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This review is from my POV as an author, so easily skip over it if you will: Unlike most of Dick Francis' novels, the action in 10 lb Penalty spans years rather than weeks and months. This is of interest when you consider story structure. In other of his novels, say Reflex for instance, the plot is linear and uninterrupted by passages of time. Ageing jockey (mid-30s)falls off a horse and begins to consider what to do with the rest of his life. There are twin, intertwined plots, the one dealing with family/personal matters and the other with the death of a photographer who may or may not have been a blackmailer and may or may not have been murdered...the salient point being that events chug along to an eventful and satisfying climax as they so often do in Dick Francis novels. But 10 lb Penalty can be said to be structured as a complete novel with a novella tacked on. Readers might question whether this is a completely satisfying way to structure a murder mystery thriller, and well they might. As a writer, I was interested to see how Francis handled the transitions from one period of time to another. You see, the 1st complete story, the novel, ends about 2/3 of the way through the book and the author then has to segway through several years to get to the novella. An odd and interesting story structure, to be sure, and instead of the usual blathering praise, the critics, while generous, were less gushing. For me, I found the exercise instructional: perhaps you know how critics and teachers always insist on authors "showing" the story instead of "telling" it. Well, this is one novel where, at key junctures I could feel the story being told. Instructional because the advice is so easy to say, but so difficult to follow. And encouraging to see that even a master writer like Francis can be forced to fall back on "telling" when trapped between a genre that demands immediacy and a plot line that has a need to lay out the passage of the years.