ENtreFER

... Show More
Six mois de coma à la suite d'un accident de voiture sur le pont qui enjambe les eaux du Forth, voilà qui n'a rien d'excitant. Sauf qu'il vous reste la capacité de rêver à partir de ce qui subsiste de votre identité. Dans ce cas, vous pouvez construire un monde. Un gigantesque point, par exemple, un univers en soi, avec ses habitants, ses stratifications, ses rituels. Vous y serez un amnésique traité par le bon docteur Joyce, auquel vous raconterez vos rêves, effectifs ou forgés de toutes pièces. Vous y rencontrerez un barbare truculent, un inquiétant liftier, de joyeux ivrognes et surtout, surtout, la belle Abberlaine, dont les bas résille reproduisent les entrecroisements métalliques du pont. Vous y affronterez une bureaucratie cauchemardesque...

Jusqu'au jour où vous n'aurez plus qu'une envie : échapper à cet entrefer onirique pour retrouver... quoi, au fait ?

Le monde réel ou un autre produit de votre imagination ?

448 pages, Mass Market Paperback

First published January 1,1986

Literary awards

About the author

... Show More
This author also published science fiction under the pseudonym Iain M. Banks.

Banks's father was an officer in the Admiralty and his mother was once a professional ice skater. Iain Banks was educated at the University of Stirling where he studied English Literature, Philosophy and Psychology. He moved to London and lived in the south of England until 1988 when he returned to Scotland, living in Edinburgh and then Fife.

Banks met his wife Annie in London, before the release of his first book. They married in Hawaii in 1982. However, he announced in early 2007 that, after 25 years together, they had separated. He lived most recently in North Queensferry, a town on the north side of the Firth of Forth near the Forth Bridge and the Forth Road Bridge.

As with his friend Ken MacLeod (another Scottish writer of technical and social science fiction) a strong awareness of left-wing history shows in his writings. The argument that an economy of abundance renders anarchy and adhocracy viable (or even inevitable) attracts many as an interesting potential experiment, were it ever to become testable. He was a signatory to the Declaration of Calton Hill, which calls for Scottish independence.

In late 2004, Banks was a prominent member of a group of British politicians and media figures who campaigned to have Prime Minister Tony Blair impeached following the 2003 invasion of Iraq. In protest he cut up his passport and posted it to 10 Downing Street. In an interview in Socialist Review he claimed he did this after he "abandoned the idea of crashing my Land Rover through the gates of Fife dockyard, after spotting the guys armed with machine guns." He related his concerns about the invasion of Iraq in his book Raw Spirit, and the principal protagonist (Alban McGill) in the novel The Steep Approach to Garbadale confronts another character with arguments in a similar vein.

Interviewed on Mark Lawson's BBC Four series, first broadcast in the UK on 14 November 2006, Banks explained why his novels are published under two different names. His parents wished to name him Iain Menzies Banks but his father made a mistake when registering the birth and he was officially registered as Iain Banks. Despite this he continued to use his unofficial middle name and it was as Iain M. Banks that he submitted The Wasp Factory for publication. However, his editor asked if he would mind dropping the 'M' as it appeared "too fussy". The editor was also concerned about possible confusion with Rosie M. Banks, a minor character in some of P.G. Wodehouse's Jeeves novels who is a romantic novelist. After his first three mainstream novels his publishers agreed to publish his first SF novel, Consider Phlebas. To distinguish between the mainstream and SF novels, Banks suggested the return of the 'M', although at one stage he considered John B. Macallan as his SF pseudonym, the name deriving from his favourite whiskies: Johnnie Walker Black Label and The Macallan single malt.

His latest book was a science fiction (SF) novel in the Culture series, called The Hydrogen Sonata, published in 2012.

Author Iain M. Banks revealed in April 2013 that he had late-stage cancer. He died the following June.

The Scottish writer posted a message on his official website saying his next novel The Quarry, due to be published later this year*, would be his last.

* The Quarry was published in June 2013.

Community Reviews

Rating(4 / 5.0, 100 votes)
5 stars
36(36%)
4 stars
32(32%)
3 stars
32(32%)
2 stars
0(0%)
1 stars
0(0%)
100 reviews All reviews
July 15,2025
... Show More
Banks apparently believes that this is his finest novel, and I wholeheartedly concur.


It presents a truly remarkable and intricate interleaving of dream and reality. The author skillfully weaves these two elements together in a way that keeps the connections deliberately ambiguous.


It's as if Kafka's unique and often perplexing narrative style has collided with the fantastical world of the Wizard of Oz.


The result is a literary work that engages the reader on multiple levels, challenging our perceptions and blurring the boundaries between what is real and what is imagined.


Each page is filled with vivid descriptions and thought-provoking情节 that draw us deeper into this strange and wonderful world.


Whether we are experiencing the protagonist's dreams or his waking life, we are constantly left guessing and wondering what is truly going on.


This novel is a testament to Banks' creativity and talent as a writer, and it is sure to leave a lasting impression on anyone who reads it.
July 15,2025
... Show More
Iain Banks' The Bridge is an extraordinarily strange and captivating novel. It is like a magnificent kaleidoscope of stratified dreamscapes, with each layer gradually unfolding to reveal profound meanings. Banks masterfully blurs the line between reality and fantasy, constructing a narrative where every minuscule detail holds significance, even when it initially seems inconsequential. Appearances are often deceiving in this world he has created.


The characters in The Bridge are wonderfully peculiar, each contributing to the novel's rich tapestry of absurdities and surrealisms. The plot is a hypnagogic labyrinth, where the absurd becomes the ordinary, and the ordinary is in a constant state of flux. The story is filled with a sense of uneasy wonder and unexpected complexity that presents both challenges and rewards to the reader.


What makes this novel especially intriguing, particularly for fans of Banks with the "M", is the subtle (and later, not-so-subtle) hint of his science fiction tendencies. These serve as a prelude to his later works. It is fascinating to observe these early inklings of his sci-fi genius intricately woven into the narrative, providing a unique perspective on his growth as an author.


The Bridge offers a tantalizing glimpse into Banks' vast and fertile imagination. It stands as a testament to his remarkable ability to craft complex narratives that are not only highly entertaining but also deeply thought-provoking. It takes the reader on a journey through the depths of the human psyche, delving into themes such as identity, reality, and the subconscious, while simultaneously subverting traditional tropes.
July 15,2025
... Show More
Absolutely phenomenal!

It is somewhat astonishing to me, even though it really shouldn't be, that Banks's literary fiction has the capacity to be just as imaginative as his science fiction.

This short book is filled with an abundance of ideas, and the intricate layers of symbolism and metaphor will surely make it a delight to reread. I'm certain that I overlooked a great deal.

It takes a rather clichéd premise - we follow the dreams of a man who is in a coma after a car accident - and presents it with such style and sophistication that the concept appears fresh and novel once more.

The core of the story is an unconventional love story that is both vivid and captivating.

I initially fell in love with Banks as an author of science fiction, and now I'm experiencing that same feeling all over again with his literary fiction, firmly establishing him as one of my all-time favorite authors.
July 15,2025
... Show More
Oh Iain, you truly were remarkable.

I decided to read this particular work because you had mentioned that it was your absolute favourite. And I must say, I really relished it as well. It was a bit of a departure from your typical Scottish or space-themed stories. At times, it might have seemed a little too clever for its own good (or perhaps not so much), but it had an amazing range of characters. Once again, it had that Kafkaesque touch that added an extra layer of intrigue. Well done, Iain. May you now rest in peace (or perhaps rain down brimstone on those evil Tory bastards, just for good measure :)).

This piece really stood out and left a lasting impression on me. It was a pleasure to experience your unique storytelling in this different context. I'm sure it will continue to be cherished by many others as well.
July 15,2025
... Show More
In writing the novel, one of my editors made this required reading.

It took a full two years for me to finally get to it, but as soon as I did, I realized that this is exactly my kind of novel.

The story is set on a vast bridge, and there seems to be no world beyond it that the characters can discover.

The main character is a man who suffers from amnesia. He fabricates crazy dreams for his therapist, which adds an element of mystery and intrigue to the plot.

As I delved deeper into the novel, I found myself completely engrossed in the unique setting and the complex character of the protagonist.

The author's vivid descriptions and engaging storytelling made it impossible for me to put the book down.

I am truly grateful to my editor for recommending this novel, as it has inspired me and given me new ideas for my own writing.

I look forward to seeing where this novel takes me and how it will influence my future work.
July 15,2025
... Show More
What a truly strange book! The overall concept underlying the book, regarding what is real and what isn't and so on, is quite interesting. However, the way it is presented on paper didn't completely win me over.

There are certain chapters in the book that are extremely captivating, while others feel very dull. This is often because the story doesn't progress at all and doesn't seem to lead anywhere, and the narration often comes across as quite fragmented and all over the place. Some scenes are simply odd and awkward as well.

Elsewhere in the book, there is a lot of humor and irony, along with some clever nods to social commentary and other things. But something about the pace of the book and the direction that one strand of the plot takes makes the book rather dull after a certain point. I'm trying my best not to write any spoilers here.

The Bridge is somewhat of an experimental and fragmented book, not as good as I had hoped it would be, but it's not as bad as some comments might make it seem either. I wouldn't recommend starting with this book if it's your first attempt to read Iain Banks.

Τι τόσο περίεργο βιβλίο! Η όλη ιδέα σχετικά με το τι είναι πραγματικό, τι όχι κτλ έχει κάποιο ενδιαφέρον, αλλά στην πραγματική εκτέλεση δεν με συγκίνησε καθόλου. Υπήρχαν κάποιες περιπτώσεις όπου τα κεφάλαια ήταν πολύ ενδιαφέροντα, ενώ σε άλλες περιπτώσεις ήταν πολύ βαρετά. Συχνά η ιστορία δεν έμοιαζε να πρόκειται να οδηγήσει κάπου και η αφήγηση ήταν αποσπασματική και χωρίς συνέχειαν. Κάποιες σκηνές ήταν απλά πολύ περίεργες και περίεργες.

Αλλού, υπάρχουν αρκετοί χιούμορ και ειρωνεία, καθώς και κάποιες σκέψεις που αφορούν τη δομή της κοινωνίας, την ταξική συνείδηση και άλλα. Ωστόσο, κάτι στη ροή του βιβλίου και στην τροπή που παίρνει ένα επίπεδο της αφήγησης το κάνει αρκετά βαρετό μετά από κάποιο σημείο. Προσπαθώ να μην γράψω τίποτα που θα μπορούσε να είναι σποιλερ τώρα.

Είναι ένα βιβλίο που είναι λίγο \"πειραματικό\" και αποσπασματικό και δεν είναι τόσο καλό όσο περίμενα, αλλά επίσης δεν είναι και τόσο κακό όσο με κάναν κάποια σχόλια να πιστέψω. Δεν θα ξεκινούσα να διαβάζω τον συγγραφέα από αυτό το βιβλίο, ειδικά αν είναι η πρώτη σας γνωριμία με αυτόν.
July 15,2025
... Show More

It's about time that I delved deeper into reading more of his non-fantasy work. It's truly fascinating to observe the crossover characters and items that could effortlessly be a part of The Culture. The story is filled with strange and unique elements that make it a very satisfying read. Each page seems to unfold a new and unexpected twist, keeping me engaged from start to finish. The author's ability to create such a vivid and imaginative world, even outside of the realm of fantasy, is truly remarkable. I can't wait to explore more of his works and see what other hidden gems I might discover.

July 15,2025
... Show More
This book could potentially be a masterpiece, yet it might also seem like it's straining too hard. I wouldn't claim to have loved it, as I have a tendency to dislike things that are overly explicit regarding dreams and the subconscious. However, I did admire many aspects of it. I have a feeling that I might need to read it again to truly understand and digest it.

What I liked about it was its disorienting nature. In the first section, as we discover the Bridge along with John Orr, it becomes very evident that we're in a strange situation, yet it's effectively unclear what's truly happening within the world and on a more profound level. Numerous theories and symbolic meanings present themselves (as seen below). I also appreciated how Banks made the set-up more complex in the later sections. There could have been a less appealing version of this book where the events in the Bridge world symbolically corresponded one-to-one with the real world, and I'm glad he steered clear of that.

I also liked the way the novel presented the protagonist's materialism. He is definitely a bit of a yuppie jerk, but his concern for nice things also gives the story a solid foundation. For me, this helped the book avoid some of the more irritating tropes often found in explorations of consciousness. The real world story was especially good in this regard, as a significant portion of it consists of Alex's descriptions of the superficial aspects of his life, yet we still gain insights into him and his emotions.

What I'm less enthusiastic about, despite the book having a much lighter touch than it could have had, is that the majority of the book relies on symbolic interpretations. That is, none of the actions on the bridge, in the war-torn republic on one side of the bridge, and in the barbarian's world matter except in terms of what they reflect about the real world. I understand that its primary purpose is to reveal different aspects of the protagonist's personality and character, and I also appreciated the playfulness of much of it (John Orr, for example, is fabricating the "dreams" he's having in the Bridge world). But it's not my favorite literary game to engage in.

I also thought a great deal about the genre and the presentation of this as an "Iain Banks" book rather than an "Iain M. Banks" book. I don't know enough about Banks's biography, and this was published before any of the Culture books, so I'm not sure how fully he had worked out the distinction at this point. But I find it fascinating that he felt the need to categorize this book, which has explicit fantasy and science fiction elements - including a literal "knife missile" and what appears to be very similar to a Culture drone - into the "literary" category. There was clearly a lot more disdain for science fiction in the 1980s, but it seems absurd to me that people could look at this book and think that it's literature simply because the sword-wielding barbarian is technically an element of someone's subconscious. But if the barbarian didn't have that framing device, this would be nothing more than pulp trash.
Leave a Review
You must be logged in to rate and post a review. Register an account to get started.