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I don't really read Dick Francis for his cleverly build mysteries: the plot and the identity of the villain is usually given away very early in the narrative. I'm also not really looking for originality. Almost all of his main characters are variations of one archetype: the tall, quiet professional with an iron will and a hidden weakness. His villains are similarly predictable: egomaniac bullies with a penchant for torture.
So why is he my comfort writer for relaxing and having a good time (with or without a Suntory single malt)? Why do I keep coming back to read about his racecourse centered world? I guess because he's a natural born storyteller, with a keen eye for sketching characters and describing emotions. He is also rather safe, with a clear line between good and evil and a romantic, positive mindset, where you know the good guy will come through somehow and get the girl as a bonus.
Dick Francis also has a vibrant curiosity about the world around us, his books are always informative and rich in trivia, showing off the indepth research on the chosen subject. In the case of Smokescreen the trivia relates to South African gold mining, wildlife parks, movie making and surviving in the desert. The author dances around the subject of apartheid, avoiding the politically charged issue, and showing a recurring infatuation with the higher echelons of Anglo Saxon society.
So: a good addition to the collection of Dick Francis fans, maybe will have less of an appeal with readers unfamiliar with his work.
So why is he my comfort writer for relaxing and having a good time (with or without a Suntory single malt)? Why do I keep coming back to read about his racecourse centered world? I guess because he's a natural born storyteller, with a keen eye for sketching characters and describing emotions. He is also rather safe, with a clear line between good and evil and a romantic, positive mindset, where you know the good guy will come through somehow and get the girl as a bonus.
Dick Francis also has a vibrant curiosity about the world around us, his books are always informative and rich in trivia, showing off the indepth research on the chosen subject. In the case of Smokescreen the trivia relates to South African gold mining, wildlife parks, movie making and surviving in the desert. The author dances around the subject of apartheid, avoiding the politically charged issue, and showing a recurring infatuation with the higher echelons of Anglo Saxon society.
So: a good addition to the collection of Dick Francis fans, maybe will have less of an appeal with readers unfamiliar with his work.