A truly remarkable book has emerged that astonishingly manages to strike that elusive and difficult balance between being uproariously hilarious and deeply sentimental. It encapsulates all the captivating drama that unfolds within a university English department. This is intertwined with the irreverent nature of a middle-aged professor who approaches everything with a light-hearted disregard, not even taking himself seriously. Amidst the plethora of jokes and slapstick comedy that pepper the narrative, there lies a profound tenderness. This tenderness delves into the complex ways in which we perceive ourselves and interact with those around us. It makes the reader both laugh out loud and reflect deeply on the human condition.
University novels can sometimes be overly dull, but at other times they can be cozy and plush. The story is as dense as the day-before-yesterday's raisin cake, but if you soak it in tea like grandma used to soak crackers in gravy, it becomes really soft and delicious. And you can get excited, trip over history, and realize that the cake was a weapon of shock and awe. Because I laughed at the jokes and at the same time cursed myself for not having the courage to throw this book away.
"The Straight Man" seemed endless to me. I wanted to throw this book away every five minutes, but every time I got into a state of flow and couldn't break free. And when I wasn't in that state, I found more interesting things to do. The hero can't get rid of himself, and I can't figure out my feelings for Richard Russo. Sometimes I feel a chromosomal kinship, sometimes I try to reach out with my foot to give an invisible pendulum a push so that it moves faster. Russo is talking about Occam's razor again, and I'm yawning again. Nevertheless, in the end, the novel left a pleasant aftertaste and the feeling that I had read a book as thick as "Empire Falls". Although, wait a minute, it's actually only 80 pages shorter than "Empire Falls"! The story of Russell and the father of the main character, who didn't like Dickens and couldn't speak in public, deserves a special mention. A special love for the introduction, which is both sad and ironic to the point of ecstasy.
The funniest thing is that Russo managed to write a normal hero who doesn't insult everyone like a stand-up comedian, doesn't sulk like a victim, and doesn't get angry as if he's escaped from Palahniuk or somewhere else. He has no hemorrhoids, no addictions, no secrets. Amazing, right? But he has charisma and the ability to answer questions the way I would only answer the next day if I thought about it carefully. Let's call this a superpower.
Hank, the Happy Man, also has a negative trait - he's a know-it-all in his own head. No, he behaves well and responsibly, for which I have a low bow to the author, but all his thoughts about himself and other people, for some reason, are presented in the spirit of such sentences that it's no longer interesting to follow and you lose the thread. God, just call it a slut and be done with it! The thought police won't come and arrest you for short phrases without convoluted clauses.
And this is also a very funny book if you like the kind of humor that only works in the text. It won't make you laugh out loud, it won't even make you smile, but you'll appreciate the sardonic jokes. They're not forced, not dull, and they add an extra star to the novel. I also liked all of Hank's interactions with other characters - either it's harmless trolling (they asked for it themselves), or surprisingly reasonable actions (they invited it themselves). For this, it's very easy to identify with the main character and all that's left is to hope that in 16 years I'll be the same straight man.