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And here we have our first 1-star Redwall book.
This book leads off with the escape of Triss and her cohorts from slavery with the promise to return to free the slaves they left behind and here in is the biggest issue with this book: she doesn't do it through the course of the story. One the final "chapter" of the book (epilogues of writings from Redwall recorders and letters from others not withstanding), she sets out with new friends to go free the slaves. One could forgive this if she had been intentionally marshaling might for an attack on the slavers' stronghold, but every action throughout the book seems to be accidental with no plan towards actually realizing her promise.
Eventually, we find out that she does free the slaves, but only in the epilogue, which while fulfilling the promise to the slaves, doesn't fulfill the implied promise to the reader of Triss being a liberator as we are told second hand that she actually did it. That was what this story should have been, and it wasn't. It wasn't about anything.
Worse still, even IF Jacques had fulfilled the promise to his readers of a liberation story, it would have been nearly the same sequence of events as Martin the Warrior meaning Triss was a doomed venture before Jacques ever set pen to page.
Beyond just an unrealized plot, this book lacks any personality. Every one is drawn from Jacques's bag of stock characters, even the single personality that leaves a lasting impression: Scarum. Like all hares in the Redwall series, Scarum has a massive apetite, but while it is attempted to be played for comedic effect (an attempt fully realized in Basil in Redwall), Scarum goes overboard into one of the most egregious displays of gluttony ever seen. At multiple points throughout the book, Scarum's gluttony endangers the lives of his friends and others. It's not funny; it's a massive character defect played for laughs. In the setting and situations his eating-disorder comes out strongest, it isn't any better than a drinking problem and, again, is played for laughs and is meant to leave the reader shaking their head with naught but a tick of the tongue and an "Oh, Scarum!"
Any lasting impression this book leaves is a negative one and while I can typically find the high point of a book (see Martin the Warrior and Outcast of Redwall), Triss leaves nothing of importance behind.
This book leads off with the escape of Triss and her cohorts from slavery with the promise to return to free the slaves they left behind and here in is the biggest issue with this book: she doesn't do it through the course of the story. One the final "chapter" of the book (epilogues of writings from Redwall recorders and letters from others not withstanding), she sets out with new friends to go free the slaves. One could forgive this if she had been intentionally marshaling might for an attack on the slavers' stronghold, but every action throughout the book seems to be accidental with no plan towards actually realizing her promise.
Eventually, we find out that she does free the slaves, but only in the epilogue, which while fulfilling the promise to the slaves, doesn't fulfill the implied promise to the reader of Triss being a liberator as we are told second hand that she actually did it. That was what this story should have been, and it wasn't. It wasn't about anything.
Worse still, even IF Jacques had fulfilled the promise to his readers of a liberation story, it would have been nearly the same sequence of events as Martin the Warrior meaning Triss was a doomed venture before Jacques ever set pen to page.
Beyond just an unrealized plot, this book lacks any personality. Every one is drawn from Jacques's bag of stock characters, even the single personality that leaves a lasting impression: Scarum. Like all hares in the Redwall series, Scarum has a massive apetite, but while it is attempted to be played for comedic effect (an attempt fully realized in Basil in Redwall), Scarum goes overboard into one of the most egregious displays of gluttony ever seen. At multiple points throughout the book, Scarum's gluttony endangers the lives of his friends and others. It's not funny; it's a massive character defect played for laughs. In the setting and situations his eating-disorder comes out strongest, it isn't any better than a drinking problem and, again, is played for laughs and is meant to leave the reader shaking their head with naught but a tick of the tongue and an "Oh, Scarum!"
Any lasting impression this book leaves is a negative one and while I can typically find the high point of a book (see Martin the Warrior and Outcast of Redwall), Triss leaves nothing of importance behind.