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This book was a Christmas gift from my coworker. That is relevant here because before this coworker and I met for the first time, we were prophetically assured by someone who'd worked with both of us that we would like each other, but I still wasn't prepared for how instantly that would be true. We have the exact same sense of humor and life philosophy of not taking things too seriously. Now, after three years of working together, she has pictures of my father saved in her camera roll for laughs, and when she's out for more than one consecutive day, I send her the cover of Michael Bolton's "How Am I Supposed to Live Without You" album.
We also have talked about the fact that we both felt extremely butch in high school compared to our feminine best friends - the "husband" of the pair, if you will - and so it cracked me up reading this that Laurie Notaro feels the same way about her Pretty Friends.
The Idiot Girls' Action-Adventure Club is pretty good at conveying that human feeling of being a walking disaster, which I'm convinced is just part of the experience of being a person. The thing that Laurie and my coworker Laura and I share is a "what is life if you can't amplify that awkwardness for laughs at your own or others' expense?" philosophy, and I understand why she gifted it to me.
Like many humor collections, it's uneven. Some essays are really funny, like the jury duty one where Laurie is mistaken for homeless, reluctant to go into the courtroom when called because she's watching Jenny Jones, and disappoints her mother by not meeting a "balding, sexually repressed twenty-seven-year old attorney strangled into a Perry Ellis necktie." (I work with lawyers and am the daughter of one. I definitely laughed.) I also loved that Laurie could not eat Lunchable meat after paying $15 to see a roadside attraction mummy, and the way she articulated the humiliations of being a woman on display to the entire staff at the gynecologist. (I've had multiple internal exams where more than one person was in the room for science, at different offices. Also, one time my doctor opened the door without knocking while I was trying to change into the inadequate robe and she and the whole hallway got a full frontal view. That was a good day.)
Any time her friend Jamie shows up, it's a good sign that what follows will be funny.
Other essays were like things I'd read before. I'm thinking of the one about the fear of clowns, mostly, but also yeah, the drinking ones. I also think that some of them suffer from being too scattered, or going in too hard for a cheap laugh. But, humor is subjective, so your mileage may vary.
There are a lot of female humor essayists out there now - Chelsea Handler, Jenny Lawson, Sloane Crosley, Samantha Irby - but I don't think the genre was as popular back in 2002 when this came out. I can only think of Nora Ephron and Erma Bombeck pre-2002. Am I wrong or is Laurie Notaro kind of a pioneer of sorts? That might also be part of my problem of feeling that I had read this type of story from female comedy essayists before.
We also have talked about the fact that we both felt extremely butch in high school compared to our feminine best friends - the "husband" of the pair, if you will - and so it cracked me up reading this that Laurie Notaro feels the same way about her Pretty Friends.
The Idiot Girls' Action-Adventure Club is pretty good at conveying that human feeling of being a walking disaster, which I'm convinced is just part of the experience of being a person. The thing that Laurie and my coworker Laura and I share is a "what is life if you can't amplify that awkwardness for laughs at your own or others' expense?" philosophy, and I understand why she gifted it to me.
Like many humor collections, it's uneven. Some essays are really funny, like the jury duty one where Laurie is mistaken for homeless, reluctant to go into the courtroom when called because she's watching Jenny Jones, and disappoints her mother by not meeting a "balding, sexually repressed twenty-seven-year old attorney strangled into a Perry Ellis necktie." (I work with lawyers and am the daughter of one. I definitely laughed.) I also loved that Laurie could not eat Lunchable meat after paying $15 to see a roadside attraction mummy, and the way she articulated the humiliations of being a woman on display to the entire staff at the gynecologist. (I've had multiple internal exams where more than one person was in the room for science, at different offices. Also, one time my doctor opened the door without knocking while I was trying to change into the inadequate robe and she and the whole hallway got a full frontal view. That was a good day.)
Any time her friend Jamie shows up, it's a good sign that what follows will be funny.
Other essays were like things I'd read before. I'm thinking of the one about the fear of clowns, mostly, but also yeah, the drinking ones. I also think that some of them suffer from being too scattered, or going in too hard for a cheap laugh. But, humor is subjective, so your mileage may vary.
There are a lot of female humor essayists out there now - Chelsea Handler, Jenny Lawson, Sloane Crosley, Samantha Irby - but I don't think the genre was as popular back in 2002 when this came out. I can only think of Nora Ephron and Erma Bombeck pre-2002. Am I wrong or is Laurie Notaro kind of a pioneer of sorts? That might also be part of my problem of feeling that I had read this type of story from female comedy essayists before.