Poodle Springs

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When Raymond Chandler died in 1959, he left behind the first four chapters of a new Philip Marlowe thriller. Now three decades later, Robert B. Parker, the bestselling creator of the Spenser detective novels, has completed Poodle Springs in a full-length masterpiece of criminal passion.
"More than just an impressive homage, this is a first-rate detective novel with all of the suspense, action, and human drama that we have come to expect from the best."--Playboy


Philip Marlowe is alive and well and living in Poodle Springs, California. He's married to a wealthy heiress now. But living in the lap of luxury hasn't made a dent in Marlowe's cynicism--or his talent for attracting trouble. Soon he's on a trail of greed, lust, and murder as dark and cunning as any he's ever seen. Philip Marlowe is back in business.


"Raymond Chandler fans, throw away your dog-eared copies of The Big Sleep...Philip Marlowe has returned!"--Milwaukee Journal

null pages, Audio Cassette

First published January 1,1989

This edition

Format
null pages, Audio Cassette
Published
January 1, 1989 by Audio Literature
ISBN
9781558007789
ASIN
1558007784
Language
English
Characters More characters
  • Philip Marlowe

    Philip Marlowe

    Philip Marlowe is a fictional character created by Raymond Chandler. Marlowe first appeared under that name in The Big Sleep, published in 1939. Chandlers early short stories, published in pulp magazines like Black Mask and Dime Detective, featured ...

About the author

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Raymond Thornton Chandler was an American-British novelist and screenwriter. In 1932, at the age of forty-four, Chandler became a detective fiction writer after losing his job as an oil company executive during the Great Depression. His first short story, "Blackmailers Don't Shoot", was published in 1933 in Black Mask, a popular pulp magazine. His first novel, The Big Sleep, was published in 1939. In addition to his short stories, Chandler published seven novels during his lifetime (an eighth, in progress at the time of his death, was completed by Robert B. Parker). All but Playback have been made into motion pictures, some more than once. In the year before his death, he was elected president of the Mystery Writers of America.
Chandler had an immense stylistic influence on American popular literature. He is a founder of the hardboiled school of detective fiction, along with Dashiell Hammett, James M. Cain and other Black Mask writers. The protagonist of his novels, Philip Marlowe, like Hammett's Sam Spade, is considered by some to be synonymous with "private detective". Both were played in films by Humphrey Bogart, whom many consider to be the quintessential Marlowe.
The Big Sleep placed second on the Crime Writers Association poll of the 100 best crime novels; Farewell, My Lovely (1940), The Lady in the Lake (1943) and The Long Goodbye (1953) also made the list. The latter novel was praised in an anthology of American crime stories as "arguably the first book since Hammett's The Glass Key, published more than twenty years earlier, to qualify as a serious and significant mainstream novel that just happened to possess elements of mystery". Chandler was also a perceptive critic of detective fiction; his "The Simple Art of Murder" is the canonical essay in the field. In it he wrote: "Down these mean streets a man must go who is not himself mean, who is neither tarnished nor afraid. The detective must be a complete man and a common man and yet an unusual man. He must be, to use a rather weathered phrase, a man of honor—by instinct, by inevitability, without thought of it, and certainly without saying it. He must be the best man in his world and a good enough man for any world."
Parker wrote that, with Marlowe, "Chandler seems to have created the culminating American hero: wised up, hopeful, thoughtful, adventurous, sentimental, cynical and rebellious—an innocent who knows better, a Romantic who is tough enough to sustain Romanticism in a world that has seen the eternal footman hold its coat and snicker. Living at the end of the Far West, where the American dream ran out of room, no hero has ever been more congruent with his landscape. Chandler had the right hero in the right place, and engaged him in the consideration of good and evil at precisely the time when our central certainty of good no longer held."

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