marvelous social critic of his time, and with understated clarity he shows the reader how, while the British aristocracy was no longer trampling peasants beneath their horses' feet with impunity, the English court system was hardly more just or less rapacious and corrupt than the French.

The reader can be forgiven for thinking it's just a historical novel about the French Revolution and the thrilling escape of some of its would-be victims. Dickens tells us what the novel is really about in the last chapter:

And yet there is not in France, with its rich variety of soil and climate, a blade, a leaf, a root, a sprig, a peppercorn, which will grow to maturity under conditions more certain than those that have produced this horror. Crush humanity out of shape once more, under similar hammers, and it will twist itself into the same tortured forms. Sow the same seed of rapacious license and oppression over again, and it will surely yield the same fruit according to its kind.

The story itself is typically Dickensian in that it is full of memorable characters who are all brought onstage separately and then brought together by a tightening web of plot threads that ends up tying everyone together one way or another. Once Dickens introduces a character, he means to use that character until the very end, and will use any improbable plot device to make sure everyone is where he wants them to be. So of course the spy who is known to the Defarges is the very same man whom Sydney Carton saw tried years earlier in London; of course the nephew of the Marquis who imprisoned Doctor Manette (who once employed Monsieur Defarge) is the very same man who flees France and marries his daughter; of course Sydney Carton and Jerry Cruncher just happen to be in Paris on business (with the "man of business" Mr. Lorry) when Charles Darnay goes there, etc. And there is the most improbable plot device of all, telegraphed at the beginning of the book when Carton faces Darnay during that London trial. But it all works to create a tense and very enjoyable novel.

One of my chief complaints about Dickens (besides his overuse of coincidence) is his very Victorian view of women: always angels of one kind or another, whether fallen or still high on their pedestals. But he almost redeems himself of that in this book with his Angel of Death, Madame Defarge (and her sidekick, The Vengeance), one of the scariest ladies in British literature. And the final confrontation between Madame Defarge and Miss Pross was all the more epic for that Dickens so rarely resolves a situation with a scene of violence, and this time he did it with two bad-ass women, both of them practically waving their national flags as they went at each other.

Definitely a favorite, and one I should have read earlier.

بهترین روزگار و بدترین ایام بود. دوران عقل و زمان جهل بود. روزگار اعتقاد و عصر بى‌باورى بود. موسم نور و ایام ظلمت بود. بهار امید بود و زمستان ناامیدى. همه‌چیز در پیش‌روى گسترده بود و چیزى در پیش روى نبود، همه به سوى بهشت مى‌شتافتیم و همه در جهت عکس ره مى‌سپردیم. الغرض، آن دوره چنان به عصر حاضر شبیه بود که بعضى مقامات جنجالى آن، اصرار داشتند در اینکه مردم باید این وضع را، خوب یا بد، در سلسله مراتب قیاسات، فقط با درجه عالى بپذیرند.

ماجرای کتاب داستان دو شهر در شهر های پاریس و لندن،قبل و بعد از انقلاب فرانسه اتفاق میفته
این رمان شرحِ حال چند کاراکترِ متفاوته که مهمترینِ اونها چارلز دارنی و سیدنی کارتن هستن..
چارلز دارنی که یه اشراف زاده هست در جریان انقلاب بزرگ فرانسه به علتِ یه جرمی که هیچوقت مرتکب نشده قربانی میشه و سیدنی کارتن هم یه انسان رنج کشیده هست که سعی میکنه تمام غم و درد خودش رو با عشق ورزیدن به همسر دارنی التیام بده...

اگر اثار دیکنز رو خونده باشید همیشه در داستان هاش به مسائل اجتماعی مثل فقر اختلاف طبقاتی و…. اشاره کرده
مثل داستان دو شهر که تفاوت بین اوضاع اجتماعی چارلز دارنیِ اشراف زاده و سیدنی کارتنِ رنجور و تهیدست به وضوح دیده میشه…این از ویژگی های قشنگ دیکنزه
توصیف ها و شخصیت پردازی ها قوی و خوب بود.
اوایل این کتاب منو جذب نکرد،اما کم کم تونست منو جذب کند و پایانش بیشتر ازهمه خیلی دوست داشتم.

تا الان اینقدر با خودم کلنجار نرفته بودم که بتونم کتابی رو بخونم. نسخه‌های مختلفش رو شروع به خوندن کردم و ارتباط نگرفتم و حتی نسخه انگلیسی خلاصه شده‌ش رو نتونستم تا انتها پیش برم. فکر کنم همیشه این برام یه سوال بمونه که چه چیزی تو این کتاب اونقدر خوب بوده که عنوان پرفروش‌ترین کتاب تک جلدی دنیا رو از آن خودش کرده.
من نصفه رهاش کردم چون کتاب خوندن برای من یه سرگرمیه که ازش لذت می‌برم و خب باورم کنید یا نه، هیچ چیزی تو اون ۳۰۰ صفحه‌ای که خوندم جذبم نکرد، نه حتی یه شخصیت یا یه اتفاق، و یکی از کسالت‌بارترین کتابایی بود که خوندم.

Hundreds, thousands of stories long to have a quotable verse, just one.

Tale of Two Cities, Dickens masterpiece as far as I'm concerned, is bookended by two of the most recognizable quotes in all of English language.

This is also the darkest story I have read of his, and no doubt, it's about the bloody French Revolution and Dickens spares none of his acerbic wit to demonize what was rightly demonic. Yet, to his credit and genius, neither does he sugar coat the great social injustices that led irresolutely to the collapse of the aristocratic French class.

Lacking his usual humor, again understandable, this nonetheless again displays his mastery of characterization. No character is as complete and now archetypal as Madame Defarge. I thought that Bill Sykes was his greatest villain, but Citizeness Defarge was simply a portrait of evil.

So many stories hope for a memorable scene and this has many, highly influential since, I thought of several works that had borrowed heavily from TOTC themes (especially Doctor Zhivago, many allusions to TOTC, and that also made me wonder was TOTC the first dystopian novel?) The scene between Madame Defarge and Ms Pross was stunning, and made me think of the riveting scene between Porfiry and Raskolnikov in Dostoyevsky's Crime and Punishment.

Brilliant.

قصة مدينتين

استعرت هذه الرواية من مكتبة الجامعة في بداية الألفية، كان ذلك قبل عالم الانترنت، عندما كنا لا نلتقي ولا نتعرف على الكتب ومشاهير المؤلفين إلا من خلال الصحف أو الكتب التي تسقط بين أيدينا اتفاقاً، ديكنز كان مألوفاً لي حينها، كنت قد قرأت له دايفد كوبرفيلد، وأعرف موقعه كروائي إنجليزي عظيم.

حصلت على الكتاب الضخم، المغلف من قبل الجامعة بغلاف صلب، والمختوم مراراً كجواز سائح كوني، كنت غراً حينها، جديد على كل العوالم التي أمامي، فلذا حملت النسخة الضخمة محاولاً قراءتها خلال مهلة اليومين التي تمنحها الجامعة للكتب النادرة – قبل أن تبدأ الغرامات القاسية -، ولكن هذه المهمة كانت أكبر مني، فلذا اضطررت لإعادة الكتاب بعدما عبرت بداياته فقط، فيما بقيت صفحات طويلة وعدت نفسي بقراءتها يوماً ما.

وجاء... ذلك الـ (يوماً ما) جاء، صحيح أنه تأخر قليلاً، ولكن لم يكن ذلك لأن يدي قصيرة عن الوصول إلى مدينتي ديكنز، وإنما لأن نهراً من الكتب جرفني من يومها، لقد تفتق العالم لي بعدها كما يتفتق لطفل قروي، لا يعرف أبعد من بيت أهله، ووجوه أهله، ثم يحمل ذات ليلة ليرمى في ميدان عاصمة، كل تلك الوجوه، كل تلك الألوان، الروائح، الناس الذاهبة والآيبة، كل تلك الأحداث، تربكه، تنزع توازنه، وفهمه لما حوله.

وفي ذاكرتي، وعلى مر كل تلك السنوات، تداعت كلمات الكتاب وصوره ومشاهده، تحلل كل ما قرأته، بقي في ذاكرتي فقط وأنا أجذبه من رقدته بين مؤلفات كل أولئك الإنجليز العظماء، وصف مذهل لشارع قديم، كان ديكنز يأخذنا عبره، ليصعد بنا علية ما، حيث يقبع عجوز ما !! كان هذا كل ما بقي.

عانى ديكنز في طفولته كثيراً، لم يتلق تعليماً جيداً، وحتى المدرسة المتواضعة التي ذهب إليها، سحب منها على عجل ليعمل لعشر ساعات يومياً، بعدما سجن والده لتراكم الديون عليه، والتحقت به والدته في السجن، وهو نظام غريب مطبق حينها !! هذه الأم ديكنز يشعر بأنها لا توليه العناية والاهتمام الكافيين، من هذه الظروف، ومن هذه المشاعر نلمس رؤية ديكنز ومواقفه تجاه الفقراء، وحقوق الأطفال، وتجاه المرأة.

في هذه الرواية يبدو ديكنز مقارناً، بين مدينتين، باريس ولندن، نظامين ثوري وملكي، قضاءين ثوري ورسمي، وفي روايته التي كتبها مسلسلة، ونشرها في الصحف كما كان يفعل كتاب عصره، والتي لها سمات وميزات ذاك العصر وأدبه المليء بالأبطال الفروسيين، والنساء الجميلات المعشوقات من الجميع، والمصادفات التي تقبلها بصدر رحب لتستمتع، لتمضي قدماً.

إنه عصر الثورة، تبدأ الأحداث قبل الثورة الفرنسية بقليل، حيث نتعرف على الدكتور مانيت، المسجون ظلماً في الباستيل ولسنوات طويلة – 18 عاماً -، والذي نتابع في الفصول الأولى لقائه بابنته لوسي والتي لم يكن يعلم بوجودها، وها هي تستنقذ والدها بمساعدة الثوري الفرنسي دوفارج وزوجته، وتأخذه إلى إنجلترا.

بعد 5 سنوات يستعيد فيها الأب عقله، وتتزوج لوسي من تشارلز دارني، وهو نبيل فرنسي تخلى عن نبالته وذهب ليعيش في إنجلترا، تقوم الثورة في فرنسا، ويعرض لنا ديكنز حال الفرنسيين قبل الثورة وطريقة تعامل النبلاء معهم بأسلوب مذهل، ديكنز مذهل بحق في سرده، ساخر عظيم، لا ريب أن قراءه كانوا يتشوقون لكل فصل من فصول روايته.

ترد تشارلز دارني وهو هناك في أمان إنجلترا، رسالة من خادم سابق له سجن في الباستيل، فيهرع إلى باريس لينقذه، فيقع بيد الثوريين ويقدم للمحاكمة والإعدام، تسرع لوسي ووالدها لاستنقاذه، خاصة والدكتور مانيت أحد نزلاء الباستيل المخضرمين، وهذا ما يكسبه الاحترام بين الثوار، هذا خلاف خبرته الطبية المفيدة لهم، وشخصيته العظيمة.

تدور القصة، وتتشابك الأحداث ويلتقي ويتصارع الأبطال في تلك البقعة من باريس، وتنكشف الألغاز، وتقدم التضحيات، ويتركك ديكنز في النهاية وفي ذهنك وروحك ذلكم الشعور الملحمي الجميل.

Not today, Chuckie!

Who-eee! Confusion reigned in A Tale of Two Cities. Even with the Cliff Notes, it was hard to grasp what was going on. While some of it can be blamed on the archaic language and the classic American ignorance of history, Charles Dickens is at least partially responsible.

Starting with the famous opening line – it is actually part of an insanely long run-on sentence!

It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way – in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received for good or for evil, in the superlative degree of comparison only.

Central to the plot is a certain unnamed family with unnamed characters – some sisters, some brothers, a mother. Then, other characters are somehow related to this situation. Gee – that’s not confusing at all.

Philip Pullman, one of my favorite authors, put it this way: “The aim must always be clarity. It’s tempting to feel that if a passage of writing is obscure, it must be very deep. […] Telling a story involves thinking of some interesting events, putting them in the best order to bring out the connections between them, and telling about them as clearly as we can; and if we get the last part right, we won’t be able to disguise any failure with the first—which is actually the most difficult, and the most important.” Daemon Voices

A Tale of Two Cities is not clear—it is a sure fire way to induce sleep. Most frustratingly, Dickens is capable of better. In other stories, Dickens will provide additional clues to help remind readers of previous connections and who the characters are and their relationships, but in this novel, Dickens didn’t deliver, and he didn’t do enough to bridge all of the gaps in the story.

And while some of the moments could have been spectacularly meaningful, these attempts stumbled and fell just short of the finish line, the full impact lost in the obscurity.

Bring back David Copperfield! ‘Till me meet again, Chuck!

The Green Light at the End of the Dock (How much I spent):
Softcover Text – $? It is the Penguin Classics version. It might be from the 40% off sale when Barnes and Nobles was closing.
Electronic Text – Free through Libby
Audiobook – Free through Libby

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128th book of 2021.

3.5. A good story but a little contrived and without Dickens' swinging sadness to wit and back again; here, only sadness and drama. I thought I'd written the full review for this already last year, but I never did. Turns out it's quite a forgettable novel, too. When I compare it to other novels of Dickens like Great Expectations or David Copperfield, I'm surprised by all the names I can recall of those, the scenes that are crystalline in my memory, and how this one has mostly faded away, save Charles Darnay and the ending.

(Book 883 from 1001 books) - A Tale of Two Cities, Charles Dickens

A Tale of Two Cities (1859) is a historical novel by Charles Dickens, set in London and Paris before and during the French Revolution.

The novel tells the story of the French Doctor Manette, his 18-year-long imprisonment in the Bastille in Paris and his release to life in London with his daughter Lucie, whom he had never met.

Lucie's marriage and the collision between her beloved husband and the people who caused her father's imprisonment, and Monsieur and Madame Defarge, sellers of wine in a poor suburb of Paris.

The story is set against the conditions that led up to the French Revolution and the Reign of Terror.

عنوانهای چاپ شده در ایران: «داستان دو شهر»؛ نویسنده: چارلز دیکنز؛ انتشاراتیها: (پیروز، جاویدان، گلشائی، مجرد، درنا، توسن، علمی فرهنگی، سپیده، مریم، فرزان روز، دبیر، افق، سولدوزبایجان) ادبیات؛ تاریخ نخستین خوانش: ماه نوامبر سال 2003میلادی

مترجم: گیورگیس آقاسی؛ تهران، پیروز، 1347، در 300ص
مترجم: ابراهیم یونسی؛ تهران، جاویدان، چاپ اول 1346، در 436ص، چاپ دوم 1355، در 570ص
مترجم: ابوالفتوح امام؛ تهران، گلشایی، 1362، در 520ص
مترجم: ناظر نعمتی؛ تهران، مجرد، 1363، در 197ص
مترجم: کامران ایراندوست؛ تهران، درنا، 1368، در 180ص
مترجم: امیر اسماعیلی؛ تهران، توسن، 1368، در 130ص
مترجم: مینو مشیری؛ تهران، علمی فرهنگی، 1370، در 225ص
مترجم: مجید سیف؛ تهران، سپیده، 1370، در 171ص
مترجم: مهدی سحابی - متن کوتاه شده؛ تهران، مریم، 1374، در 141ص
مترجم: ابراهیم یونسی؛ تهران، نگاه، 1377، در 480ص
مترجم: مهرداد نبیلی؛ تهران، فرزان روز، 1381، در 482ص
مترجم: مهدی علوی؛ تهران، دبیر، 1389 ، در 96ص
مترجم: نوشین ابراهیمی؛ تهران، افق، 1389، در 698ص
مترجم: وحید سهرابی حسنلویی؛ خدیجه سهرابی حسنلویی؛ نقده، سولدوزبایجان، 1393، در 165ص؛

رمانی نوشته «چارلز دیکنز» است، که داستانش در «لندن» و «پاریس»، پیش و همزمان با انقلاب «فرانسه» رخ می‌دهد، داستان جوانی کشاورززاده را با اشرافیگرائیهای «فرانسوی»، در سالهای منتهی به انقلاب، و خشونتهای انقلابیون را، نسبت به اشراف پیشین، در سالهای نخستین انقلاب «فرانسه»، به تصویر می‌کشد؛ در این جریانات، ماجرای چند تن دنبال می‌شود، از همه مهمتر «چارلز دارنه»، از اشراف پیشین «فرانسوی»، که علی‌رغم ذات نیکویش، قربانی هیجانات ضد تبعیض انقلاب می‌شود؛ و «سیدنی کارتن»، وکیلی «بریتانیایی» که فراری است و تلاش می‌کند، زندگی ناخوشایند خویش را با عشق به «لوسی مانه» همسر «چارلز دارنه»، نجات دهد

تاریخ بهنگام رسانی 25/06/1399هجری خورشیدی؛ 25/05/1400هجری خورشیدی؛ ا. شربیانی