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As with the previous six books, this seventh Betsy-Tacy book was exceedingly well written.
Maud Hart Lovelace = a genius.
I can’t otherwise explain why I care so much about the characters and the story when I don’t give a hang about fashion or hairstyles or many of the other frequently mentioned things in the book/these books. I will admit the very, very, very frequently mentioned pompadour hairstyle ended up irritating me slightly.
Betsy and her crowd are growing up in a way that feels completely authentic. As I’ve said with earlier books in this series: there is not one false note.
I was warned by a couple of Goodreads friends that this was the hardest book in the series to read in terms of emotional distress, but I’m used to Betsy at this developmental stage now, so endearing but with many flaws and challenges too. For me the hardest to read by far was Heaven to Betsy because there was such a change in Betsy & Tacy & Company from Betsy and Tacy Go Downtown. I do feel particularly fond of the first four books, but once I got past most of the fifth book, I have also thoroughly enjoyed the rest of the series so far.
I am not a fan of sororities and found the main plot line about them interesting. I reveled in the quote at the top of (this edition's) page 205. (no spoilers if I don’t say anything about content)
I love the emotional warmth shown between friends and family members, and I appreciate Betsy’s good intentions, and found amusing such things as procrastinating about homework. Adolescence (at least a common experience of it) is captured so well. I had different experiences, but it all seemed somewhat familiar, for me at least secondhand if not firsthand. The food always sounds wonderful, including the foods I’ve never enjoyed, even as an omnivore. I also really enjoyed Betsy’s little sister Margaret in this book; it’s the first time she felt at all fleshed out as a character and I appreciated that.
I’m really not as fond of the illustrations by the illustrator who does these books as the illustrator who did the first four books, although that illustrator’s style would not fit the later books.
One thing, if you’ve read this far: For those Betsy-Tacy aficionados: Somebody please explain Joe & Phyllis to me. Why?! Thanks!
Maud Hart Lovelace = a genius.
I can’t otherwise explain why I care so much about the characters and the story when I don’t give a hang about fashion or hairstyles or many of the other frequently mentioned things in the book/these books. I will admit the very, very, very frequently mentioned pompadour hairstyle ended up irritating me slightly.
Betsy and her crowd are growing up in a way that feels completely authentic. As I’ve said with earlier books in this series: there is not one false note.
I was warned by a couple of Goodreads friends that this was the hardest book in the series to read in terms of emotional distress, but I’m used to Betsy at this developmental stage now, so endearing but with many flaws and challenges too. For me the hardest to read by far was Heaven to Betsy because there was such a change in Betsy & Tacy & Company from Betsy and Tacy Go Downtown. I do feel particularly fond of the first four books, but once I got past most of the fifth book, I have also thoroughly enjoyed the rest of the series so far.
I am not a fan of sororities and found the main plot line about them interesting. I reveled in the quote at the top of (this edition's) page 205. (no spoilers if I don’t say anything about content)
I love the emotional warmth shown between friends and family members, and I appreciate Betsy’s good intentions, and found amusing such things as procrastinating about homework. Adolescence (at least a common experience of it) is captured so well. I had different experiences, but it all seemed somewhat familiar, for me at least secondhand if not firsthand. The food always sounds wonderful, including the foods I’ve never enjoyed, even as an omnivore. I also really enjoyed Betsy’s little sister Margaret in this book; it’s the first time she felt at all fleshed out as a character and I appreciated that.
I’m really not as fond of the illustrations by the illustrator who does these books as the illustrator who did the first four books, although that illustrator’s style would not fit the later books.
One thing, if you’ve read this far: For those Betsy-Tacy aficionados: Somebody please explain Joe & Phyllis to me. Why?! Thanks!