A very nice biographical portrait of Joyce has been presented in a chatty and familiar style. It gives the readers a sense of getting to know Joyce on a more personal level. The author has managed to capture the essence of Joyce's life and character in a way that is engaging and easy to understand.
We learn about Joyce's early years, his struggles and triumphs, and his impact on the literary world. The use of a chatty tone makes the narrative feel like a conversation with a friend, rather than a dry academic account.
This biographical portrait is not only informative but also entertaining. It makes us want to know more about Joyce and his works. It is a great introduction for those who are new to Joyce's life and literature, and it also offers some new insights for those who are already familiar with his works. Overall, it is a well-written and enjoyable piece.
A concise but informed biography of the great (or arguably the greatest) writer of the twentieth century. This was my first book by O'Brien. Obviously, I decided to read it because of my deep interest in James Joyce. It was an interesting and pleasant reading experience.
From a stylistic point of view, it is very well-written. It offers readers a brief overview of James Joyce's life and work. I was pleasantly astonished by the rich variety of vocabulary the author employs. This seems to be a rare quality among contemporary writers.
Of course, if you are seeking a detailed biography, you should consider reading Ellman's. However, this book can be beneficial to those who are intimidated by the difficulty of approaching Joyce for the first time. Moreover, for those who are already fans of Joyce's work, like me, it inspires them to continue their never-ending task of deciphering his complex works.
O'Brien's style, distinctively her own, yet echoing her short stories and novels, assumes the diction and rhythm of her subject as the biography progresses through his career from "Stephen Hero" to "Finnegan's Wake". While her book stands alone as a work of art, O'Brien is not overly precise regarding dates nor is she interested in nailing down when and why, for example, the Joyce family moved for the 11th time while Joyce was still living with them in Dublin. It suffices for her to highlight the dreadful stigma of poverty in Ireland, a place where rural people would close their doors so that their neighbors couldn't witness them starving to death during the Famine. This was especially hurtful for a family that had a certain standing in the world but fell from it as John Joyce, the family head, drank away his paycheck (and later his pension) while continuously impregnating his wife every year.
Her interpretations of both "Ulysses" and "Finnegan's Wake" are among the finest short appreciations of these works one can find. Her analysis (and enthusiasm for) his wordplay in both of the later novels is a delight to read. Nora, Joyce's wife, is presented as a character as fascinating as Joyce, a woman who loathed Ireland even more than her husband and had a healthy appreciation of her sexuality. The chapter on their sex life is partly derived from letters Joyce wrote to Nora when he was in Dublin on a harebrained attempt to become a movie magnate and she was stuck in Trieste. These letters are exemplary of verbal lust and are brilliant in themselves.
This is not a typical biography. Similar to that of Anthony Burgess, it is a reflection by a novelist on perhaps the greatest (or at least most influential) novelist of the 20th century.