If letter writing is a lost art, Staying on Alone is a measure of what has been lost. On tissue-thin paper in a tiny, often undecipherable hand, Alice Toklas described her daily life in Paris in absorbing detail, like a latter-day Madame de Sévigné. Here are shrewd, witty observations on some of the most interesting artists, musicians, and writers of the twentieth Thornton Wilder, Carl Van Vechten, Edith Sitwell, Anita Loos, Cecil Beaton, Janet Flanner, Bennett Cerf, among others. There are stories about Picasso, Hemingway, Fitzgerald, Juan Gris, Cocteau, and Sartre--all revealing a sharp eye that was as much a part of Alice as her devotion to Gertrude and her passion for recipes and gardening. In preparing this collection, the editor has chosen letters of biographical, literary, and artistic significance to an understanding of Gertrude Stein and her circle, letters illustrating the catholicity of Alice Toklas's friendships and the quality of her gifts, and letters that simply delight for their gossip.
People remember American writer Alice Babette Toklas as the domestic partner of Gertrude Stein; her works include cookbooks and a volume of memoirs.
She joined as a member of the Parisian avant-garde of the early 20th century. Born to a Polish army officer in a middle-class Jewish family, she attended schools in San Francisco and Seattle. For a short time, she also studied music at the University of Washington. She arrived in Paris and met on 8 September 1907. Together, they hosted a salon that attracted expatriates, such as Ernest Miller Hemingway, Paul Bowles, Thornton Niven Wilder, and Sherwood Anderson, and avant-garde painters, including Pablo Picasso, Henri Matisse, and Georges Braque.
Toklas, a background figure, acted as confidante, secretary, muse, editor, critic, and general organizer and chiefly living in the shadow until she published in 1933 under the teasing title The Autobiography of Alice Babette Toklas, bestselling book.