Stephen King wrote in his brilliant novel: "Demons are real. So are ghosts. They live inside us, and sometimes they win."
Dostoevsky also claims that: "Devils exist. There is no doubt about it. But our understanding of them is very different." In a novel that, according to himself, deals with the greatest moral problem of our time.
Camus, a beloved writer, ranked "The Possessed" among the three or four greatest works of world literature, which are the lofty peaks of the human mind. He says in another part of his article on Dostoevsky in the book "The Rebel": "Because our world must either die or give it its due. And whether this world dies or is reborn, in any case, Dostoevsky's work is to the point." Camus later adapted this beloved novel of his into a play with the same title, and after reading the novel, it is clear to me why Camus saw this novel like a stage play and theater, because there is no other way to be in the scene of this novel, and only by entering its world does one enter the theater hall. The devils, like "Crime and Punishment" and "The Brothers Karamazov", are a very long and detailed novel with many descriptions. In "The Possessed", the events are even more unexpected than in the other two titles. So much so that the reader has no idea about the occurrence of events until the end of each scene. When we enter the world of the book and until the moment of its end, we have no prediction about the course and development of the book. But when we reach the end of the book, we think to ourselves that yes! This story had no other way but its current end, and all the paths had ended here. In "The Possessed", the peak of character portrayal in literature is also evident, and very memorable characters will be created in our minds, some of which are the developed states of other Dostoevsky characters in the novels "Crime and Punishment" and "The Brothers Karamazov". Among the important characters of the story, one can mention Stavrogin, Shatov, and Kirillov. Hours can be spent in conversation about the actions and words of each of these characters without getting tired. Shatov is a character whose face is described very much like Dostoevsky's own face, and even in the scene of his child's birth, all the conditions that were considered for him are the feelings and states that Dostoevsky had at the birth of his first child. Something that Dostoevsky did many times and showed that although he describes from a different perspective than Turgenev and Tolstoy, he is a master in staging his scenes. Like the descriptions of the conditions of the execution scene in "The Brothers Karamazov", which were taken from his own experiences, and other examples. Stavrogin, the main character of the story, who is present in most of the peaks and climaxes of the story and fills the space, is also one of the most important examples of character portrayal. A character who, in the best chapter of the book and the climax of this play, that is, the chapter "Near Tikhon", goes to see a priest and conducts the deepest conversation of this theater. A character whose diabolical current and halo that surrounds him causes a change in the other characters of the story. Finally, Kirillov, who is always submerged in the thoughts and ideas of the story. Someone who is constantly lost in thought and cannot sleep at night and keeps asking questions until morning. A person who opens and expands the aspect and window of the concept of "suicide" in this novel and has a behavior like that of innocent children. A character who has been captured by a kind of nihilism but, like the character Bazarov in Turgenev's "Fathers and Sons", does not betray humanity. Like the scene where he denies the killing of other people.
Like Dostoevsky's other novels, "The Possessed" is full of philosophical conversations and thought-provoking discussions. As always, the psychological analysis of the characters is done at their peak and in the closest state to them. It is full of questions about the existence of God and issues such as suicide, life, and the restlessness of humanity. It is full of evil and pleasure in faith and commits horrible acts. However, as always, we understand the characters and in some cases feel sorry for them. In addition to all these things, the criticism of society and the political beliefs of that time's society has also fallen under the pen of Dostoevsky. Beyond these things, the characters of this novel are written based on a real event and real characters. The scenes of the book have their own eternal clarity, and as always, Dostoevsky takes us and throws us into the scene, and we are an invisible spectator. In some scenes, there are so many detailed and palpable details that the moment of your invisibility is erased, and for a moment you feel that there is no longer a halo between you and the characters of the story. You are in the scene, and you may close the book out of fear and horror.
The conversations and questions that Dostoevsky raises and answers in a special way, as always, are very deep and penetrate the human mind. As Camus says, he awakens the spark of enlightenment in us. One of the important questions raised in the book in the political and social aspect was whether it is possible to commit a crime and massacre in the name of a lofty goal? Something that I have always strongly opposed and always think to myself that it doesn't matter how lofty and ideal a goal is, a crime like a storm destroys it. And this is a thought that perhaps for years like Kirillov, I think about it in the corner of my room and cannot find a solution for it. Like the scene where Shigalov was thinking about the principles of their society and said: "I started my work from unlimited freedom and ended up in unlimited despotism." And perhaps freedom should not be started absolutely, and it is true that man is created free, but our invisible chains have chained us to stones.
"The Possessed" is the most tragic work of Dostoevsky. It is full of turmoil and noisy and evil scenes, and the characters are like demons fighting in it, and this heat and fighting and turmoil seem to have no end, and as the poem from Pushkin at the beginning of the book is quoted: "No matter what we seek, there is no way.
We are lost, what can we do?
It is the devil who has led us to the deserts.
This is the reason for our wandering...".
A poem that has a meaning for you when the book is opened, and when the book is closed and read again, it has a completely different meaning, because of a few months of life in a noisy city and being a spectator of the unexpected events of that on the stage of a spectator.
Finally, a few important points about reading this book:
In what situation do I recommend this book to you? If you have derived a lot of pleasure from reading Dostoevsky's large works such as "The Brothers Karamazov" or even "Crime and Punishment", and although the descriptions and many details make reading slow, they have not caused you to be discouraged and tired.
It was mentioned in one of the other reviews, but it may be necessary to repeat it: Note that one of the chapters of the book, titled "Near Tikhon", which is located on page 919 of the Niloufar publication, should be read after page 585.