Jason Bourne #2

El Mito De Bourne

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David Webb trabaja como profesor de estudios orientales en una universidad norteamericana, pero tras esta apariencia inofensiva se oculta un turbulento su intervención en la guerra de Vietnam, en la que murió su primera esposa, y haber formado parte, con el falso nombre de Jason Bourne, de un grupo guerrillero financiado por la CIA. El amor de su segunda esposa le ha permitido recuperar una vida plácida y normal. Sin embargo, la situación se complica cuando en Extremo Oriente un misterioso asesino adopta el nombre de Bourne. David Webb vuelve a verse inmerso en una peligrosa aventura en la que el terrorismo internacional y el juego sucio de la alta política le empujan a acciones cada vez más arriesgadas. El mito de Bourne es una nueva muestra del vigoroso estilo de Robert Ludlum, maestro indiscutible de la narrativa de intriga y acción y uno de los autores más leídos del mundo.

752 pages, Mass Market Paperback

First published February 11,1986

Series

About the author

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Robert Ludlum was the author of twenty-seven novels, each one a New York Times bestseller. There are more than 210 million of his books in print, and they have been translated into thirty-two languages. He is the author of The Scarlatti Inheritance, The Chancellor Manuscript, and the Jason Bourne series--The Bourne Identity, The Bourne Supremacy, and The Bourne Ultimatum--among others. Mr. Ludlum passed away in March, 2001. Ludlum also published books under the pseudonyms Jonathan Ryder and Michael Shepherd.

Some of Ludlum's novels have been made into films and mini-series, including The Osterman Weekend, The Holcroft Covenant, The Apocalypse Watch, The Bourne Identity, The Bourne Supremacy and The Bourne Ultimatum. A non-Ludlum book supposedly inspired by his unused notes, Covert One: The Hades Factor, has also been made into a mini-series. The Bourne movies, starring Matt Damon in the title role, have been commercially and critically successful (The Bourne Ultimatum won three Academy Awards in 2008), although the story lines depart significantly from the source material.

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