Lives are indeed like rivers, flowing towards an inevitable destination. We often believe we can direct their paths, but in the end, there may be only one way. Richard Russo's Empire Falls makes us question this. After reading it, I've been thinking about whether we truly have no choice in the course of our lives. Do we just think we have options when in fact our paths are set? Or is believing this just an excuse to blame circumstances that can be overcome?
The novel is set in a small Maine town that was once prosperous due to the logging and textile industries run by the Whiting family. Now, it's run-down, but many still hope for its revival. The Empire Grill is the focal point of the town's happenings. Here, we meet Miles Roby, the manager. What's interesting about small towns is that many people stay despite hardships. Miles managed to leave with his mother's help but had to return due to circumstances beyond his control.
Miles lives in a shabby apartment, is getting divorced, and has many responsibilities. Through him, we meet a diverse cast of characters, each complex and fully realized. The interactions and dialogue in the book are excellent, making it a captivating read. The novel is a character-driven story with a slowly revealed plot that has some unexpected twists. In the end, it makes us realize that we should take control of our lives and pursue our dreams, not let the current of life carry us away.
The Pulitzer Prize-winning novel features a slow-paced narrative with the longest, dullest, and least significant dialogues about insignificant things, such as the clog in the dishwasher at a restaurant or Janine's weight loss and sex life after finding a partner who satisfies her, or why the daughter doesn't eat, pokes with a fork, and her parents pull pieces from her plate. It failed to resonate in my heart and left no vivid impression.
The characters have a distinct division into positive and negative. As is the case, the positive characters are idealized. Miles is an overly ideal father, extremely attentive to his daughter's affairs - (all this is unnatural, it doesn't happen like this). His daughter, Tick, with a flat chest, thin legs, and an appearance promising to be a model, in her idealness, is annoying. She supports John Voss, a boy whom everyone bullies and teases, refuses the most popular boy, Zak, in friendship, helps her father in his "Imperial Grill," wins art competitions, and, of course, is a beauty. The negative characters, of course, are not blatant villains, but the author doesn't miss the opportunity to emphasize their negativity, the unworthiness of the success of some, the glee at the wrong decisions of others, and the condemnation for the desire of others to borrow money.
The main characters belong to the middle class, the entrepreneurial environment in provincial America. Among the secondary characters, there are also the rich, who own everything in the town, and the truly needy. It is not clear what idea was behind the excursions twenty years ago about the nascent but undeveloped romance of Grace and Charles.
The abandoned child, John Voss, whom his parents often forgot hanging in a laundry bag in the closet as a baby, remains abandoned by society. He is treated and humiliated - he endures, and when his patience snaps and his long-suppressed feelings of humiliation spill over into a mass killing, society can't find anything better than to hide him in a psychiatric hospital. No lessons are learned, only immersion in post-traumatic stress disorder.
The author raises a whole range of problems - obviously, for this he received such a high award - from bullying to school shootings, from dementia to invalids, from corrupt policemen to the body of a grandmother dumped on a landfill - the entire spectrum of possible problems. It seems that this also affected the volume of the book and made it a real pile. In my opinion, it is better to develop one theme well than to tackle the whole bunch at once. So it remains unclear what idea or spectrum of ideas all this was written for. In general, I didn't like the novel.
The novel has such a wonderful preface that I squealed with joy because here it is, finally, the American David Lodge. (After that I stopped squealing; it will be less funny but no less cool.) Empire Falls was once a prosperous industrial town where almost everyone was owned by one family, and they had only one problem: all the men of the family at a certain moment desperately but vainly dreamed of killing their wives. And only Charlie Wating decides that it will be much easier to kill himself.
The main character of the novel is the forty-year-old Miles Roby, a kind and orderly manager of a small diner in Empire Falls, who fell together with Charlie Wating. In the quiet and, in general, dying backwater, everyone knows everything about everyone, and the most knowing is the old usurer, that is, the very wife who could not be killed. The old woman scares all those few residents who have not yet fled to work or to universities; the young pastor of the old church quietly mourns that the building will soon be given over to a hotel; the crafty drunk - Miles' father - is always trying to extort twenty bucks from his son and flee to Miami, where it's warm and there are girls; Miles' almost ex-wife has lost weight but has not become any happier; in the school with Miles' daughter, a strange boy studies who does not talk to anyone and draws ominous eggs - in general, it's only fun for the reader in Empire Falls.
Indeed, this novel is good for its soothing everydayness, and it seems that we all know quite a few such heroes - a little inert, a little fussy, decent people. And what's the use of hiding, if we ignore the fact that we have a little more diners than two, the action of the novel could easily be transferred to St. Petersburg. People here also do not know how to make money, but they are proud of their rich inner world (TM), they like to have soulful conversations, remember the past and (co) suffer.
Separately, I would like to note the finale of the book, where, just like Keanu Reeves recently came to us, the invisible Bruce Willis arrived and arranged a magical action. There are, in general, men in American villages.