A Place of My Own: The Education of an Amateur Builder

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A room of one's own: is there anybody who hasn't at one time or another wished for such a place, hasn't turned those soft words over until they'd assumed a habitable shape?

When writer Michael Pollan decided to plant a garden, the result was an award-winning treatise on the borders between nature and contemporary life, the acclaimed bestseller Second Nature. Now Pollan turns his sharp insight to the craft of building, as he recounts the process of designing and constructing a small one-room structure on his rural Connecticut property--a place in which he hoped to read, write and daydream, built with his two own unhandy hands.

Invoking the titans of architecture, literature and philosophy, from Vitrivius to Thoreau, from the Chinese masters of feng shui to the revolutionary Frank Lloyd Wright, Pollan brilliantly chronicles a realm of blueprints, joints and trusses as he peers into the ephemeral nature of "houseness" itself. From the spark of an idea to the search for a perfect site to the raising of a ridgepole, Pollan revels in the infinitely detailed, complex process of creating a finished structure. At once superbly written, informative and enormously entertaining, A Place of My Own is for anyone who has ever wondered how the walls around us take shape--and how we might shape them ourselves.

A Place of My Own recounts his two-and-a-half-year journey of discovery in an absorbing narrative that deftly weaves the day-to-day work of design and building--from siting to blueprint, from the pouring of foundations to finish carpentry--with reflections on everything form the power of place to shape our lives to the question of what constitutes "real work" in a technological society.

A book about craft that is itself beautifully crafted, linking the world of the body and material things with the realm of mind, heart, and spirit, A Place of My Own has received extraordinary praise.

320 pages, Paperback

First published March 4,1997

About the author

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Michael Pollan is an American author, journalist, activist, and professor of journalism at the University of California, Berkeley, where he is also the director of the Knight Program in Science and Environmental Journalism.

Excerpted from Wikipedia.

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July 15,2025
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The problem with Michael Pollan’s books is that they are extremely difficult to set aside. Even when it comes to the topic of architecture, which isn't something I ostensibly have a great interest in, he managed to draw me in right from page 1. This is truly a wonderful, captivating, and interesting book. It delves into a wide range of topics, from man’s relationship with nature (Pollan’s recurring theme) to the age-old, bitter animosity between architects and carpenters (I believe the same holds true for designers and engineers in any field).

My favorite passages were his repeated emphasis on the importance of presence and experience over information and representation. One of the reasons he desired to build the building himself was to explore experiences beyond his identity as a “symbolic analyst” (that is, a writer and magazine editor). He frequently returns to this point in his musings on the significance (perhaps this isn't the perfect word) of space itself, highlighting that places can be special, that they “are not silent,” regardless of history or culture. In fact, it actually reminded me of Annie Dillard’s description of an artist attempting to create a model of a pine tree, and how the infinite details, both present and experienced, could never be fully captured in a representation.

It’s also enjoyable because Pollan is so engaging. Reading about his nerdy love for words and his constant efforts to frame every single little aspect of the process in a literary, theoretical, or at least thoughtful context is both fascinating and humorous, especially in a book where he aims to break free from such tendencies. There’s also a touch of irony in knowing that he eventually moved away from the house to Berkeley. Maybe his family still owns the property? I’m not sure.

Now I have a strong urge to read A Pattern Language, The Poetics of Space, and Biophilia, and to reread Walden.
July 15,2025
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The ultimate DIY endeavor might very well be the construction of a shelter. Michael Pollan writes captivatingly about this in "A Place of My Own." At the beginning of his project, he was more accustomed to the tools of pen and "The Chicago Manual of Style" than to a hammer and nail. He was rather apprehensive about his sudden urge to build himself a treehouse-library in the woods up the hill from his home.

We can observe what the studio did for his work. "The Botany of Desire" and "The Omnivore’s Dilemma," two of his more renowned works, were written after its construction. Pollan examines his subjects with extreme meticulousness, astonishing you with the profundity of his research. When choosing the site for his building, he referenced everyone from Vitruvius in the first century B.C. to the Romantic painters of the 18th century.

Most intriguingly, his examination of construction had universal implications for all crafts. Especially relevant was the part where he described how a wordsmith like himself could be overcome by a desire to create a structure with his own hands to cure the "sense of living at too great a remove from the things of this world…" He soon realizes that this idea is a bit romantic, especially since he doesn't quite know how to hold a hammer. But like most of us who have made something, he perseveres, and the resulting studio (and book) is well worth the effort.
July 15,2025
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Michael Pollan's second book chronicles his search for a writing refuge. What is it about? Well, it's about much more than just a shed. It's about getting up from the desk and engaging in physical labor, exploring architecture, history, design, writing, family, woodworking, honesty, weather, accomplishments, philosophy, and of course, writing the second book.


This is a leisurely and slow read, one that should be savored. The extensive chapter endnotes and bibliography of the many books mentioned are a great addition for those who want to explore more.


The story begins with the pending arrival of their first baby. The recently remodeled home they share is too small to accommodate his writing area, her art studio, and a nursery. They had a good experience with the architect, so he's engaged to draw up plans for a writing shed.


Pollan recalls the discussions in detail, the back-and-forth of arriving at a design that works on the site, is practical, and pleases aesthetically. The architect's character is drawn so well that you feel like you know him. The same goes for the builder later on, and the battles between the two are constant.


This might seem like a straightforward story of idea, design, and build, but in the telling, Pollan takes us on a journey through history. He's a self-described researcher who gets lost in books and articles when presented with a question. He shares all of this with us, including his thoughts on daydreaming.


If you're looking for an action-packed story, this might not be for you. But if you like to wonder, ponder, and imagine, then this book is a must-read. Once you get into Pollan's rhythm, you'll thoroughly enjoy the ride.
July 15,2025
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The version I listened to had a distinct title, namely "A Place of My Own: The Architecture of Dreams".

Anyway, I must confess that I had anticipated this book to zero in more on the impulse that lies behind constructing a place of retreat, that is, the "dreams" aspect. Instead, it seemed to be more of a step-by-step guide, or so it appeared, to building the shed, which is the "architecture" part. The amount of time, energy, and expense that was lavished on this retreat... er... this folly was truly astonishing to me. Surely, castles have been erected with far less fuss and drama.

I was rather perturbed by Pollan's attitude towards the workers such as Joe the carpenter, Charlie the architect, and Fred the electrician. To me, it came across as condescending, particularly the sneering descriptions of their clothes, hair, weight, and mannerisms. Perhaps some readers might find these descriptions humorous, but I found them to be trite and even cruel. Moreover, his wife seems to be a mere shadowy, personality-less character, wandering around the main house pregnant and barefoot.

Pollan's thoughts and research on architecture are indeed interesting. However, overall, the book was just a tad too self-indulgent for my taste.
July 15,2025
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Non-fiction account of a man building a small shed in his backyard. That’s the book. At first glance, it might seem like a rather ordinary topic. However, as one delves into the pages, it becomes evident that it is more interesting than you might expect. The author has a unique way of exploring each new step of the building process. Whether it's laying the foundations, constructing the framing, or any other aspect, the author approaches it with cleverness and a contagious curiosity. This makes the reader eager to follow along and learn about the details of shed building.


But overall, the account is held back by what can only be described as often eye-roll inducing pretentiousness. Statements like “with every hammer stroke I commune with the trees who gave their lives for this floorboard” come across as overly dramatic and perhaps a bit too self-important. It's as if the author is trying too hard to add a deeper meaning to what is essentially a simple task of building a shed. While it's nice to have a bit of reflection and appreciation, it doesn't need to be taken to such an extreme. After all, it's just a shed, buddy.

July 15,2025
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So boring.

I had high hopes for a hilarious, self-deprecating story in the vein of Bill Bryson or Sarah Vowell. However, it was more like being stuck in an excruciatingly dull conversation with one of my dad's friends who just loooooooved quoting obscure philosophers.

This could have potentially been a great (and short!) article, but it simply doesn't have the substance to carry an entire book.

I do enjoy his food writing, but I would strongly recommend others to avoid this particular work.

It lacks the charm, wit, and engaging narrative that I was期待ing.

Maybe the author should have focused on his strengths and left this concept as a short piece rather than stretching it into a full-length book.

Overall, it was a disappointment and not something I would recommend to others.

July 15,2025
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After listening to an inspiring interview with Michael Pollan on the "Longform" podcast (episode #347), I was deeply impressed and immediately made up my mind to read all of his books.

Pollan's voice seemed to be the perfect one, filled with valuable instructions and a genuine love for research. I'm certain that he is an excellent teacher at both Berkeley and Harvard.

I began with this book on building, as I myself am also engaged in a building project. I was glad to learn that his 8'x 10' writing shed took a long two and a half years to construct. Pollan had never built anything before, but through his house renovation, he became friends with an architect.

Pollan's dream was to walk through his garden every morning, enter his sanctuary, and spend the whole day writing. He detailed every step of the process, from locating the site to designing the desk and daybed, building the windows, doing the framing, and finding the flooring. Although he received help from another carpenter, it appeared that he was constantly involved in the building work.

There must have been breaks for extensive historical research, as this book features a wonderful bibliography of all the materials Pollan read while writing the book and considering the project. I highly recommend this book if you are building something (and who doesn't undertake a building project at some point in their lives).
July 15,2025
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In A Place of My Own, Michael Pollan embarks on an interesting journey of building a writing hut. Technically speaking, he first hires an architect to design this special hut and then enlists the help of a carpenter to bring the design to life. Throughout the book, Pollan delves deep into various aspects such as architecture, postmodernism, and even the philosophical meaning of windows.

While I, like many others, enjoy Pollan's comprehensive digressions, I have to admit that there were moments when I thought, "You should stop thinking about all these other things and just focus on building your hut." For those readers who might find certain sections of this memoir a bit dry, I suggest skipping ahead to the final section, which offers a fascinating history of the study.

I listened to an audio production of A Place of My Own, which was read by the author himself. I highly recommend it as it adds an extra dimension to the reading experience.

Update 2022. Upon re-reading this work, I was truly amazed by the significant influence that literary theory has had on architecture. Additionally, I found the dynamic and the tension between the architect, the carpenter, and the client extremely interesting. The architect designs the house, the carpenter builds it, and the owner lives in it. But the question remains: Whose house is it really?
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