Chrestomanci (Recommended Reading Order) #5

Conrad's Fate

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Someone at Stallery Mansion is changing the world. At first, only small details, but the changes get bigger and bigger. It's up to Conrad, a twelve-year-old with terrible karma who's just joined the mansion's staff, to find out who is behind it.

But he's not the only one snooping around. His fellow servant-in-training, Christopher Chant, is charming, confident, and from another world, with a mission of his own -- rescuing his friend, lost in an alternate Stallery Mansion. Can they save the day before Conrad's awful fate catches up with them?

400 pages, Mass Market Paperback

First published March 1,2005

This edition

Format
400 pages, Mass Market Paperback
Published
May 9, 2006 by Greenwillow Books
ISBN
9780060747459
ASIN
0060747455
Language
English

About the author

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Diana was born in London, the daughter of Marjorie (née Jackson) and Richard Aneurin Jones, both of whom were teachers. When war was announced, shortly after her fifth birthday, she was evacuated to Wales, and thereafter moved several times, including periods in Coniston Water, in York, and back in London. In 1943 her family finally settled in Thaxted, Essex, where her parents worked running an educational conference centre. There, Jones and her two younger sisters Isobel (later Professor Isobel Armstrong, the literary critic) and Ursula (later an actress and a children's writer) spent a childhood left chiefly to their own devices. After attending the Friends School Saffron Walden, she studied English at St Anne's College in Oxford, where she attended lectures by both C. S. Lewis and J. R. R. Tolkien before graduating in 1956. In the same year she married John Burrow, a scholar of medieval literature, with whom she had three sons, Richard, Michael and Colin. After a brief period in London, in 1957 the couple returned to Oxford, where they stayed until moving to Bristol in 1976.

According to her autobiography, Jones decided she was an atheist when she was a child.

Jones started writing during the mid-1960s "mostly to keep my sanity", when the youngest of her three children was about two years old and the family lived in a house owned by an Oxford college. Beside the children, she felt harried by the crises of adults in the household: a sick husband, a mother-in-law, a sister, and a friend with daughter. Her first book was a novel for adults published by Macmillan in 1970, entitled Changeover. It originated as the British Empire was divesting colonies; she recalled in 2004 that it had "seemed like every month, we would hear that yet another small island or tiny country had been granted independence."Changeover is set in a fictional African colony during transition, and begins as a memo about the problem of how to "mark changeover" ceremonially is misunderstood to be about the threat of a terrorist named Mark Changeover. It is a farce with a large cast of characters, featuring government, police, and army bureaucracies; sex, politics, and news. In 1965, when Rhodesia declared independence unilaterally (one of the last colonies and not tiny), "I felt as if the book were coming true as I wrote it."

Jones' books range from amusing slapstick situations to sharp social observation (Changeover is both), to witty parody of literary forms. Foremost amongst the latter are The Tough Guide To Fantasyland, and its fictional companion-pieces Dark Lord of Derkholm (1998) and Year of the Griffin (2000), which provide a merciless (though not unaffectionate) critique of formulaic sword-and-sorcery epics.

The Harry Potter books are frequently compared to the works of Diana Wynne Jones. Many of her earlier children's books were out of print in recent years, but have now been re-issued for the young audience whose interest in fantasy and reading was spurred by Harry Potter.

Jones' works are also compared to those of Robin McKinley and Neil Gaiman. She was friends with both McKinley and Gaiman, and Jones and Gaiman are fans of each other's work; she dedicated her 1993 novel Hexwood to him after something he said in conversation inspired a key part of the plot. Gaiman had already dedicated his 1991 four-part comic book mini-series The Books of Magic to "four witches", of whom Jones was one.

For Charmed Life, the first Chrestomanci novel, Jones won the 1978 Guardian Children's Fiction Prize, a once-in-a-lifetime award by The Guardian newspaper that is judged by a panel of children's writers. Three times she was a commended runner-up[a] for the Carnegie Medal from the Library Association, recognising the year's best children's book: for Dogsbody (1975), Charmed Life (1977), and the fourth Chrestomanci book The Lives of Christopher Chant (1988). She won the Mythopoeic Fantasy Award, children's section, in 1996 for The Crown of Dalemark.

Community Reviews

Rating(4.1 / 5.0, 100 votes)
5 stars
37(37%)
4 stars
32(32%)
3 stars
31(31%)
2 stars
0(0%)
1 stars
0(0%)
100 reviews All reviews
July 15,2025
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A boy burdened with bad karma embarks on a quest to find its origin at a magical estate. There, he unexpectedly finds himself in the company of a young Christopher Chant. This is the first installment in the Chrestomanci series (and, if I remember correctly, the first DWJ book I've read) to be told in the first person. I don't have an intense aversion to this narrative shift, yet it doesn't bring a particularly unique voice to the story.

The upstairs/downstairs setting of the estate is full of life. DWJ, as always, excels at capturing the vivid details and adding a touch of critical humor that makes the setting come alive. However, I'm disappointed that the final revelations seem to undermine the commentary on class and social roles in an attempt to create a funny twist.

The magical elements, on the other hand, are much more successful. They are alternately wondrous and humorous, and they are evoked in unique ways that enhance the focus on place and class. So, Conrad's story is decent enough. But what's more interesting is the external perspective on Christopher, especially a young Christopher. He is an outstanding character, relatable, stylized, and yet complexly developed. There is a great deal to appreciate about him in this book.

For me, this was a middle-of-the-road Chrestomanci book. It was engaging but had some flaws. It's better than The Magicians of Caprona, but it doesn't come close to the perfection of Charmed Life or The Lives of Christopher Chant.
July 15,2025
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My favourite of the Chrestomanci books so far! It's like a magical blend of Harry Potter, Downton Abbey, and a touch of Howl's Moving Castle. With each book, I find myself getting more and more attached to Christopher. He's truly a delight to read about, and his character keeps evolving in the most interesting ways. Conrad's Fate, in a strange way, reminded me of The King of Attolia, even though they are completely different. I think it's the dynamics between Christopher and Conrad that bear a resemblance to Gen and Costis.


I'm also starting to love DWJ's spectacularly catastrophic trademark endings. They add an element of excitement and unpredictability to the stories. I would absolutely love to read this book from the perspective of about 8 different side characters. There is so much going on behind the scenes that only comes together in the last few pages, and it would be fascinating to see it all from different viewpoints.


My one complaint with this series is that each book offers a plethora of ideas, plot twists, and world expansions, but then leaves them mostly untapped. Instead, it moves on to another, completely different and equally fascinating world in the next book. It gives me the same vibes as C.S. Lewis introducing about 80% of the world of the Silver Chair and then never revisiting it. I mean, an entire underground society of living gemstones? That's just begging to be explored further!


ALSO, teenage Christopher and Millie are so cute and funny. The fact that they are perceived as boring killjoys in other books when they are adults only makes them even funnier. Their relationship and personalities add a charming layer to the story. Overall, I'm thoroughly enjoying this series and can't wait to see what else DWJ has in store for us.
July 15,2025
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Kids have to be cautious of numerous things, and sometimes their own families are the most concerning. This appears to be an underlying theme in several of the books within Diana Wynne Jones' magnificent series of standalone fantasy novels for children.

Families can be perilous. They might disappoint you, break your heart, take advantage of you if it serves their greedy ambitions, and neglect you if you don't conform to their plans. Such a harsh and weighty theme for books whose main allure to me lies in the lightness of Jones' touch and her determination to place adventures within worlds that are both magical and mundane, sometimes even tediously so. It's an offbeat series, yet a wonderful one.

So, what is Conrad's destiny? It could be that he was born with bad karma and his fate is to balance the scales so that he can move forward with his life. At least, that's what the adults tell him. But who can trust an adult in a Chrestomanci novel? Conrad might be better off shaping his own destiny.

This is my favorite of the Chrestomanci novels thus far. Christopher Chant makes a comeback in his second adventure, but he takes a backseat to Conrad. The two are newly hired servants-in-training with two distinct secret motives. The setting is a strange yet bustling and lively manor filled with all kinds of people. The manor itself is facing issues: it randomly phases in and out of various realities without any warning. There was so much to relish in this book! The entire Upstairs Downstairs Downton Abbey-like atmosphere, with a plethora of fun details描绘了在这样一个地方当仆人可能是什么样的. The gradually developing friendship between Conrad and Christopher, and the great little moments where we witness how everyone else perceives the charming yet often unbearably smug Christopher Chant - destined to someday be the supreme sorcerer of all dimensions. The parade of assumed identities revealed at the end, the slowly simmering intrigues, the dry and vaguely menacing appearance of Chrestomanci as a deus ex machine, the ghost, the part-time actors slumming it as servants, the girl lost in another world, various adults with their own secret agendas, cruel witches, and especially the frequent and often disorientingly bizarre shifts into alternate worlds. The author describes all of this craziness in the same manner as a person would describe a trip to the supermarket to buy some milk and eggs.

It's such a fun book, but that sad, dark theme at its core makes Conrad's Fate resonate in surprisingly profound ways.
July 15,2025
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A Chrestomanci book that I began reading once (the beginning gave me a sense of familiarity). However, I had never managed to read it all the way through. As I delved deeper into the story this time, I could understand the reason why I had not completed it before. The magic depicted within these pages is rather confusing, making it a bit of a challenge to follow at times. Moreover, there are not an abundance of pleasant characters. Even Christopher, who is typically quite likeable, comes across as more annoying in this particular title.


On the other hand, there are certain really enjoyable moments that manage to compensate for the confusion. These moments add a touch of fun and excitement to the narrative. Additionally, the ending is quite satisfying, tying up loose ends and leaving the reader with a sense of closure. Overall, despite its flaws, this Chrestomanci book still has its redeeming qualities and is worth giving a chance to those who are fans of the genre.

July 15,2025
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I had completely forgotten that I had read this before. So, when I picked it up again, it felt like a new discovery. This time around, I'm giving it four stars.

However, this is one of DWJ's works that is not quite up to her usual high standards. That's the reason I'm initially inclined to give it three stars, but in all honesty, I'd really like to give it four, at least. Just like in The Pinhoe Egg, this book lacks the flawless character development and the refined form that are characteristic of the 'real' four Chrestomanci books.

The story gets off to a slow start and then rushes through the conclusion in the last chapter. Moreover, it depends on an unrealistic oversight by Anthea to drive the plot forward.

Nevertheless, it's important to note that despite these flaws, it is still an awesome read. DWJ's unique storytelling style and her ability to create engaging worlds and characters shine through, making it a worthwhile read for any fan of her work.
July 15,2025
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Oh boy oh boy it's a Chrestomanci!

I really adored this one. I have a great fondness for teenage Chrestomanci, who is so arrogantly supercilious. And I equally love Conrad, who serves as a straight-man foil yet is also the protagonist of his own story. I could spend all day reading about their interactions with Millie (even though, unfortunately, they don't actually date in the book. But I firmly believe that Diana Wynne Jones is VERY OT3-friendly).

Of course, I'm a huge fan of big mysteries set in fancy houses, and I also love upstairs-downstairs comedies.

Pacing, according to DWJ, is for idiots. She growls as she whisks you past three major reveals in rapid succession. Technically, it might be considered a flaw in her writing, but in the moment, it never even crosses your mind to disagree with her. <3

(Also: WILL YOU SHUT UP ABOUT THE WINE!!!)
July 15,2025
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TW/CW:
faphobia, g-slur, ableist slurs.

Also, it was really fun! I had a liking for Conrad, but I firmly believe that this book was enhanced to a great extent because of Christopher. His teenage self was truly hilarious. He was constantly cracking jokes and making remarks that had a sarcastic undertone. It was as if he had a natural talent for being witty and humorous.

His character added a new dimension to the story, making it more engaging and entertaining. Every time he spoke, it was like a breath of fresh air, bringing a smile to my face.

I found myself looking forward to his scenes and interactions with the other characters. His sarcasm was not only amusing but also a way for him to express his true feelings and thoughts.

Overall, Christopher's presence in the book made it a much more enjoyable read, and I'm glad that the author included such a wonderful character.
July 15,2025
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A chaotic and highly entertaining installment of the Chrestomanci series awaits readers.

Conrad inhabits a world that bears a resemblance to our own, yet with a fascinating twist. In this world, the British Isles are connected to mainland Europe, and there are even English Alps.

Conrad's guardians are easily distracted and seem uninterested in his future. Although he desires to continue his studies, his uncle is insistent that he secures a job in the nearby castle.

Once Conrad arrives at the castle, he discovers that he is expected to take a life in order to reverse a dreadful fate. However, on his journey to the castle, he crosses paths with Christopher Chant, the enchanter, and this encounter alters the course of events.

Jones masterfully weaves together the numerous diverse elements and unexpected plot twists in this story. I thoroughly enjoyed reading it, but I found that I wasn't as deeply emotionally invested as I had been with some of her other Chestomanci novels. Nevertheless, it remains a captivating and engaging read that fans of the series will surely appreciate.
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