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The Coming
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The Arrival Is Imminent
Joe Haldeman's novel The Comingis a tightly constructed near future thriller which begins by recapitulating a classic science fictional motif: the moment of first contact with an alien intelligence.
The story begins on October 1, 2054. Aurora (Rory) Bell, a professor of astrophysics at the University of Florida, has just made the discovery of the century. A sophisticated sensing device called a gamma ray burst detector has picked up a message from somewhere beyond the solar system. The easily decrypted message contains two unambiguous words: We're coming. Subsequent analysis reveals that the source of the message is heading directly toward Earth and is scheduled to arrive on the first day of January 2055. A media circus inevitably ensues, as the citizens of Earth attempt to prepare for a wholly unprecedented event.
From this point forward, Haldeman focuses not on the alien spaceship but on the social, political, and environmental conditions of a rapidly deteriorating planet. He envisions a 21st century marked by unpredictable weather patterns and geopolitical chaos, a world in which corruption is an endemic element both of private enterprises and governmental institutions. Controversial -- i.e., gay -- sexual practices have been outlawed. The electoral process has become a joke, ushering in a new generation of leaders who are incompetent and uninformed but intensely photogenic. Most significantly, the nations of Europe are flexing their muscles once again, marshaling their forces for an inevitable -- and catastrophic -- global conflict.
Haldeman's portrait of the century to come is at once familiar and strange, enlivened by a steady flow of imaginative details: automated traffic control systems, virtual reality pornography, designer drugs tailored to the individual DNA. Haldeman shows us this world from the constantly shifting perspective of a variety of characters. Included among them are Rory Bell, whose initial discovery jump-starts the narrative; Norman Bell, a middle-aged composer with a history of "illegal" sexual behavior; Willie Joe Capra, a sadistic bagman with delusions of grandeur; and a nameless "historian," whose ruminations illuminate the cyclical patterns of violence present throughout recorded history.
As always, Haldeman writes with clarity, economy, and wit, skillfully moving his extensive cast toward a climactic moment of revelation in which "hope and caution" predominate. The Coming is both a provocative, cleverly conceived entertainment and a compelling meditation on the eternal human propensity for violent solutions. It is speculative fiction of the highest order and reaffirms its author's position as a modern master of the form.
--Bill Sheehan
Bill Sheehan reviews horror, suspense, and science fiction for Cemetery Dance, The New York Review of Science Fiction, and other publications. His book-length critical study of the fiction of Peter Straub, At the Foot of the Story Tree, has just been published by Subterranean Press (www.subterraneanpress.com).
Joe Haldeman's novel The Comingis a tightly constructed near future thriller which begins by recapitulating a classic science fictional motif: the moment of first contact with an alien intelligence.
The story begins on October 1, 2054. Aurora (Rory) Bell, a professor of astrophysics at the University of Florida, has just made the discovery of the century. A sophisticated sensing device called a gamma ray burst detector has picked up a message from somewhere beyond the solar system. The easily decrypted message contains two unambiguous words: We're coming. Subsequent analysis reveals that the source of the message is heading directly toward Earth and is scheduled to arrive on the first day of January 2055. A media circus inevitably ensues, as the citizens of Earth attempt to prepare for a wholly unprecedented event.
From this point forward, Haldeman focuses not on the alien spaceship but on the social, political, and environmental conditions of a rapidly deteriorating planet. He envisions a 21st century marked by unpredictable weather patterns and geopolitical chaos, a world in which corruption is an endemic element both of private enterprises and governmental institutions. Controversial -- i.e., gay -- sexual practices have been outlawed. The electoral process has become a joke, ushering in a new generation of leaders who are incompetent and uninformed but intensely photogenic. Most significantly, the nations of Europe are flexing their muscles once again, marshaling their forces for an inevitable -- and catastrophic -- global conflict.
Haldeman's portrait of the century to come is at once familiar and strange, enlivened by a steady flow of imaginative details: automated traffic control systems, virtual reality pornography, designer drugs tailored to the individual DNA. Haldeman shows us this world from the constantly shifting perspective of a variety of characters. Included among them are Rory Bell, whose initial discovery jump-starts the narrative; Norman Bell, a middle-aged composer with a history of "illegal" sexual behavior; Willie Joe Capra, a sadistic bagman with delusions of grandeur; and a nameless "historian," whose ruminations illuminate the cyclical patterns of violence present throughout recorded history.
As always, Haldeman writes with clarity, economy, and wit, skillfully moving his extensive cast toward a climactic moment of revelation in which "hope and caution" predominate. The Coming is both a provocative, cleverly conceived entertainment and a compelling meditation on the eternal human propensity for violent solutions. It is speculative fiction of the highest order and reaffirms its author's position as a modern master of the form.
--Bill Sheehan
Bill Sheehan reviews horror, suspense, and science fiction for Cemetery Dance, The New York Review of Science Fiction, and other publications. His book-length critical study of the fiction of Peter Straub, At the Foot of the Story Tree, has just been published by Subterranean Press (www.subterraneanpress.com).
278 pages, Mass Market Paperback
First published December 1,2000
This edition
- Format
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278 pages, Mass Market Paperback
- Published
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November 1, 2001 by Ace
- ISBN
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9780441008766
- ASIN
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0441008763
- Language
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English
About the author
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Brother of Jack C. Haldeman II
Haldeman is the author of 20 novels and five collections. The Forever War won the Nebula, Hugo and Ditmar Awards for best science fiction novel in 1975. Other notable titles include Camouflage, The Accidental Time Machine and Marsbound as well as the short works "Graves," "Tricentennial" and "The Hemingway Hoax." Starbound is scheduled for a January release. SFWA president Russell Davis called Haldeman "an extraordinarily talented writer, a respected teacher and mentor in our community, and a good friend."
Haldeman officially received the Damon Knight Memorial Grand Master for 2010 by the Science Fiction and Fantasy Writers of America at the Nebula Awards Weekend in May, 2010 in Hollywood, Fla.
Haldeman is the author of 20 novels and five collections. The Forever War won the Nebula, Hugo and Ditmar Awards for best science fiction novel in 1975. Other notable titles include Camouflage, The Accidental Time Machine and Marsbound as well as the short works "Graves," "Tricentennial" and "The Hemingway Hoax." Starbound is scheduled for a January release. SFWA president Russell Davis called Haldeman "an extraordinarily talented writer, a respected teacher and mentor in our community, and a good friend."
Haldeman officially received the Damon Knight Memorial Grand Master for 2010 by the Science Fiction and Fantasy Writers of America at the Nebula Awards Weekend in May, 2010 in Hollywood, Fla.
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