The knowledge struck me like a ray of light and in that same instant a verse that I had learned in my novice year and always loved, and which seemed extraordinary to me, although I could never fully grasp its entire truth, awoke in my heart. It was a verse by the poet Novalis: „Whither do we tend? Always homeward.\\"
I asked the servant Leo why it happened that artists sometimes appeared to us only as mere fragments of men, while the images they created seemed so undeniably alive. Leo looked at me, surprised by my question. Then he put down the poodle that he had been holding in his arms and said:
„The same thing happens with mothers. After they have brought their children into the world and given them their milk, their beauty, and their strength, they become insignificant and no one is interested in them anymore.\\"
„But that's sad,\\" I said, without really thinking too much about what I had heard. „I don't think it's any sadder than all the other things,\\" said Leo. „Maybe it's both sad and beautiful at the same time. That's the way the law is.\\" „The law?\\" I asked, curiously. „What kind of law, Leo?\\"
„It's the law of service. Whoever wants to have a long life must serve. But whoever wants to be a master shortens his days.\\"
„Then why do so many people strive to become masters?\\"
„Because they don't know what awaits them. Only a few are born to be masters, and they can do it and still preserve their vitality and health. But the others, those who have become masters only through ambition, all end up in nothingness.\\"
„In what kind of nothingness, Leo?\\"
„For example, in sanatoriums.\\"
The journey to the East, according to central European thought, is only a prelude to Hesse's main work, The Glass Bead Game, and the Swabian Chronicle is only considered an independent work because it didn't fit into that. Nevertheless, from many points of view, these are instructive, and moreover, with their flaws (perhaps because of their flaws), attractive writings.
The journey to the East is actually the story of a documented failure – the reason for the failure being that certain experiences are simply indescribable and thus incommunicable. Now, if someone writes about something that is indescribable, the reader frowns and deducts a star. On the other hand, one might also give a star for the mere courage of the enterprise. So far, it's undecided. I'm not saying that the story of the mystical community wandering in space and time, with the League as the main character, is strange, but it gives it a certain naïve charm that Hesse tries with all his might to write himself, his friends, and his role models into the text. The very idea impresses me personally.
Let's consider that this is the period between the two world wars, the twenties. Remarque or Jünger (or beyond the national borders, Barbusse and Aldington) are preoccupied with resolving the trauma of the First World War through the description of trench warfare and the therapeutic exaggeration of hell. Hesse's writing is also characterized by the same disappointment, in my opinion: that the human mind, industry, and civilization have culminated in such a great inhumanity. However, he chooses a different path, a kind of spiritual journey, fleeing into a friendly dream world, which is structured by the special distillation of European arts and myths, as well as Eastern religions. It's true that this dream world cannot be separated from reality, and this dissonance casts a shadow throughout, but overall it's an innocent game. Which is no small thing, considering what harmful ideas the Nazis found worthy of adoption during their own spiritual "journey to the East" in the same period.
(The Swabian Chronicle is actually the same escape, only in a much more sublimated form. Here we don't directly encounter the mystical leaps in space and time, but through a much more transparent system of symbols, at the center of which is the desire to create.)
“The melody of a breeze, the rhythm of a familiar step, even the memory of a lost time can affect me so deeply. If it can give me so much happiness and so much pain, then for me, everything has changed in such a profound and wonderful way!”
Hermann Hesse also felt that I had taken too many breaks in reading. Additionally, the ending was very satisfying.
It's truly amazing how the simplest of things, like the sound of a breeze or the pattern of a well-known step, can have such a powerful impact on our emotions. These small details can bring back a flood of memories and feelings, both happy and sad. And in Hermann Hesse's words, we can sense the depth of his connection to these experiences.
The fact that he felt I had taken too many breaks in reading shows his attention to detail and his desire for a more immersive reading experience. However, despite this, he still found the ending to be very satisfying, which speaks volumes about the quality of the work.
Overall, Hermann Hesse's words remind us of the importance of paying attention to the little things in life and how they can shape our perception of the world around us.
I accidentally came across this little book in the bookshelf of the vacation cottage where I stayed for a weekend. It's intriguing and interesting, definitely worth reading if you have a few hours with nothing to do.
"Often I think that the entire world history is nothing but a picture book in which the most intense and blind desire of people is reflected: the desire to forget."
"Death was no longer nothing for me, no emptiness, no negation. Many other things had also changed. I endured the hours of despair now as you endure severe physical pain: you bear it, complaining or stubbornly, you feel how it swells and increases, and you feel a sometimes furious, sometimes scornful curiosity about how far it can still go, how much worse the pain can become."
"Our journey to the Orient and the community that was its foundation, our bond, has been the most important, the only important thing in my life, something beside which my own person seemed completely worthless. And now that I want to record and hold on to this most important thing, or at least something of it, everything only consists of a large number of images that fall apart like shards and have been reflected in something, and that something is my own self, and that self, the mirror turns out to be nothing wherever I want to consult it, only the top layer of a glass plate."