Oh, I feel as if I have returned from a time-travel journey to a childhood day of my dreamy childhood, and as if I have just returned from a journey with the Harry Potter series or the Arabian Nights, but here the stories are philosophical, and each night carries with it a philosopher's story and his thought.
This charming game presented to me in the form of a novel was able to inspire me with a new definition of philosophy. Through it, I learned that "philosophy is not about learning, but about thinking about how to learn."
Do you ask me about my feeling with this book? It's a strange feeling, as if I have just returned from a city of entertainment that many of us adults do not admit is aimed at us, but we don't have ourselves when we see that fast train, the flying horse, and the colliding cars. So we reward our children by sitting with them, and inside us, we feel pleasure and joy. Yes, that's how I felt when I read the book. Because I know for sure that philosophy will never be with this beauty and that charm that Jostein Gaarder has shaped. The reader of any philosophical book knows that philosophy means the pain of uncovering the truth and stripping life of its falsehood. Therefore, the results of this reading conflict with the results of the usual philosophical readings and their effects. This is the awareness that usually produces pain and suffering, or at least that's what I always felt. Not to mention the heaviness and the cognitive weight that always burdens you after every new philosophical knowledge. But here, this is a novel and not a philosophical book. This is a wonderful and amazing story pattern, not a theoretical model. The author was able to present philosophy in the style of Scheherazade, making you want to know the story every night and waiting for its continuation.
The novel is smooth in its narration, charming in its presentation. It presents philosophy in the form of a beautiful story like those told to children before bedtime, gentle, pure, amazing, as amazing as a Sufi moment of knowledge. And the amazing thing is that I will recommend it as the most beautiful novel that presents philosophy in its long history in a beautiful and charming style for those between the ages of 13 and 60. This is what distinguishes it. It is suitable for everyone, enjoyable, rich in knowledge and information. And at the same time, it is a novel that contains the elements of intrigue that any political novel should have. Its style pulls you to know more. The value of the knowledge presented in it is not less than its impact on the soul, and the smoothness of the narration and its simplicity are not more precious than the value of the knowledge. This is the equation of beauty in this novel.
The novel carries a high dose of mythological information. I was shocked by the number of words of Greek origin that date back to Greek myths or places or names that we still use in our educational names and our knowledge fields today.
And among the observations that accompanied me under the shadow of my reading of the philosophers' concepts and their ideas at once, is that many of them approached the truth or almost touched it. There are those who defined the truth for us but in a foreign language to us, so we thought its meanings were different from ours. But the difference was in his language in an attempt to convey the idea. For example, when one of them says, after a long meditation, that he believes there is a mover for the universe, and that there is, for example, a deity that we try to reach, and that there is a mind governing the universe, all these are confessions of the existence of God, but they had to come only in this expression. Also, the patterns in which they see life, which we think some of them completely contradict our religious method. When you try to think about them, you will find that in essence, they agree with your method in the idea, but they differ in the description. For example, Epicurean philosophy, which calls for pleasure as an absolute good and the main goal. When you look at it from the outside, you think it is opposed to Islamic philosophy, which presents ethics and high morals over pleasure and desires. But if you stop for a while, I will take the role of the mysterious sir with you as he did with Sophie :). And I will ask you: when you do good, why do you do it? You will say that you do it because you want to be characterized by high ethics and noble qualities. Well, let's ask you again to determine the goal. Why do you want to be characterized by ethics and nobility? Because this raises your rank and increases your virtues. And why do you want that? Because this is your way to enter paradise. And why do you want to enter paradise? Because in paradise, all the pleasures that you left in the first place because they were temporary are available here as permanent. In fact, you will find the use of the pattern of seduction for the pleasures of paradise such as wine and women, and even the pleasure of looking at the face of God, among the methods used in the Quran frequently. So does this conflict with Epicurus? In fact, no. In fact, it falls into the depth of his philosophy, because he also calls for presenting the permanent pleasure over the temporary one. But let's clarify the points of difference with him - with the note that what I mentioned is based on the simple definition of his philosophy mentioned in the book and does not necessarily mean that I am familiar with it. The goal is to convey the idea by giving an example - the first and most important is that Epicurus undoubtedly does not believe in the afterlife. So the permanent pleasure for him is what you consider the longest life compared to others in this life. And second: the essence of his philosophy revolves around this principle. Here lies the difference with all philosophers, not just Epicurus. The real problem is not in adopting some of their methods in looking at life and thinking from their angles. In fact, you may use the Socratic method without your awareness as a witness to the validity of a legal ruling, for example. And also, you may take the Epicurean style as a way to encourage people to do good. But the difference between you and them is the non-limitation of your understanding of life and existence to their angles. And what happens to you as a believer is that your concept is broader, more inclusive, and more complete. And this overall project may include some partial angles that agree with many of their ideas. Because one of the biggest problems of philosophy is that it is not sufficient to provide a complete explanation of the universe and life. Also, much of it agrees with it in the general idea. But the exaggeration in understanding this philosophy reveals to you large holes. Some of them may exceed the black hole that swallows you into meaninglessness and loss. So let me explain to you the effect of philosophy on me and its influence on me. It makes me see through its microscope many of the small things that perhaps I never thought about in a day. But in my general view of life, the first thing I do is throw its lens away. Because there is no lens more inclusive, broader, more logical, more orderly, more methodical, and more complete than the religious lens for life in general.
If you ask me what the greatest benefit I got from this book is, I will tell you - thanking Mr. Jostein with a deep thank you that I did not count for it - it is the arrangement of the history of philosophy in my mind. There were scattered pieces of the famous puzzle of the general history of philosophy in my mind. And this novel reconstructed it in a sequential and clear way, which made the picture orderly, clear, and complete in front of me now.
I was impressed by the author's gentleness and his wisdom. The author is very gentle and polite in presenting the philosophers' views. Every time he presents a philosophy, he presents it as if he is in its class, so that you cannot determine his true position. Nor can I rule out that he does not find a contradiction between these philosophies. In fact, they express points of view from different angles, as I felt through his presentation and his objectivity.
The secret of the novel and its beauty lies in the fact that the author did not content himself with shocking us through his talk about the philosophers. Rather, the secret lies in the Sufi world. He was able to draw through it an idea that disturbs you and trembles in your gray cells. The bomb that he throws at Sophie through the pages of the novel was, in my opinion, the star of the novel.
Note on the margin of the conclusion: Don't forget your place from the side of the rabbit that came out of the hat of the universe :)
Sophie's World by Jostein Gaarder is, in my view, an ambitious undertaking that disappoints. It serves as a decent introduction to European philosophy, with some passing references to Eastern thought for comparison. Beginning with the Pre-Socratics, it offers a relatively simple and comprehensive overview of classical philosophy. It then detours into Christian theology and the Middle Ages before emerging with Renaissance thought. Towards the end, it delves into Marxism, Darwin's theory of evolution, and Freud's psychoanalytic techniques as if they were "philosophies," while neglecting many other ground-breaking scientific discoveries. It concludes with Sartre's existentialism. It seems aimed at young readers and may inspire some serious ones to study philosophy, which is to its credit.
Regarding the literary merits of the work, I must unfortunately give it a resounding thumbs-down. The story is mostly dialogue, and Gaarder employs Plato's age-old technique to convey complex philosophical ideas through relatively simple sentences. While the intention is admirable, the execution leaves much to be desired. Sophie often comes across as rather dim-witted, and her teacher Alberto sounds pompous. Of course, there is some justification for the imperfect characterization, as Sophie and Alberto exist only in the mind of Major Albert Knag, who is writing their story. Still, the overall responsibility as the author lies firmly with Gaarder. Towards the end, the style of dialogue becomes so repetitive as to be irritating. For example, the sentence "a mere bagatelle, Sophie" is chanted by Alberto at regular intervals. It may be a translation issue, but I doubt it.
Gaarder's attempt to frame this (novel? treatise?) as a "story within a story" fails due to the inept execution. Towards the end, as Sophie and Alberto "escape" from the book into independent existence in the land of imagination, the narrative structure collapses. The "Philosophical Tea Party" reads like a cross between a scene from a Beckett play and a Bunuel movie. By the last third of the book, the reader eagerly awaits the end. I would only recommend this book to casual young readers seeking an introduction to European philosophy. For those who are truly serious, I would suggest The Story of Philosophy by Will Durant, which is a far superior and more engaging book.