I first heard of this in a criterion supplementary vid for Thelma & Louise (1991). The scriptwriter discussed a few of her influences when first throwing around ideas: Aretha Franklin ballads, 40s noir romances, and this. This novella is a (similarly) referential fairy-tale. Welty borrows Psyche’s candle held aloft over Cupid in repose and the charm from the goose-girl’s mother. Not to mention a few Mississippi figures, such as the riverboat pilot Mike Fink and the killer Little Harp. It’s essentially Grimm’s Robber Bridegroom transposed to a fantastical deep south with truly lovely writing. An arbitrary line: Clement came in, and the first thing he said was, “hello, wife, where is my little daughter gone?” for she had not run out to meet him, and that was as if the jessamines had not bloomed that year. It is a perfect read as the summer heat finally passes. The story unfolds in a magical and captivating way, drawing the reader into a world of mystery and romance. The use of references and the beautiful writing make it a truly enjoyable and engaging novella.