Night Visitors: The Rise and Fall of the English Ghost Story

julia briggs

Why were so many ghost stories published between 1850 and 1930? Why were readers so eager to be scared, and why did such writers as Dickens, Stevenson, Kipling and Henry James find artistic satisfaction in writing them? "Night Visitors" explores these questions, looking for explanations in the underlying anxieties of the age, as well as of the individual writers. The mysterious and unknown capacities of the mind, the duality of the soul, the nineties obsession with diabolism, the dangers of science, mesmerism, and drugs, were all recurrent themes, dramatized in supernatural tales such as "Dr Jekyll and Mr Hyde", Wilde's "Picture of Dorian Gray", and "The Turn of the Screw". Contributions were also made by writers whose reputations rest exclusively on their ghost stories, among them Joseph Sheridan Le Fanu, Arthur Machen, Algernon Blackwood, and M.R. James. Beginning with a summary history of the ghost story up to the mid-nineteenth century, "Night Visitors" goes on to provide a more detailed account from the 1880s up to the First World War, the impact of which, coinciding with Freud's radical explorations of inner fears, helped to send the ghost story into decline. Walter de la Mare was to be its last and greatest exponent. The book ends with an epilogue on ghosts in the work of Hardy, Yeats and Eliot.

Genres nonfictionghostsgothic

238 pages, Hardcover

First published May 1,1977

This edition

Format: 238 pages, Hardcover
Published: January 1, 1977 by Faber \u0026 Faber
ISBN: 9780571111138
ASIN: 0571111130
Language: English

About the author

julia briggs

Julia Briggs was a writer and critic of great talents, a gifted scholar and a profoundly generous teacher who pioneered the study of children's literature and of women's writing in universities. Deeply humanist in outlook, she had an abiding belief in the value of literary study and in the power of education to transform lives.

Julia Ballam grew up in London. Her father, Harry, worked in advertising, but also tried his hand at writing. Her mother, Trudi, had been a commercial artist. Julia attended South Hampstead high school and in 1963 won a scholarship to study English at St Hilda's College, Oxford.

Beautiful and brilliant, she also became pregnant at the end of her first year and was, she believed, the first female undergraduate not to be instantly expelled. She married the father, Peter Gold, and stayed on to give birth to her son and take a first-class degree. The marriage was short-lived, and in 1969 she married Robin Briggs, historian and fellow of All Souls College, with whom she had two more sons. They were divorced in 1989.

Julia always followed her literary instincts. At Oxford, while bringing up her family, she wrote a BLitt thesis on the English ghost story - not considered a proper subject for a doctorate - which became Night Visitors (1977), her first book. From 1978 she took up a permanent post as fellow of Hertford College, Oxford. In 1983 she published This Stage Play World: Texts and Contexts 1580-1625, revised in 1997 and still in use by students. She then devoted herself to finishing Donald Crompton's book on William Golding, A View from the Spire (1985), after he died. In 1987 she published a life of the children's writer and Fabian socialist, E Nesbit, A Woman of Passion, which contributed to the emerging study of children's literature, as did Children and Their Books: a Celebration of the Work of Iona and Peter Opie (1989), co-edited with Gillian Avery.

Very active in the Oxford English faculty, which she also chaired, Julia canvassed successfully for courses on women's writing. As general editor of the Penguin paperback re-issue of Virginia Woolf's work, when it came out of copyright in 1991, she oversaw the reprinting of 13 volumes, with introductions by renowned women scholars from Britain and the US, some of whom required delicate handling. She died aged 63 of a brain tumour.