REVIEW ALSO ON: http://bibliomantics.com/2011/04/29/m......

The third and most disturbing series I delved into from Junji Ito was "Gyo: The Death Stench Creeps". In this harrowing tale, dead fish, controlled by sentient metal legs crafted by the military, make their way onto land and unleash terror upon the world. This plot was by far the most absurd yet simultaneously the most horrifying. The beautiful main heroine, Kaori, succumbs to a monstrous disease that causes her body to expel gas from all orifices, bloat to an alarming and unhealthy degree, and become covered in pus-filled boils.

At the outset, this series was incredibly spine-chilling. Fish with legs traipsing on land were soon joined by Great Whites with legs, then giant squids, hammerhead sharks, swordfish, and whales, all, as you might have guessed, with legs ambling on land. The visual imagery was truly terrifying. And then, the legs that animated these sea creatures began to take over humanity, attaching themselves to people and even adorable little puppies. At this point, the story descended into downright terror and became nauseatingly disturbing.

He firmly believed that he could outwit the principal post, but unfortunately, he was seriously mistaken.

His family was left crying all alone, a situation that was truly heart-wrenching.

He will now be remembered in the same vein as spiral-tub-dad and hairy-space-lady, which is not a desirable association by any means.

With a 0/10 experience rating, it is clear that lying under the principal post is not something that should be recommended.

One should always think twice before engaging in such actions, as the consequences can be far-reaching and deeply impactful on both oneself and one's loved ones.

It is important to be honest and face the truth, rather than trying to deceive or outsmart others.

Only by doing so can one build a reputation based on integrity and respect.

Junji Ito is a highly regarded and influential figure in the world of horror manga. His unique style and ability to create truly disturbing and atmospheric stories have earned him a dedicated following.

His works often feature grotesque and nightmarish imagery, exploring themes such as fear, madness, and the unknown. The characters in his manga are vividly drawn and their emotions are palpable, making the reader truly invested in their fates.

One of the things that sets Junji Ito apart is his attention to detail. Every panel is carefully crafted to build tension and create a sense of unease. His use of shading and perspective adds depth and realism to his illustrations, making the horror feel even more visceral.

Overall, Junji Ito's work is a must-read for any fan of horror. His ability to create truly terrifying and unforgettable stories is second to none, and his manga continues to inspire and influence generations of horror fans and creators alike.

A great horror manga that truly manages to send shivers down your spine. The concept of a legged-fishes apocalypse is both unique and terrifying. The story, although concise, has the potential to be truly gripping. However, I do wish that the characters were more well-developed. It feels as if they lack depth and personality, which could have made the reader's connection with them even stronger.

On the other hand, the art in this manga is absolutely fascinating. The detailed illustrations bring the world of the legged-fishes to life in the most vivid way. The artist has done an excellent job of creating a sense of atmosphere and dread. Every panel is a work of art, and it's clear that a lot of time and effort has gone into the creation of this manga.

Overall, despite my criticism of the character development, I still believe that this manga deserves 4 stars. The art alone is enough to make it a worthwhile read, and the story has the potential to be even better with further development. I would highly recommend this manga to any horror fan looking for something new and exciting.

The ocean is home to a vast number of unknown and known beings.

If these beings were to grow legs like crabs, they might potentially invade our land.

This is exactly what is happening here.

In addition to this terrifying idea, we are submerged in a stench of putrefaction that makes us loathe fish.

The mystery and potential danger lurking beneath the ocean's surface have always fascinated and scared humans.

The thought of strange creatures with the ability to walk on land emerging from the deep is enough to send shivers down our spines.

Moreover, the unpleasant smell of decay further adds to the sense of unease and aversion towards the ocean and its inhabitants.

It makes us wonder what other secrets and horrors lie hidden in the vast expanse of the sea.

Perhaps one day, we will have to face the consequences of the unknown lurking beneath the waves.

Until then, we can only imagine and be cautious of what might come.

Junji Ito's work is truly a unique and captivating phenomenon. I have an intense passion for it.

His creations are not only freaky but also amazingly brilliant. The way he weaves together elements of horror, the supernatural, and psychological turmoil is simply masterful.

Each story is a journey into a world filled with strange and terrifying creatures,扭曲的 landscapes, and mind-bending plot twists. The detailed and vivid illustrations bring these nightmarish visions to life, making the reader feel as if they are right there in the midst of the chaos.

Junji Ito's work has the power to both repel and attract, leaving a lasting impression on those who dare to explore it. It is a testament to his creativity and talent as a horror manga artist.

I can't wait to see what new and terrifying works he will come up with in the future.

Please provide the article that needs to be rewritten and expanded so that I can help you.

The rancid stench of death pervades the island of Okinawa. There is something truly fishy going on here. Literally. The unbearable stench is spreading at an alarming rate. And then, a legion of rotting fish with robotic legs emerges from the ocean. They devour everything in their path. It's an extremely scary concept. What if sharks, whales, squids, and other unsightly sea creatures suddenly acquired the ability to walk on land and feast on whatever they desired?

The story is both wacky and highly imaginative. As someone who has a deep-seated fear of the ocean, the mere thought of it sends shivers cascading down my spine. Junji Ito's art is always disturbing and impressive. However, in terms of horror and story structure, I must admit that this is one of his weaker works. Uzumaki is a masterpiece of horror, and many of his short story collections are phenomenal. In comparison, this one feels somewhat shallow due to the lack of build-up, unmemorable characters, and sloppy pacing. Nevertheless, the imagery of massive sea creatures emerging from the ocean and wreaking havoc on land is undeniably something straight out of my worst nightmares.

***

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Definitely super creepy.

Although I have to admit I wasn't thoroughly impressed. I've already read Uzumaki, so I think my standards were set a little too high. However, Gyo seems to still be a good story of its own.

The art and story is true to Ito's style in that it's made in a way that really gets under your skin. The actual subject of the story itself doesn't seem that scary (walking fish), but Ito always takes things to the next level and goes the extra step to really terrify his audience.

Plus, even though a lot of the subject matter is creepy and disgusting, Ito's art is actually quite gorgeous. His detailed illustrations bring the creepy world of Gyo to life in a way that is both disturbing and captivating.

If you're a fan of Ito's other work or are looking for a new experience in the creepy world of manga, this is a must-read. You'll be on the edge of your seat from start to finish, and you won't be able to look away from the disturbing images that Ito creates.

Meh.

This simple word seems to convey a sense of indifference or mild dissatisfaction. It's a term that has gained popularity in recent years, perhaps as a way for people to express their lack of enthusiasm or excitement about something.

Maybe it's used when someone is presented with an option that they don't really care about, or when they are asked for their opinion on something and they can't be bothered to give a more detailed response.

Meh can also be used in a more lighthearted way, as a way to show that something is just okay or nothing special.

Overall, meh is a versatile little word that can be used in a variety of situations to convey a range of emotions, from mild annoyance to simple apathy.

A truly daunting and disturbing story indeed. My initial thoughts upon hearing it were, "How in the hell did that happen?" It was a question that lingered in my mind, leaving me both shocked and intrigued. As I delved deeper into the narrative, I've come to the realization that it represents a powerful metaphor. The idea of a father being the "pillar" of the home is a common one, symbolizing strength, stability, and support. However, in this particular case, it was depicted quite literally, perhaps adding an extra layer of impact and significance to the story. It makes one wonder about the true nature of family dynamics and the role that fathers play within them. Are they always the unwavering pillars that we assume them to be? Or are there times when they too can falter or be broken? This story forces us to confront these questions and consider the complex and often fragile nature of our relationships.

Uzumaki no se va de la cabeza.

It's like the baby of Alien, something that once you see it, it gets engraved in your mind.

I have continued with Gyo, which is equally sick, just a little bit below Uzumaki.

I'm a fan.

Uzumaki is truly a remarkable and unforgettable work. The unique and creepy atmosphere it creates is simply captivating.

The strange and distorted shapes of the spirals seem to have a life of their own, drawing you into a world of horror and mystery.

Gyo, on the other hand, also has its own charm. The grotesque and mutated sea creatures add an extra layer of disgust and fear.

Both works have left a deep impression on me, and I can't wait to explore more of Junji Ito's works.

As a fan, I will always be fascinated by his ability to create such disturbing and yet captivating stories.