The novel that won the 2002 Pulitzer Prize has been reviewed countless times in the past decade. It is one of those rare cases where all the excitement and praise are truly justified. To illustrate this, I will quote some reviews:
“[Russo] is one of the best novelists around....As the pace quickens and the disparate threads of the narrative draw tighter, you find yourself torn between the desire to rush ahead and the impulse to slow down” - The New York Times Book Review
“Immensely satisfying...[Russo is] an unpretentious master of fictional technique whose deeper wisdom expresses itself in the distinctive fallibility, decency, humour and grace of the indisputably, irresistibly real people he puts on the page” - The Boston Globe
“Russo writes with a warm, vibrant humanity....A stirring mix of poignancy, drama and comedy” - The Washington Post
“The history of American literature may show that Richard Russo wrote the last great novel of the 20th century” - The Christian Science Monitor
This novel rates as one of the best I have read in the last decade. If you are looking for a truly excellent read, then you should definitely pick up Empire Falls. It offers a rich and engaging story that will keep you hooked from beginning to end. The characters are vivid and real, and the writing is both beautiful and profound. Whether you are a fan of literary fiction or just looking for a great story, Empire Falls is sure to satisfy.
A big novel is set in a little place in Maine. The town is on the decline, and the novel features numerous characters and plots. However, rather than allowing the characters to speak for themselves or the circumstances to unfold naturally and reveal meaning, the author piles on the evidence and delves into the characters' thinking without fully exploring their complexity. If the scenes don't repeat, what they represent about the characters or the fate of the town and its people does. Much of the storytelling is ordinary, although Russo is capable of handling description and characterization well when he chooses to. Instead, he often resorts to a speedwritten, colloquial prose that lacks vitality.
Moreover, there is a certain meanness in his descriptions of some characters, such as the Whitings, the Mintys, Janine Roby and her new husband. This borders on hypocrisy when compared to the forbearance he shows towards some other characters whose behaviors or motives don't seem that different from those less favored. For example, Janine seems as abandoned and ill-served by marriage as Miles Roby's mother was. One is tragic and the other pathetic. Despite going to great lengths to ensure we share everyone's opinion, including her mom and daughter, that Janine is a fool, there is no attempt to evoke sympathy for a woman who got involved with a man who never loved her, worked closely with the woman he always loved, and has never really taken responsibility in any significant way.
The book concludes with a long-awaited and digressively presented Columbine shooting. In its aftermath, there is at least the possibility that Janine and Miles may reconcile and the town's fortunes are improving enough to allow life to continue. None of it feels organic; it just seems like one writer's idea of a complicated story played out in a small town with some symbolic meaning for our post-industrial world.