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Valdemar: Mage Winds #3
Winds of Fury
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Valdemar is once again in peril, threatened by Ancar of Hardorn, who has long sought to seize control of the kingdom by any means at his command.
Yet this time Ancar may well achieve his goal, for by harnessing the power of Mornelithe Falconsbane, the Dark Adept, he has set into motion a magical strike against Valdemar the like of which hasn’t been attempted in more than five hundred years—not since Vanyel, the last Herald-Mage, shielded the kingdom from attack by the deadliest of sorceries.
And with Valdemar’s ancient spell-generated protections finally breaking down, Queen Selenay, Herald-Princess Elspeth, and their people could soon be left defenseless against an enemy armed with spells no one in Valdemar has the knowledge to withstand.
But as the long dormant magic of Valdemar begins to awaken, Elspeth finds that she too has a mysterious ally—a powerful spirit from the long-forgotten past…
Yet this time Ancar may well achieve his goal, for by harnessing the power of Mornelithe Falconsbane, the Dark Adept, he has set into motion a magical strike against Valdemar the like of which hasn’t been attempted in more than five hundred years—not since Vanyel, the last Herald-Mage, shielded the kingdom from attack by the deadliest of sorceries.
And with Valdemar’s ancient spell-generated protections finally breaking down, Queen Selenay, Herald-Princess Elspeth, and their people could soon be left defenseless against an enemy armed with spells no one in Valdemar has the knowledge to withstand.
But as the long dormant magic of Valdemar begins to awaken, Elspeth finds that she too has a mysterious ally—a powerful spirit from the long-forgotten past…
427 pages, Mass Market Paperback
First published August 1,1993
This edition
- Format
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427 pages, Mass Market Paperback
- Published
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August 1, 1994 by DAW
- ISBN
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9780886776121
- ASIN
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0886776120
- Language
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English
Characters More characters
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Talia Sensdaughter
The chosen of Companion Rolan....
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Queen Selenay Of Valdemar
The chosen of Companion Caryo....
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Kerowyn
The main character of By the Sword, Kerowyn starts out as a young girl of Rethwellan who doesnt fit in well with her family (preferring physical activities such as riding, hunting, and learning combat to "womanly" pursuits). When her brothers ...
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Herald Skif
The chosen of Companion Cymry....
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Herald Keren
The chosen of Companion Dantris....
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Herald Sherrill
The chosen of Companion Skilkswift....
About the author
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Mercedes entered this world on June 24, 1950, in Chicago, had a normal childhood and graduated from Purdue University in 1972. During the late 70's she worked as an artist's model and then went into the computer programming field, ending up with American Airlines in Tulsa, Oklahoma. In addition to her fantasy writing, she has written lyrics for and recorded nearly fifty songs for Firebird Arts & Music, a small recording company specializing in science fiction folk music.
"I'm a storyteller; that's what I see as 'my job'. My stories come out of my characters; how those characters would react to the given situation. Maybe that's why I get letters from readers as young as thirteen and as old as sixty-odd. One of the reasons I write song lyrics is because I see songs as a kind of 'story pill' -- they reduce a story to the barest essentials or encapsulate a particular crucial moment in time. I frequently will write a lyric when I am attempting to get to the heart of a crucial scene; I find that when I have done so, the scene has become absolutely clear in my mind, and I can write exactly what I wanted to say. Another reason is because of the kind of novels I am writing: that is, fantasy, set in an other-world semi-medieval atmosphere. Music is very important to medieval peoples; bards are the chief newsbringers. When I write the 'folk music' of these peoples, I am enriching my whole world, whether I actually use the song in the text or not.
"I began writing out of boredom; I continue out of addiction. I can't 'not' write, and as a result I have no social life! I began writing fantasy because I love it, but I try to construct my fantasy worlds with all the care of a 'high-tech' science fiction writer. I apply the principle of TANSTAAFL ['There ain't no such thing as free lunch', credited to Robert Heinlein) to magic, for instance; in my worlds, magic is paid for, and the cost to the magician is frequently a high one. I try to keep my world as solid and real as possible; people deal with stubborn pumps, bugs in the porridge, and love-lives that refuse to become untangled, right along with invading armies and evil magicians. And I try to make all of my characters, even the 'evil magicians,' something more than flat stereotypes. Even evil magicians get up in the night and look for cookies, sometimes.
"I suppose that in everything I write I try to expound the creed I gave my character Diana Tregarde in Burning Water:
"There's no such thing as 'one, true way'; the only answers worth having are the ones you find for yourself; leave the world better than you found it. Love, freedom, and the chance to do some good -- they're the things worth living and dying for, and if you aren't willing to die for the things worth living for, you might as well turn in your membership in the human race."
Also writes as Misty Lackey
Author's website
"I'm a storyteller; that's what I see as 'my job'. My stories come out of my characters; how those characters would react to the given situation. Maybe that's why I get letters from readers as young as thirteen and as old as sixty-odd. One of the reasons I write song lyrics is because I see songs as a kind of 'story pill' -- they reduce a story to the barest essentials or encapsulate a particular crucial moment in time. I frequently will write a lyric when I am attempting to get to the heart of a crucial scene; I find that when I have done so, the scene has become absolutely clear in my mind, and I can write exactly what I wanted to say. Another reason is because of the kind of novels I am writing: that is, fantasy, set in an other-world semi-medieval atmosphere. Music is very important to medieval peoples; bards are the chief newsbringers. When I write the 'folk music' of these peoples, I am enriching my whole world, whether I actually use the song in the text or not.
"I began writing out of boredom; I continue out of addiction. I can't 'not' write, and as a result I have no social life! I began writing fantasy because I love it, but I try to construct my fantasy worlds with all the care of a 'high-tech' science fiction writer. I apply the principle of TANSTAAFL ['There ain't no such thing as free lunch', credited to Robert Heinlein) to magic, for instance; in my worlds, magic is paid for, and the cost to the magician is frequently a high one. I try to keep my world as solid and real as possible; people deal with stubborn pumps, bugs in the porridge, and love-lives that refuse to become untangled, right along with invading armies and evil magicians. And I try to make all of my characters, even the 'evil magicians,' something more than flat stereotypes. Even evil magicians get up in the night and look for cookies, sometimes.
"I suppose that in everything I write I try to expound the creed I gave my character Diana Tregarde in Burning Water:
"There's no such thing as 'one, true way'; the only answers worth having are the ones you find for yourself; leave the world better than you found it. Love, freedom, and the chance to do some good -- they're the things worth living and dying for, and if you aren't willing to die for the things worth living for, you might as well turn in your membership in the human race."
Also writes as Misty Lackey
Author's website
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