One of the main assets of the second half of this saga is the inclusion of interesting characters like Jimmy the Hand and his sarcastic remarks, as well as the greater focus on Arutha. The people who work in the swamps, where we find Pug, are also more pleasant to me, seeing them as somewhat indigenous, but also inspired by Chinese culture. The various settings chosen by the author to give wings to his imagination seemed to me much more acceptable.
But the asset of these two volumes, especially the last one, are the battle descriptions. Raymond E. Feist may not be a brilliant writer, but he describes battle scenes in epic fantasy very well, without neglecting military details or the confusion of shouts and orders that are mandatory in this field of writing. Which is always a plus.
I liked the way the saga developed and concluded, but at no time did it even occur to me to include Feist among the top 10 fantasy literature authors, as he is sometimes included. It is an enjoyable read, but I emphasize that it does not come close to the heels of names like Steven Erikson, Robin Hobb or George R. R. Martin. Not by a long shot.
When Silverthorn begins, one year has passed since the war against the Tsurani. Peace reigns in Midkemia, but Arutha, now Prince of Krondor, has new problems on his hands. During his marriage to Anita, a young thief from the Thieves' Guild saves the prince from a beast assassin, a Nighthawk destined to kill him. To save his bride, Arutha has to set off in search of an antidote to the arrow's poison, the so-called Silverthorn.
In the following book, A Darkness at Sethanon, the world is under siege. Pug, now married to Kilana, a family man and also a master of magic known as Milamber, receives a terrible warning. Macros, whom he thought was dead, seems to be calling him. The mysterious enemy now begins to be revealed and show its tentacles, while its legions advance on the Kingdom of the Isles. On one side, Arutha, Tomas and their companions fight on the earthly world, on the other, Pug and Macros fight for magic.
It seemed to me a competent conclusion to this saga, with Silverthorn alluding more to the dirtiness of the world, to street pursuits, the life of thieves that I very much like to see in books, and this A Darkness at Sethanon presenting a great and definitive battle on two distinct levels that converge and that present an end that seemed worthy to me.
This year I will still start the Empire trilogy that Feist wrote together with Janny Wurts, and I hope it is more complex and realistic than this first series. As I said before, this Magician saga is quite basic and not very innovative for today's times, but it works as an excellent gateway for those who know little about fantasy literature.
http://noticiasdezallar.wordpress.com