540 pages, cloth
First published January 1,1926
AVISO: CONTIENE DESTRIPES DE ALGUNAS DE LAS HISTORIAS
The majority of these stories are somewhat similar: they deal with a young man trying to win over a girl who is the love of his life. Sometimes he succeeds, but then they end up losing each other; sometimes the two part ways and reunite years later; sometimes they are together and struggle to stay that way... There is one with a somewhat more humorous tone, like "Baby Party", in which two married couples come to blows because their children, two toddlers who have just started walking, have "hit" each other at a birthday party and one starts crying. Another one, it's not clear if it's positive and hopeful or the opposite: it's about a left-handed man who is always "lending" money to "needy" people (who then spend it on whims and never return it) and decides, after many pleadings from his pregnant wife, to stop giving that money and save it for his wife and their future baby. A decision that lasts him four days, because he realizes that he can't be "a heartless man", and he goes back to giving money to anyone who asks for it.
The two that interested me the most are a bit disturbing because they show how submissive women were, even those of very high class, in a marriage in the 1930s. In one, "The Four Hundred Fingers of Gretchen", a man decides not to leave the house any night for six weeks to finish some advertising projects that will bring him great success, and although at first he "allows" his wife to go out and have fun, he ends up becoming so paranoid and jealous, convinced that his wife is going to have an affair with someone else while he works, that he drugs her, locks her in the house and cuts the phone so that she can't leave or ask for help.
The other one, "The Composer", is even more anguishing. In it, there is a married woman who no longer loves her husband and wants to stop living with him and ask for a divorce, but every time she wants to leave the house, a strange individual, a supposed psychologist, appears and makes her feel selfish, guilty and miserable for trying to leave her husband. She ends up accepting to stay a little longer, to not leave him alone in a bad moment, and in the end, when it's seen that she has definitely stayed with her husband, it's not at all clear if she has regained her love for him, or if they have made her feel so guilty that she has resigned herself to an unhappy marriage.
Unhappy relationships are nothing new in Fitzgerald - in fact, they are rather a constant - but these stories are the first in which I see a real physical and psychological abuse towards one of the members of the couple.
This is a wonderful episodic drama with young men and women as the main characters. Half of the stories have the shadow of "The Great Gatsby": The little boy is attracted by the beautiful bird on the high branch and paddles拼命against the tide; the well-dressed young woman looks around with bright eyes, and the hairband and pointed high heels are all金灿灿的and dazzling - love is pushed and shoved between them, so轻率that it's dizzying.
In the other half, the young people are much more concerned with daily necessities: The wife complains that the unprincipled husband lends money to friends who never pay back, and the husband who fights with his friend for his wife then sends his wife out to apologize. These stories take place in the countryside church, on the cruise ship deck, and in the dance floor.一张张faces pass by like a revolving lantern, so鲜活that there is a sense of familiarity.
Sparkling short stories, brilliantly furnished, with subtle undertones of despair and boredom just lurking behind the splendid wallpaper. These stories are like precious gems, each one shining with its own unique light. A few border more dangerously upon the melodramatic, such as "Gretchen's Forty Winks" and "Rags Martin-Jones". However, since vague melodrama is Fitzgerald's flavor of work, this is forgiven. My favorites were "The Rich Boy" and "Absolution", and "The Adjuster", which is the most heartening and optimistic story of the entire collection. "The Rich Boy" delves deep into the psyche of the wealthy, exploring their loneliness and isolation. "Absolution" is a powerful tale of guilt and redemption. And "The Adjuster" offers a glimmer of hope in a world filled with darkness and despair. Overall, these short stories are a testament to Fitzgerald's genius as a writer.