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It's hard in some ways to write a review for The Glass Castle, a bestselling, beloved book that I've been aware of since it came out in hardcover and then paperback and I remember we could never seem to keep it in stock as a teenager working part time at an indie bookstore. I didn't read much nonfiction then, so I never picked it up. Only now have I turned my attention to Jeannette Walls' memoir, seeing it as some glaring oversight in terms of big books or authors I haven't read and need to address ASAP. I'll start off by saying I enjoyed reading this, though my enjoyment felt occasionally like rubbernecking at a five car pile up on the highway and one is a tractor-trailer and it's on fire, and so my enjoyment made me a bit comfortable at times (which is no bad thing, it's great when books push you to recognize your own bias and perspective and question yourself morally). Walls' childhood is littered with anecdotes by turn fascinating and horrifying and humorous, and she achieves a fantastic balance covering what it was like to grow up the child of Rex and Rose Mary Walls in an objective, dispassionate way, but also is able to show how she and (most of) her siblings were able to survive and thrive in spite of (and Walls allows "because of" too) her dysfunctional, chaotic upbringing. And though Rex and Rose Mary have some truly abominable, selfish, insane moments between them, there's also love, education, and resilience passed from parent to child and then back the other way, and the sibling bond is protective, fierce, and funny. This is one of the gold standards for family memoir and fucked up childhood memoir for a reason.
But as much as her childhood was illuminating and shocking, and I applaud Walls' candor about the levels of her parents misbehavior while also showing the positive qualities they were able to instill in their children, I didn't love this memoir. I suppose I judge nonfiction on a similar level to fiction, but in some ways my inner critic is a bit sharper. For nonfiction to be great for me, the narrative has to be absorbing and the research has to be sound, but I also prefer a distinctive and fluid writing style (not everything has to be lyrical, but I need more than a recitation of facts and events) and I prefer that the sum of the parts not be greater than the whole. Great memoirs for me (thinking of Insomniac City , The Best We Could Do and When Breath Becomes Air for starters) achieve this, so I'm overcome with feeling and appreciation and interest at the conclusion, and I've enjoyed the anecdotes presented, admired the prose, and been able to take away larger meaning, not necessarily for myself but for the broader human experience. I did not feel the same from The Glass Castle, probably from some combination of the removed, dry, journalistic prose (which I understand why she used it to tell her story effectively, but it did limit the emotional connection for me as a reader and could occasionally bore me as a lover of more exciting prose styles whether quiet or sharp or incisive or questioning or contemplative) and the lack of a larger connective thread beyond the very specific tale of overcoming parental obstacles by the Walls children.
I guess ultimately for me The Glass Castle didn't transcend what it was at face value: a dysfunctional family history with an out for the author and siblings at the end. And for me to really like or love a memoir, I need more than just interesting anecdotes (though I readily admit I couldn't look away from the page as Walls related moments major and minor, completely insane and completely endearing). I'd probably rate this 3.5 stars and round down to 3 stars. I would recommend it to regular memoir readers if they haven't read this yet: again, I can see how and why this memoir is enduringly popular, and will probably bubble back onto bestsellers lists around the movie adaptation releases. But I didn't find it as special or transcendent as other memoirs I've read and loved recently, and so for me, it's a solid "I liked it".
But as much as her childhood was illuminating and shocking, and I applaud Walls' candor about the levels of her parents misbehavior while also showing the positive qualities they were able to instill in their children, I didn't love this memoir. I suppose I judge nonfiction on a similar level to fiction, but in some ways my inner critic is a bit sharper. For nonfiction to be great for me, the narrative has to be absorbing and the research has to be sound, but I also prefer a distinctive and fluid writing style (not everything has to be lyrical, but I need more than a recitation of facts and events) and I prefer that the sum of the parts not be greater than the whole. Great memoirs for me (thinking of Insomniac City , The Best We Could Do and When Breath Becomes Air for starters) achieve this, so I'm overcome with feeling and appreciation and interest at the conclusion, and I've enjoyed the anecdotes presented, admired the prose, and been able to take away larger meaning, not necessarily for myself but for the broader human experience. I did not feel the same from The Glass Castle, probably from some combination of the removed, dry, journalistic prose (which I understand why she used it to tell her story effectively, but it did limit the emotional connection for me as a reader and could occasionally bore me as a lover of more exciting prose styles whether quiet or sharp or incisive or questioning or contemplative) and the lack of a larger connective thread beyond the very specific tale of overcoming parental obstacles by the Walls children.
I guess ultimately for me The Glass Castle didn't transcend what it was at face value: a dysfunctional family history with an out for the author and siblings at the end. And for me to really like or love a memoir, I need more than just interesting anecdotes (though I readily admit I couldn't look away from the page as Walls related moments major and minor, completely insane and completely endearing). I'd probably rate this 3.5 stars and round down to 3 stars. I would recommend it to regular memoir readers if they haven't read this yet: again, I can see how and why this memoir is enduringly popular, and will probably bubble back onto bestsellers lists around the movie adaptation releases. But I didn't find it as special or transcendent as other memoirs I've read and loved recently, and so for me, it's a solid "I liked it".