Palimpsest

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"I am not my own subject," Gore Vidal used to say. But now, surprisingly, he has turned his wit and elegant storytelling gifts to a candid memoir of the first forty years of his life. Palimpsest is written from the vantage point of Vidal's library in his villa on the Italian coast. As visitors come and go, his memory ranges back and forth across a rich history. Vidal's childhood was spent in Washington, D.C., in the household of his grandfather, the blind senator from Oklahoma, T. P. Gore, and in the various domestic situations of his complicated and exasperating mother, Nina. Then come schooldays at St. Albans and Exeter; the army; life as a literary wunderkind in New York, London, Rome, and Paris in the forties and fifties; sex in an age of promiscuity; and a campaign for Congress in 1960. Vidal's famous skills as a raconteur, his forthrightness, and his wicked wit are brilliantly at work in these recollections of a difficult family, talented friends, and interesting enemies. The cast includes Tennessee Williams, the Kennedys, Eleanor Roosevelt, Truman Capote, Paul Newman and Joanne Woodward, Christopher Isherwood, Jack Kerouac, Jane and Paul Bowles, Santayana, Anais Nin, Norman Mailer, Leonard Bernstein, and the Duke and Duchess of Windsor, among others. Beautifully rendered anecdotes are intermixed with meditations on writing, history, acting, and politics. Perhaps most surprising is the leitmotif of a great, lost love. "A memoir is how one remembers one's own life," Vidal says, "while an autobiography is history." Palimpsest is a true story, but also an extraordinary work of literary imagination.

438 pages, Paperback

First published October 3,1995

Literary awards

About the author

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Works of American writer Eugene Luther Gore Vidal, noted for his cynical humor and his numerous accounts of society in decline, include the play The Best Man (1960) and the novel Myra Breckinridge (1968) .

People know his essays, screenplays, and Broadway.
They also knew his patrician manner, transatlantic accent, and witty aphorisms. Vidal came from a distinguished political lineage; his grandfather was the senator Thomas Gore, and he later became a relation (through marriage) to Jacqueline Kennedy.

Vidal, a longtime political critic, ran twice for political office. He was a lifelong isolationist Democrat. The Nation, The New Yorker, Vanity Fair, The New York Review of Books, and Esquire published his essays.

Essays and media appearances long criticized foreign policy. In addition, he from the 1980s onwards characterized the United States as a decaying empire. Additionally, he was known for his well publicized spats with such figures as Norman Mailer, William F. Buckley, Jr., and Truman Capote.

They fell into distinct social and historical camps. Alongside his social, his best known historical include Julian, Burr, and Lincoln. His third novel, The City and the Pillar (1948), outraged conservative critics as the first major feature of unambiguous homosexuality.

At the time of his death he was the last of a generation of American writers who had served during World War II, including J.D. Salinger, Kurt Vonnegut, Norman Mailer and Joseph Heller. Perhaps best remembered for his caustic wit, he referred to himself as a "gentleman bitch" and has been described as the 20th century's answer to Oscar Wilde

Also used the pseudonym Edgar Box.

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Gore Vidal é um dos nomes centrais na história da literatura americana pós-Segunda Guerra Mundial.

Nascido em 1925, em Nova Iorque, estudou na Academia de Phillips Exeter (Estado de New Hampshire). O seu primeiro romance, Williwaw (1946), era uma história da guerra claramente influenciada pelo estilo de Hemingway. Embora grande parte da sua obra tenha a ver com o século XX americano, Vidal debruçou-se várias vezes sobre épocas recuadas, como, por exemplo, em A Search for the King (1950), Juliano (1964) e Creation (1981).

Entre os seus temas de eleição está o mundo do cinema e, mais concretamente, os bastidores de Hollywood, que ele desmonta de forma satírica e implacável em títulos como Myra Breckinridge (1968), Myron (1975) e Duluth (1983).

Senhor de um estilo exuberante, multifacetado e sempre surpreendente, publicou, em 1995, a autobiografia Palimpsest: A Memoir. As obras 'O Instituto Smithsonian' e 'A Idade do Ouro' encontram-se traduzidas em português.

Neto do senador Thomas Gore, enteado do padrasto de Jacqueline Kennedy Onassis, primo distante de Al Gore, Gore Vidal sempre se revelou um espelho crítico das grandezas e misérias dos EUA.

Faleceu a 31 de julho de 2012, aos 86 anos, na sua casa em Hollywood, vítima de pneumonia.

Community Reviews

Rating(3.9 / 5.0, 99 votes)
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99 reviews All reviews
April 26,2025
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I learned that Gore Vidal liked John Kennedy, but was not a fan of Bobby. I also learned quite a bit about Tennessee Williams; a little about Truman Capote; and quite a bit about what he thought of Jackie O. He also talks at length about people most people have no interest in; but it turns out they do make for interesting stories, sometimes. Overall, I enjoyed this book and would recommend it, if you are interested in reading about Gore's experiences and stories about other writers (Kerouac, Burroughs, and the previously mentioned writers too). Also, it helps to have an interest in politics.
April 26,2025
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I have always really liked Gore Vidal's historical fiction ("Burr" is one of my particular favorites, as well as the followup "1876") and I knew he had a reputation for being kind of an asshole in real life, but in this book he doesn't come off so much an asshole as he does cold, distant, and disaffected. The many anecdotes relayed in this memoir were amusing enough, I guess, and if it was Vidal's mission to make his life seem decadent and glamorous he surely succeeded. I just wish there would have been more about his creative process, his spirit, his soul. I wanted an insight into the secret struggles of a great writer, not the same old celebrity glamor tales I can get any old where.
April 26,2025
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I read this memoir when it first came out....and find that a 2nd time around makes it even MORE pleasurable.
April 26,2025
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Hard to get through, pretty boring in places ,the early part about mother, father and grandparents are ok. But then we come to the celebrities and it descends in a rather spiteful gossip trivia , gore comes out of it like a shining beacon (i don,t think). Having read the book it failed miserably for me to enjoy it, so its a not winner for me so therefore two stars.
April 26,2025
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Early in the book Gore Vidal makes the point that this is not an autobiography; it's a memoir. Too many autobiographies read like an excuse for the author’s failings and a platform for their supposed triumphs, as though they are getting their two cents in before someone else gives the final accounting. Vidal offers no excuses, even admitting in the beginning that he chose the title, and later realized he had been mispronouncing the word for years, and didn’t fully understand the origin of its meaning.

In Palimpsest he plays with time like a magician, deftly moving from one place to another, never losing the reader, an uncommon fluidity where most memoirs follow a strictly age based progression. There was no prose for prose sake, or lyrics over substance, yet his writing draws the reader in as though you were spending an evening listening to incisively funny repartee. He had me chuckling in the first few pages. Essentially, he’s the guy at a cocktail party you’d most like to spend the evening with.

He has an almost clinical insight into people and it doesn’t hurt that he’s known some of the icons of his age. His slant on Tennessee Williams, Truman Capote, Jackie Onassis (they shared a stepfather) and countless other characters of his time are priceless. There is no lack of dysfunctional family dynamics, either. Though he doesn’t use his upbringing as anything more than a travelogue of how he got where he is. He continues to be the most erudite voice of the anti-establishment. You can catch vintage Vidal on YouTube sparring with William F. Buckley on a sixties talking head show in a game of wordsmanship.

For all his wittiness and fascinating stories, the real value is that his memoirs chronicle how his life as a writer evolved. At a critical juncture early in his career, he decided to go ahead with the publication of his third novel, The City and the Pillar, over the objections of his agent. It contained overt homosexual overtones and true to form, the publishing industry blackballed him for the content. That he chose truth over conformity, and the commercial success that comes with it, was a defining moment. It seems the writers who only give their audience exactly what’s expected end up being trapped by their success.

His decision led to Hollywood and Broadway, experiences that ultimately made up for the early rejection. It is what allowed him the freedom to produce a wide range of work, from Myra Breckenridge (a one finger salute to the entertainment industry), to Visit to a Small Planet, and historical fiction, Lincoln, being his most famous.

Palimpsest is a gift from Vidal. He shared the essence of who he is with clarity, style and honesty. Isn’t that what art is all about?
April 26,2025
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This book took me quite a while, for me, to read. Get ready to rev up the Google box for quick identification of people, places and incidents. Mr. Vidal is not flowery or wordy. Why write a paragraph when you can have succinct sentences where every word had meaning. This memoir is set in periods and topics. 1/3 of the book is based on the topic of family. Who, when, where are all divulged and is fascinating. My favorite part is the topics of other authors, and gossip. This comes later in the volume and I wished I had read it first.
April 26,2025
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An extraordinary read by an extraordinary man. Rich with little known facts, obscure celebrity gossip and political insider dirt.
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