Barnaby Rudge: A Tale of the Riots of Eighty was published from February to November 1841 in Master Humphrey’s Clock, simultaneously with the chapters of The Old Curiosity Shop.
At the beginning, everything is kept mysterious and very nocturnal, with a sum of secrets and unspoken things. The satirical and caricaturalelement is always very active, with a series of typical flat characters that are exaggerated. For example, John Willet, “the sturdy landlord” with “a large pair of dull fish-like eyes”, the fat, slow landlord who is almost catatonic, conservative, focused on profit and despotic towards his son. Or Mrs Varden, the bigoted Protestant moralist, despotic towards her husband in a passive-aggressive version, with continuous capricious changes.
And the taste for elaborate description from a point of view that allows the reader to see the characters for the first time is always renewed, renewing every time the small (sometimes not so small) surprise of knowing only afterwards who it is about, of learning the name of the person at the right moment.
For the entire first part, until the second beginning after an ellipsis of five years (to be precise, until chapter 35 out of 82), it seems that the story has nothing to do with the Riots announced in the title (those of 1780, unleashed against a less punitive legislation towards Catholics in England), which then instead become central. Much remains caricatural even when the political part arrives: not realistic characters but a great insistence on tics, defects, oddities; grotesque characters like Dennis (perhaps the most memorable: a professional executioner, a virtuoso of the trade, who continuously speaks with technicalities, aesthetics and values of his art, incomprehensible to the “profane” of that noble field; among the protagonists of the revolt against the papists because “My work is sound, Protestant, constitutional, English work”; a constant opportunity to display Dickens’ irony in its darkest and most accusatory version).
When the moment of the Riots finally arrives, the narration deplores them very clearly. But probably the best pages are precisely those, sometimes shining, where the crowd is the protagonist. Dickens the absurdist, who loves to paint picturesque characters for his readers who were waiting for the installments, manages to make one feel all the force, the cruelty, the irrationality, the attractive power and the unrestraint of the uprising.
And many other things should still be remembered. Let's mention two: 1) the chirping presence, sometimes a bit disturbing and sometimes just comical, of that “knowing imp” and “dreadful fellow” the raven Grip, the best friend of the “idiot” Barnaby (apparently the inspiration for Poe's Raven). 2) the brief preface of a chapter, perfect in describing the privileges of the “chronicler” as an omniscient narrator: “Chroniclers are privileged to enter where they list, to come and go through keyholes, to ride upon the wind, to overcome, in their soarings up and down all obstacle of distance, time, and place.”
One of the last Dickens novels that I still had yet to read, this one is easily superior to The Old Curiosity Shop and, in my personal taste, Hard Times. It has that remarkable mid-period Dickensian essence. Even though the narrative seems freewheeling, you can sense him plotting with greater care. He hasn't quite delved into the territory where characters are made grotesque merely for metaphorical purposes.
Barnaby, too, is an unlikely hero. Despite the Victorian tendency to sentimentalize, he is often quite unlikeable. The scenes where the prison is stormed possess a cinematic grandeur and are truly unforgettable, building up to a nail-biting climax.
Dickens fans who have overlooked this work should waste no time and get to reading it! It offers a unique and engaging experience that showcases Dickens' storytelling prowess at its mid-period best.
A Dickens novel that is read relatively infrequently in comparison to some of his other, more widely beloved works. Nevertheless, his characteristic gift for wit, humour, and droll characterisation is present here, as is his unfailing talent for creating villains. When I initially read this many years ago, I was astounded by the Gordon Riots, having never heard of them before. On this reread, I found it even more thrillingly horrifying. I am certain that I will reread this again in the future and become completely engrossed in it all over again.
It is a pity that this particular Dickens work doesn't receive as much attention as some of his more famous ones. The story is filled with vivid descriptions and engaging characters that draw the reader in and keep them hooked until the very end. The Gordon Riots, which serve as a backdrop to the story, add an element of historical significance and excitement. Despite its lack of popularity, this novel is a true gem that deserves to be rediscovered and enjoyed by a new generation of readers.
I just composed a truly brilliant and extremely well thought out review. However, some glitch within the GR system deleted it. It's really frustrating. And now, I'm simply too exhausted to recall all the incredibly insightful things that I had said in that original review. So, unfortunately, a new review will have to be postponed for the time being. In a nutshell, the overall assessment was that it was good. But it's a pity that the detailed and thoughtful review that I initially wrote is now gone. I hope that in the future, such glitches can be avoided to prevent the loss of valuable reviews and feedback.