The Dispossessed presents a complex web of ideas, with the most prominent being the socio-political contrast between capitalism and anarchistic-communism. It's often claimed that the author treats both structures impartially, but I beg to differ. Given her sympathies, she has painted an idyllic picture of anarchistic communism and a scathing one of capitalism. The capitalist society she creates, with its extreme wealth at the top and abject misery at the bottom, seems not only morally repugnant but also rather implausible. Capitalism has long understood the need to keep the working class content, yet her model defies this principle.
In contrast, the anarchistic-communist model she offers, set in a harsh environment, appears almost too perfect for success. While she superficially acknowledges some difficulties, the real challenges seem to be glossed over. This model borrows heavily from the kibbutz movement in Israel, which has failed, making it hard to envision her ideal society thriving.
This is the only le Guin book I've read, and I found the style rather stilted and contrived. There were times when I struggled to distinguish the author's supposed dispassion from plain boredom. I stopped reading The Seducer to take on The Dispossessed, and this has made me appreciate the former's superior writing. The dull, tedious style of The Dispossessed is, in my opinion, not necessary to convey the poverty and utilitarianism of her utopian society. If she had commissioned Ray Bradbury to put her ideas into words, he would have created something beautiful without sacrificing the style she intended.
The book's linguistics also left me unimpressed. While I understand the need for an anarchistic society to create its own language and culture, I'm not convinced by the way it's presented. The establishment and development of the language seem rather inconsistent to me. For example, the lack of a word for "wife" yet the presence of a midwife seems odd. And while some may argue that inventing a language adds to the believability of the story, I believe good writing can achieve this effect without such artificial devices.
The structure of the book, with its split narrative, also gave me pause. I'm generally skeptical of such formats, as I feel they often don't hold up as well as a straightforward chronological layout. However, perhaps in this case, the book's complex themes and ideas require such a structure to be fully explored.
Despite these criticisms, I did find some aspects of the book to be quite thought-provoking. The author's philosophical considerations at a micro or personal level, particularly regarding Shevek's development, were interesting. While I found Shevek to be a rather dull character, his journey of self-discovery and the impact of his society on his personal growth were值得探讨. Additionally, the author's espousal of certain personal/interpersonal philosophies, such as the importance of absolute fidelity in a partnership, resonated with me.
Overall, while The Dispossessed has its flaws, it's still a book that值得一读 for those interested in exploring complex socio-political and philosophical ideas. It may not be a perfect work of literature, but it does offer plenty of food for thought.