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This was written in 1964 and is surprisingly good. It’s free of some of the character stereotypes L’Amour often used, and may have been radical for the day.
A strong and independent woman who owns a substantial ranch seeks to destroy a town responsible for the murder of her brother. The narrative voice is that of her foreman, who ends up being the hero. He spent three years as a child as an Apache captive, after escaping befriended an Englishman who provided for his education in Great Britain.
If written for the screen this would make a Hell of a mini-series. L’Amour’s estate may not allow that, though.
A strong and independent woman who owns a substantial ranch seeks to destroy a town responsible for the murder of her brother. The narrative voice is that of her foreman, who ends up being the hero. He spent three years as a child as an Apache captive, after escaping befriended an Englishman who provided for his education in Great Britain.
If written for the screen this would make a Hell of a mini-series. L’Amour’s estate may not allow that, though.