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Josie and Meredith Garland are as different as night and day. A tragic accident drives them even further apart. 15 years later, Josie is working as a first grade teacher. She adores her job, but when her ex-boyfriend's daughter appears in her class, she can't help but long for a family of her own. Meanwhile, Meredith seems to be living the perfect life. She has a well-paying job, a 4-year-old daughter she loves dearly, and the ideal husband. However, she feels unhappy and lost in the life she has chosen for herself.
As the anniversary of the accident approaches, both sisters are faced with difficult decisions that could change the course of their lives forever. I was truly captivated by the dynamics of this book. The story is told from the alternating perspectives of the two sisters, which I believe enriches the narrative in the long term. It is fascinating to see how the same event can be perceived so differently by each sister. Both sisters are rather self-centered, which at times annoyed me. Meredith was quite unlikable, and Josie was overly whiny, but I appreciate how they both evolved over time.
At times, I found myself chuckling at the witty banter between the characters, especially Josie, Gabe, and Pete. The relationship between Gabe and Josie was also a breath of fresh air. I loved how it portrayed a genuine platonic friendship between a boy and a girl, something I seldom encounter in books. Additionally, I really liked that this book was not overly focused on romance, as I had initially expected based on the title. Instead, it delves into themes of grief, forgiveness, and following one's heart. There is so much depth and substance to the story, which I truly appreciate.
“Yes is usually the easier answer:” Emily Giffin novels as psychological horror
“I must make up my mind which is right—society or I.” Henrik Ibsen, A Doll's House
I've now read several novels by Ms. Giffin. Her works present a consistent worldview, driven by patriarchal norms. Professional-class, college-educated women sacrifice not only their ambitions but their identities in pursuit of so-called “perfect” boys and men with unlimited family wealth. It's like Edith Wharton-era mores with modern trappings. If you find yourself in a Giffin novel, pray you're a male Christian WASP.
My claim that these novels are psychological horror is based on her use of close-first person, moral ambivalence, and resolutions that require a sacrificial she-goat. Although there are no supernatural forces, the women still feel trapped. Their other privileges can't mask their unhappiness.
I believe Giffin's books are worthy of being read and critiqued. The inequitable treatment of female and male authors is more pronounced than ever. We should eradicate the stigma of women's lit and the notion that a portrait of a neurotic suburban lawyer's romantic life is less serious.
The story of Meredith, the suburban neurotic lawyer, and her sister Josie unfolds with a sense of menace. The specter of Daniel, the “Perfect” Dead Brother, haunts the narrative. Meredith marries her dead brother's best friend and is miserable. She doesn't want another child, but her husband doesn't listen. Josie, the middle sister, is a damaged person who finds a sense of autonomy by going for what she wants.
By the end, I was angry at society and the novel. It's an accomplishment, but perhaps not the one Giffin intended. This is The Age of Innocence pretending to be light farce.