The Crow Road

... Show More
This is an alternative cover edition for ISBN 9780349103235

'It was the day my grandmother exploded. I sat in the crematorium, listening to my Uncle Hamish quietly snoring in harmont to bach's Mass in B Minor, and I reflected that it always seemed to be death that drew me back to Gallanach.'

Prentice McHoan has returned to the bosom of his complex but enduring Scottish family. Full of questions about the McHoan past, present and future, he is also deeply preoccupied: mainly with death, sex, drink, God and illegal substances...

501 pages, Paperback

First published January 1,1992

About the author

... Show More
This author also published science fiction under the pseudonym Iain M. Banks.

Banks's father was an officer in the Admiralty and his mother was once a professional ice skater. Iain Banks was educated at the University of Stirling where he studied English Literature, Philosophy and Psychology. He moved to London and lived in the south of England until 1988 when he returned to Scotland, living in Edinburgh and then Fife.

Banks met his wife Annie in London, before the release of his first book. They married in Hawaii in 1982. However, he announced in early 2007 that, after 25 years together, they had separated. He lived most recently in North Queensferry, a town on the north side of the Firth of Forth near the Forth Bridge and the Forth Road Bridge.

As with his friend Ken MacLeod (another Scottish writer of technical and social science fiction) a strong awareness of left-wing history shows in his writings. The argument that an economy of abundance renders anarchy and adhocracy viable (or even inevitable) attracts many as an interesting potential experiment, were it ever to become testable. He was a signatory to the Declaration of Calton Hill, which calls for Scottish independence.

In late 2004, Banks was a prominent member of a group of British politicians and media figures who campaigned to have Prime Minister Tony Blair impeached following the 2003 invasion of Iraq. In protest he cut up his passport and posted it to 10 Downing Street. In an interview in Socialist Review he claimed he did this after he "abandoned the idea of crashing my Land Rover through the gates of Fife dockyard, after spotting the guys armed with machine guns." He related his concerns about the invasion of Iraq in his book Raw Spirit, and the principal protagonist (Alban McGill) in the novel The Steep Approach to Garbadale confronts another character with arguments in a similar vein.

Interviewed on Mark Lawson's BBC Four series, first broadcast in the UK on 14 November 2006, Banks explained why his novels are published under two different names. His parents wished to name him Iain Menzies Banks but his father made a mistake when registering the birth and he was officially registered as Iain Banks. Despite this he continued to use his unofficial middle name and it was as Iain M. Banks that he submitted The Wasp Factory for publication. However, his editor asked if he would mind dropping the 'M' as it appeared "too fussy". The editor was also concerned about possible confusion with Rosie M. Banks, a minor character in some of P.G. Wodehouse's Jeeves novels who is a romantic novelist. After his first three mainstream novels his publishers agreed to publish his first SF novel, Consider Phlebas. To distinguish between the mainstream and SF novels, Banks suggested the return of the 'M', although at one stage he considered John B. Macallan as his SF pseudonym, the name deriving from his favourite whiskies: Johnnie Walker Black Label and The Macallan single malt.

His latest book was a science fiction (SF) novel in the Culture series, called The Hydrogen Sonata, published in 2012.

Author Iain M. Banks revealed in April 2013 that he had late-stage cancer. He died the following June.

The Scottish writer posted a message on his official website saying his next novel The Quarry, due to be published later this year*, would be his last.

* The Quarry was published in June 2013.

Community Reviews

Rating(4 / 5.0, 100 votes)
5 stars
37(37%)
4 stars
26(26%)
3 stars
37(37%)
2 stars
0(0%)
1 stars
0(0%)
100 reviews All reviews
July 15,2025
... Show More
**"Crow Road: A Multi-faceted Exploration"**

It was the day my grandmother exploded. I sat in the crematorium, listening to my Uncle Hamish quietly snoring in harmony to Bach's Mass in B Minor, and I reflected that it always seemed to be death that drew me back to Gallanach.


This famous opening line of "Crow Road" immediately grabs the reader's attention and sets a tone that is both darkly humorous and thought-provoking.

Prentice McHoan's sarcastic and flippant running commentary on his family's history and his own growing up process is entertaining, but there is more beneath the surface. His obsession with death is understandable, given the many losses he experiences throughout the novel.


The quest to define his place in the world and come to terms with loss overshadows the more conventional storyline of chasing girls and learning about sex. While the romantic angle could have been stronger, Prentice's descriptions of the girl he loves are beautifully written.


Compared to "Stonemouth," "Crow Road" has its own unique strengths. The fractured timeline and random jumps in point of view add depth and diversity to the story, exploring themes beyond teenager angst.


Childhood memories play an important role in Prentice's self-discovery, as do the cyclical nature of events and his connection to the land of his birth. The West Coast of Scotland comes alive in the novel, with its beautiful scenery and unique dialect.


Despite some flaws, such as the forced crime investigation and the less-than-perfect romance, "Crow Road" is a novel that grows on you. It is full of funny moments, poignant commentary, and great quotes that make it worth re-reading.


In conclusion, "Crow Road" is a multi-faceted exploration of life, death, love, and loss. It is a novel that will stay with you long after you finish reading it.


All your nonsense and truths,
your finery and squalid options,
combine and coalesce, to one noise
including laugh and whimper, scream and sigh,
forever and forever repeating,
in any tongue we care to choose,
whatever lessened, separated message
we want to hear.

It all boils down to nothing,
and where we have the means and will to fix
our reference within that flux;
there we are.

If it has any final signal,
The universe says simply,
but with every possible complication,
"Existence",
and it neither pressures us, nor draws us out,
except as we allow.

Let me be part of that outrageous chaos...
And I am.
July 15,2025
... Show More
There are two parts in this book which I really found beautifully written.

The first is on page 25, where it states, “These were the days of fond promise, when the world was very small and there was still magic in it. …… Then, every day was a week, each month a year. A season was a decade, and every year a life.” This description evokes a sense of nostalgia and wonder, painting a vivid picture of a bygone era.

The second was the incredible discussion on the meaning of life and death on page 484. It poses thought-provoking questions such as, “Was Fergus Urvill anywhere still? Apart from the body – whatever was left of him physically, down there in that dark, cold pressure – was there anything else: Was his personality intact somehow, somewhere?” The subsequent exploration of the idea that we continue in our children, works, and memories, and that death is a natural part of change, leading to new opportunities, is both profound and comforting.

However, I did not enjoy reading 501 pages to find these two small gems. The unending serial of hangovers and drunken sexual exploits became tiresome, and the protagonist and his family were rather uninteresting and shallow. It’s hard to believe that this author is as successful as he apparently is. For sure, I will not engage in reading any more of these unending, uneventful plots.

Overall, while there were some亮点 in the book, the negatives outweighed the positives for me. I would not recommend this book to others who are looking for a deep and engaging read.
July 15,2025
... Show More
I’m here because of good omens.

Good omens have always been a source of inspiration and hope for me. They are like little signs from the universe that tell me I'm on the right path.

Maybe it's a beautiful sunrise that greets me in the morning, or a lucky coin I find on the street. These small but significant events make me believe that something wonderful is about to happen.

When I encounter good omens, I feel a sense of calm and confidence. I know that the forces of the universe are on my side, guiding me towards my goals.

So, I embrace these good omens with open arms and let them fuel my determination. They give me the strength to keep going, even when the going gets tough.

And that's why I'm here today, because of the good omens that have led me to this moment. I'm excited to see what the future holds and to continue following the path that the good omens have shown me.
July 15,2025
... Show More
It's truly a bit challenging to describe this novel and offer a comprehensive review. So many events unfold within its pages, and yet, so little of it can be neatly defined by the traditional standards we commonly use to measure books.

Let's start with the basics. Was it an enjoyable read? Absolutely. The story has a certain charm that keeps you engaged from beginning to end. Was it well-written? Without a doubt. The author's prose is smooth and engaging, drawing you into the lives of the characters with ease. And was it un-put-down-able? For me, especially towards the end, it was. I found myself staying up late into the night, eager to discover what would happen next.

But while all these things are true, they aren't the sole reasons why I liked this novel. There's something more profound at play here. Behind the humorous antics of the three interesting families in Scotland, lies a mystery that gradually reveals itself as the story progresses. And tying it all together is a beautifully developed Bildungsroman that is both thought-provoking and deeply felt.

I haven't yet seen the BBC adaptation, but I was so impressed with the novel that I immediately ordered the DVD as soon as I finished reading. I would wholeheartedly recommend this book to everyone, with just a small caveat. There is some Scottish dialect in the story, but it's not overly abundant or indecipherable. Additionally, there is some time jumping, which can initially be a bit confusing. However, by the end, everything comes together neatly, and you'll find yourself reflecting on the journey you've just taken with the characters.
July 15,2025
... Show More
I absolutely adored this book. This is my third encounter with Iain Banks' works, and I believe I have awarded all of them five stars. It encompasses everything I desire or require in a literary piece. His characters exude authenticity, the writing is so seamless that it appears effortless, lacking any hint of artificiality. The story weaves a captivating and branching narrative that spans across generations, possessing both depth and lightness.

It delves into profound themes such as life and death, guilt, ambition, and metaphysical uncertainties, commencing with the classic line "It was the day my grandmother exploded".

I don't merely mention this because it's humorous; rather, it serves to highlight the abundance of wit within the text. It is indeed a funny book, yet simultaneously, it presents a very serious story. The moments of levity and humor are well-deserved breaks from the more weighty events, and the entire magnificent creation is exquisitely balanced.

Possibly, this is the finest among the Iain Banks books I have read thus far, and I will most definitely be indulging in more of his works.
July 15,2025
... Show More
Famously, the novel kicks off with a bang. Exploding grannies are a burden we must all be ready to bear if fortune turns against us. And Prentice McHoan definitely doesn't have an abundance of luck. I would label The Crow Road as a comedy of bad manners, though I'm certain someone else has already done so.

As a portrayal of Scots society, there's an emphasis on using whiskey and drugs as solutions to problems, along with fish suppers for sustenance - I'm merely surprised that deep-fried Mars Bars and Curley Wurleys don't make an appearance as a dessert. However, as a meandering family history and a rake's progress, it's often outrageously hilarious and at times quite touching. It's like a Gormenghast set on the west coast of Scotland, with a working-class council estate nearby to inject doses of reality when needed.

While the story focuses on the doings and schemings of Prentice's family and his own struggles to come to terms with adult life, it's an intricate and thoroughly enjoyable journey in the company of outrageous individuals. When the author introduces the mystery of Uncle Rory's disappearance and the suspicious death of Uncle Fergus' wife, it becomes clear that Ian Rankin and Val McDermid won't lose sleep as thriller writers. The part of the novel leading to Fergus' suicide progresses slowly, like a Agatha Christie mystery without Poirot. Even Miss Marple would seem quite brisk in comparison.

Overall, the entire story was immensely enjoyable. The characters straddle the line between Dickens and Mervyn Peake, and the situations sometimes hint at Python, sometimes at Billy Connolly, but thankfully, never in the direction of Sir Walter. It was 500 pages long, but I craved more.
July 15,2025
... Show More
Clever writing and quirky characters, but meandering and disappointing

Perhaps I'd be labeled a Philistine for not liking this book, but so be it. I'm mainly a fan of Iain M. Banks' Culture and other SF novels. His works are very clever and urbane, with a slightly cynical tone, yet always having a sense of fun and indulging in outlandish world creation. I even crossed over to his non-SF more contemporary novels. I liked Complicity and The Wasp Factory for their dark and sinister tales of troubled psychopaths. However, The Crow Road just bored me from start to finish.

Sure, a story about a large, complex, and quite eccentric Scottish family over several generations isn't a bad thing. Told in his typical "aren't I such a clever writer?" style of non-chronological snippets and changes of viewpoint, it does have some similarity to Use of Weapons and Complicity. But the story and characters never gripped me. The central mystery was so understated that when it finally came into focus in the closing chapters, it didn't seem right. By the end, I was just waiting for the audiobook to be over. There's plenty of good writing here, but the story left me cold. It's a shame, as I had such high expectations for this book. Maybe it's just not for me.
July 15,2025
... Show More
People can be teachers and idiots; they can be philosophers and idiots; they can be politicians and idiots;.......a genius can be an idiot. The world is largely run for and by idiots.



'Crow Road' commences with a funeral, boasting a quite memorable first paragraph.


“It was the day my grandmother exploded. I sat in the crematorium, listening to my Uncle Hamish quietly snoring in harmony to Bach’s Mass in B minor, and I reflected that it always seemed to be death that drew me back to Gallanach.”


Prentice McHoan, the main narrator, is the middle son of a uniquely dysfunctional family. He is estranged from his avowedly atheist father as he simply cannot accept the concept that death is just the end of the road. He spends copious amounts of time contemplating “the crow road,” a Scottish expression for death, the possibility of an afterlife, and the fate of his Uncle Rory, who vanished eight years earlier.


Most of the story unfolds in the present, 1991, yet it also oscillates back and forth in time (often without any indication from the author regarding the transition). Prentice hails from the fictional village of Gallanach in Argyll, is studying History at a Glasgow university, and Britain is on the verge of entering the First Gulf War.


After approximately the first 400 pages, the novel abruptly transforms into a murder mystery, although we remain unsure whether there was actually a murder.


There is a significant amount of humour, some outstanding character development, a large quantity of whiskey consumption (the drug of choice), along with a liberal scattering of historical/cultural references that assist in situating the book within a particular time and place. However, Scotland, with its fog-shrouded countryside, ancient burial sites, henges, and castles, emerges as a character in its own right.


Banks is a shrewd writer who has recently become one of my favoured authors. Once again, I thoroughly relished his writing style with its subtle wit. While I delighted in the elements centred around family relationships, which I felt he established exquisitely, I found the murder/mystery aspect somewhat of a letdown. Personally, I felt as if Banks had no clue how to neatly tie up the loose ends he had created. I also desired to shout at Prentice to open his eyes; I simply couldn't fathom that he was so oblivious to what was right before his eyes, even though he does ultimately get the girl.


An enjoyable but flawed piece of escapism. 3.5 stars rounded up to 4.
Leave a Review
You must be logged in to rate and post a review. Register an account to get started.