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I'm trying to read through all of Naomi Klein's oeuvre, because I think she is one of the great diatribists of our time. "Shock Doctrine" is one of the most eye-opening pieces of non-fiction I've ever had the privilege of reading, and "This Changes Everything," about climate change, has changed my behavior and attitude toward my surroundings probably more than any other book. "No Logo" is not as impressive an entry into her pantheon, but it prefigures the talent that she would display in her later works.
Perhaps it's because it was a bit dated--references to the influence of MTV and Nike abound; brand hegemons like Apple--whose share price has since increased by a factor of about 300x--do not even merit mention. Sweatshops were the cause celebre of the 1990s, and it's hard to say whether we hear less about them because corporations recognize that it's no longer profitable to employ exploitative sweatshop labor (as Klein points out: revenue and not morality is always the gravamen of this calculus), or because we grew fatigued by the effort and tolerate them now, or at least their slightly less exploitative post-1990s iterations.
One highlight of the book came toward its end, when Klein talks about the agency of youth consumers and of disenfranchised yet culturally relevant black and brown youth who live in the nation's cities. It's pretty incredible that brands as powerful as Nike and Disney caved to the pressure of these individuals, who understood themselves to have been chumps for paying 30x the cost of a shoe, and having engaged in the exploitation of other marginalized people throughout the world in so doing, all to pad the larders of megarich companies who had co-opted their sense of style and fashion to begin with. It's kind of great that people won't tolerate hostile corporate forces invading their space.
To wit, I've been venturing beyond my West Brooklyn/Lower Manhattan ambit of late, and have found myself in the Bronx, in Central Queens, and in white ethnic enclaves like Greenpoint. Milo Yiannopoulos, the smugly execrable male Ann Coulter/low-rent Oscar Wilde with a bronzer problem who is currently afflicting our society with his "provocative" yet wholly warmed-over ideas in the Trump era, is putting out his own book, entitled "Dangerous." I'm all for free speech, and come from the Millsian/Skokie line of ACLU types who think that one of the only things America is truly great at, and has benefited from, is its staunch defense of freedom of speech in the public arena. Even if they were repellent, which they surely are, I would defend Mr. Yiannopoulos' right to advocate his views. But freedom of speech is important for allowing new ideas to surface, not for perseverating the same "Muslims are bad!" "White men are responsible for all cultural innovations!" and "Women make up rape allegations for attention!" tommyrot that has been around since the Crusades, if not earlier, and has been widely discredited for centuries; we need this type of public voice like we need lectures about why the Earth is flat. Mr. Yiannopoulos is a gadfly, and he has never propounded an original idea other than that he is somehow noteworthy, as far as I can tell.
Anyway, I noticed that ads for his book, "Dangerous," were cynically posted all over the subway stations in less gentrified areas, ostensibly because people in the other areas would not tolerate their living spaces being desecrated by such an inane, bigoted idiot and his quest to enrich himself by sowing dissension. And happily, I noticed that of all the ads on the subway, even in the areas not teeming with effete latte liberals like myself, these ads were almost always the only ones torn down, desecrated, denounced, destroyed. As Klein notes, there may be no legal theory to support these actions, but one of the most powerful ways in which people can revolt against the invasion of their spaces and communities by hostile, capitalist attempts to make money off of them and their neighbors is through hostile, pointed destruction of the property that these forces use to accomplish their aims. I'm sure that Mr. Yiannopoulos would have some tired quip about the breeding of these people or their motivations, and how it shows that the left (read: the not extreme right) is intolerant of free speech, but this really just reflects an overbroad view of the protections to which private property and money are entitled, and a cramped view of the ways in which speech, protest, and dissent can, should, and will increasingly be expressed.
Perhaps it's because it was a bit dated--references to the influence of MTV and Nike abound; brand hegemons like Apple--whose share price has since increased by a factor of about 300x--do not even merit mention. Sweatshops were the cause celebre of the 1990s, and it's hard to say whether we hear less about them because corporations recognize that it's no longer profitable to employ exploitative sweatshop labor (as Klein points out: revenue and not morality is always the gravamen of this calculus), or because we grew fatigued by the effort and tolerate them now, or at least their slightly less exploitative post-1990s iterations.
One highlight of the book came toward its end, when Klein talks about the agency of youth consumers and of disenfranchised yet culturally relevant black and brown youth who live in the nation's cities. It's pretty incredible that brands as powerful as Nike and Disney caved to the pressure of these individuals, who understood themselves to have been chumps for paying 30x the cost of a shoe, and having engaged in the exploitation of other marginalized people throughout the world in so doing, all to pad the larders of megarich companies who had co-opted their sense of style and fashion to begin with. It's kind of great that people won't tolerate hostile corporate forces invading their space.
To wit, I've been venturing beyond my West Brooklyn/Lower Manhattan ambit of late, and have found myself in the Bronx, in Central Queens, and in white ethnic enclaves like Greenpoint. Milo Yiannopoulos, the smugly execrable male Ann Coulter/low-rent Oscar Wilde with a bronzer problem who is currently afflicting our society with his "provocative" yet wholly warmed-over ideas in the Trump era, is putting out his own book, entitled "Dangerous." I'm all for free speech, and come from the Millsian/Skokie line of ACLU types who think that one of the only things America is truly great at, and has benefited from, is its staunch defense of freedom of speech in the public arena. Even if they were repellent, which they surely are, I would defend Mr. Yiannopoulos' right to advocate his views. But freedom of speech is important for allowing new ideas to surface, not for perseverating the same "Muslims are bad!" "White men are responsible for all cultural innovations!" and "Women make up rape allegations for attention!" tommyrot that has been around since the Crusades, if not earlier, and has been widely discredited for centuries; we need this type of public voice like we need lectures about why the Earth is flat. Mr. Yiannopoulos is a gadfly, and he has never propounded an original idea other than that he is somehow noteworthy, as far as I can tell.
Anyway, I noticed that ads for his book, "Dangerous," were cynically posted all over the subway stations in less gentrified areas, ostensibly because people in the other areas would not tolerate their living spaces being desecrated by such an inane, bigoted idiot and his quest to enrich himself by sowing dissension. And happily, I noticed that of all the ads on the subway, even in the areas not teeming with effete latte liberals like myself, these ads were almost always the only ones torn down, desecrated, denounced, destroyed. As Klein notes, there may be no legal theory to support these actions, but one of the most powerful ways in which people can revolt against the invasion of their spaces and communities by hostile, capitalist attempts to make money off of them and their neighbors is through hostile, pointed destruction of the property that these forces use to accomplish their aims. I'm sure that Mr. Yiannopoulos would have some tired quip about the breeding of these people or their motivations, and how it shows that the left (read: the not extreme right) is intolerant of free speech, but this really just reflects an overbroad view of the protections to which private property and money are entitled, and a cramped view of the ways in which speech, protest, and dissent can, should, and will increasingly be expressed.