A Song of Stone

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Physical 280 p. ; 20 cm. English fiction.

280 pages, Paperback

First published August 7,1997

About the author

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This author also published science fiction under the pseudonym Iain M. Banks.

Banks's father was an officer in the Admiralty and his mother was once a professional ice skater. Iain Banks was educated at the University of Stirling where he studied English Literature, Philosophy and Psychology. He moved to London and lived in the south of England until 1988 when he returned to Scotland, living in Edinburgh and then Fife.

Banks met his wife Annie in London, before the release of his first book. They married in Hawaii in 1982. However, he announced in early 2007 that, after 25 years together, they had separated. He lived most recently in North Queensferry, a town on the north side of the Firth of Forth near the Forth Bridge and the Forth Road Bridge.

As with his friend Ken MacLeod (another Scottish writer of technical and social science fiction) a strong awareness of left-wing history shows in his writings. The argument that an economy of abundance renders anarchy and adhocracy viable (or even inevitable) attracts many as an interesting potential experiment, were it ever to become testable. He was a signatory to the Declaration of Calton Hill, which calls for Scottish independence.

In late 2004, Banks was a prominent member of a group of British politicians and media figures who campaigned to have Prime Minister Tony Blair impeached following the 2003 invasion of Iraq. In protest he cut up his passport and posted it to 10 Downing Street. In an interview in Socialist Review he claimed he did this after he "abandoned the idea of crashing my Land Rover through the gates of Fife dockyard, after spotting the guys armed with machine guns." He related his concerns about the invasion of Iraq in his book Raw Spirit, and the principal protagonist (Alban McGill) in the novel The Steep Approach to Garbadale confronts another character with arguments in a similar vein.

Interviewed on Mark Lawson's BBC Four series, first broadcast in the UK on 14 November 2006, Banks explained why his novels are published under two different names. His parents wished to name him Iain Menzies Banks but his father made a mistake when registering the birth and he was officially registered as Iain Banks. Despite this he continued to use his unofficial middle name and it was as Iain M. Banks that he submitted The Wasp Factory for publication. However, his editor asked if he would mind dropping the 'M' as it appeared "too fussy". The editor was also concerned about possible confusion with Rosie M. Banks, a minor character in some of P.G. Wodehouse's Jeeves novels who is a romantic novelist. After his first three mainstream novels his publishers agreed to publish his first SF novel, Consider Phlebas. To distinguish between the mainstream and SF novels, Banks suggested the return of the 'M', although at one stage he considered John B. Macallan as his SF pseudonym, the name deriving from his favourite whiskies: Johnnie Walker Black Label and The Macallan single malt.

His latest book was a science fiction (SF) novel in the Culture series, called The Hydrogen Sonata, published in 2012.

Author Iain M. Banks revealed in April 2013 that he had late-stage cancer. He died the following June.

The Scottish writer posted a message on his official website saying his next novel The Quarry, due to be published later this year*, would be his last.

* The Quarry was published in June 2013.

Community Reviews

Rating(3.9 / 5.0, 100 votes)
5 stars
26(26%)
4 stars
33(33%)
3 stars
41(41%)
2 stars
0(0%)
1 stars
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100 reviews All reviews
July 15,2025
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This book began with such great promise. It appeared to be incredibly exciting. The dystopian future it presented was believable. The descriptions of the once magnificent houses and castles were amazing, and the people's attempts to vainly hold onto their familiar ways of life were vividly portrayed.

However, as the story progressed, something seemed to go wrong. Somewhere along the line, the plot lost its momentum and became convoluted. The characters' actions and decisions became increasingly illogical and unconvincing.

In the end, I was left with a feeling of disappointment and frustration. I thought it was a revolting waste of time. The book had so much potential, but it failed to deliver on its promise. It was a letdown that I would not recommend to others.
July 15,2025
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While I have perused a dozen science fiction novels penned by Iain M. Banks, this particular work marks the first literary, non-science fiction one that I have delved into.


My overall perception is that it is truly astonishing to think that this is the same author. Bank's literary prose is nothing short of remarkable and frequently reads more like poetry. In fact, my only genuine criticism of the book is that at times the prose appears to be overly indulgent, to the extent that the story becomes somewhat obscured by the abundance of words.


And when it comes to the story itself, it is extremely dark and brutal. I would not recommend reading this unless you are able to stomach the atrocities associated with modern civil wars. It delves deep into the harsh realities and moral ambiguities that often accompany such conflicts, making for a thought-provoking yet challenging read.

July 15,2025
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A truly execrable novel, it seems as if Banks had a perverse desire to see just how unpleasant he could make a story before driving the reader to abandon it in frustration.

This particular work is by Iain Banks, not Iain M., and thus it falls within the mainstream. Despite being set in a near-future scenario where Britain has descended into anarchy, it fails to engage on a meaningful level.

Abel and his wife/sister Morgan attempt to flee their ancestral home but are unfortunately captured by bandits. These bandits subject them to periodic humiliation. Abel, a pompous and self-important fop, is difficult to empathize with. However, no one deserves to be treated as he is, being hurled down a well and having the captors urinate and defecate upon him at their whim.

By the end of the novel, one can't help but wonder, "So what?" It leaves the reader with a sense of dissatisfaction and disappointment.

This is a major letdown, especially considering that I had loved "The Crow Road." Normally, I wouldn't waste my time writing a review about such a lackluster work, but I feel compelled to issue a warning to others about this dismal novel.

July 15,2025
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Winter was always my favourite season. Is this yet winter? I do not know. There is some technical definition, something based on calendars and the position of the sun, but I think one simply becomes aware that the tide of the seasons has irrevocably turned; that the animal in us smells winter.

The war is ending, but for the castle and its occupants, the troubles are just beginning. Armed gangs roam a lawless land, and taking to the roads seems safer than remaining in the ancient keep. However, the captain of an outlaw band has other ideas.

Iain M Banks has created a diverse body of work. His "The Wasp Factory" is an interesting piece. "A Song of Stone" and "Whit" also add to his literary repertoire. "Espedair Street" and "The Business" have their own unique charm. "The Steep Approach to Garbadale" and "Stonemouth" are among his notable works as well.

As Iain M Banks, he has written several books in the Culture series. "Consider Phlebas" is the first in the series, followed by "The Player of Games". "The State of the Art" and "Use of Weapons" are also part of this engaging series. "Surface Detail", "Matter", "Look to Windward", and "The Algebraist" further expand the Culture universe. "Against a Dark Background" is another of his works that showcases his creativity and imagination.
July 15,2025
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I don't think I'm gonna attempt to read much more by Iain Banks without the M. His writing is of high quality, perhaps a bit overly flowery in this particular work. However, it simply fails to capture my interest. There is even some overlap in certain aspects, but still... it's just distinct. For me, the dark moments in his Culture novels resonate in a different way compared to the darkness present in these books.

To me, it didn't feel like a proper story at all. It seemed more like just presenting unpleasantness for the sake of it. There was a lack of a cohesive narrative that could draw me in and make me care about the characters or the events. It was as if the author was more focused on creating a certain atmosphere or exploring certain themes rather than telling a compelling story. Maybe it's just my personal taste, but I found myself unable to engage with this book on a deeper level.
July 15,2025
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Less than one star due to the most hated editions of Oxy.

Oxy has had a series of editions that have left many consumers extremely dissatisfied. These editions seem to lack the quality and innovation that was once expected. The features may be outdated, the performance may be subpar, and the overall user experience is far from ideal. As a result, it has received a very low rating of less than one star. This is a significant setback for Oxy, as it needs to reevaluate its approach and make significant improvements to regain the trust and loyalty of its customers.

Perhaps Oxy should focus on listening to the feedback of its users and conducting in-depth market research to understand their needs and preferences. By doing so, it can develop new editions that are more in line with the expectations of the market and provide a better user experience. Additionally, Oxy should also invest in research and development to improve the quality and performance of its products. Only in this way can it hope to turn the situation around and achieve better results in the future.

July 15,2025
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This is truly phenomenal.

A Song of Stone takes us back to the bleak and rather perverse world of 'The Wasp Factory', yet it presents a much more distressing story. Among all the Iain Banks novels I have read (and I have read quite a number, with still many more left to explore), this one stands out as being extremely heavy, deep, philosophical, and yes, quite ugly in some aspects.

Set in a post-apocalyptic future, similar to what we might envision in Mad Max or Children of Men, it描绘了 a fallen society. The book revolves around a landowner who owned a Castle (estate), which is then taken over by rampaging bandits. The narrator, Abel by name, is the inheritor of this estate. As he witnesses his property being ravaged by the bandits, his musings throughout the book become increasingly darker.

The book contains many different themes. It delves into soul-searching topics, touching on his wife/sister, Morgan (as I believe), and the amount of love he had for her. I won't give away too much here as you really need to read it for yourself, but the ending left me speechless and deeply distressed, almost numb.

The prose is in first-person narrative and is incredibly dense and literate. It deals with Abel's reminiscing about his past, which is linked to the future. To be honest, there is more reminiscing than actual plot. The last two chapters were a bit of a struggle to get through, not because it was boring, but because the narrator's philosophizing made me re-read paragraphs multiple times. In fact, the whole book demands to be re-read.

The ending is upsetting and very tragic, which I guess was to be expected considering the whole build-up throughout the book leads to a sad, tragic, and ugly conclusion. I will give this 5 stars, but to truly understand where Iain Banks is coming from, it will really take another reading, and having a dictionary at hand wouldn't hurt either. I think I'm going to have a lie down for a moment.
July 15,2025
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If you're going to read this book, it's essential to understand that it isn't a universal appeal.

This work leans more towards the nature of a novella or a short story rather than a full-fledged novel. Its scope is extremely narrow, encompassing only a limited number of named characters and a setting that scarcely extends beyond a few miles. It presents a post-apocalyptic world, yet the cause of the apocalypse and the state of the remaining civilization are never even broached. However, this isn't what most people might find objectionable.

The tone of the story is extremely dark. By that, I mean it's REALLY dark. It's as dark as 'The Road' and 'The Wasp Factory'. Anyone who has read either of those (or seen the movie adaptation of 'The Road') knows precisely what to anticipate while delving into this. There is no glimmer of happiness, no silver lining, no light at the end of the tunnel. In fact, the darkness seems to intensify as the story progresses.

Despite the overwhelming darkness of the narrative, the writing is astonishingly poetic, perhaps some of the finest I've encountered from Mr. Banks. It is penned in the unique second perspective, and the main character has some exquisitely written inner monologues that, one could argue, serve as the silver lining in the otherwise gloomy cloud. The descriptions alternate between being soft and gentle at times and hard-hitting and gritty at others. Additionally, there are two memorable action scenes that feature some of the most intense descriptions I've ever come across.

So, why did I award this novel a mere 3/5? Because even I have my limits when it comes to darkness. As powerful as 'The Wasp Factory' and 'The Road' may be, I merely have a liking for them, just as I do for this book. Would I recommend that the author modify his story to incorporate some happiness or even a bittersweet ending? Absolutely not. This is the way he intended it to be, and as I stated at the outset of this review, it is not for everyone.
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