Community Reviews

Rating(3.9 / 5.0, 98 votes)
5 stars
28(29%)
4 stars
31(32%)
3 stars
39(40%)
2 stars
0(0%)
1 stars
0(0%)
98 reviews
April 26,2025
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Oh, Fyodor.

Who else could keep me up and awake night after night, even though I promise myself every morning to go to bed at a decent hour?

Who else can create such authentic human emotions that I feel I'm experiencing all of them myself?

Who else would make me subject my kids to dinners of grilled cheese sandwiches, scrambled eggs, or frozen waffles just to spend more time with you?

There is no one else. Only you.
April 26,2025
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I wish some books never had to end.

This will undoubtedly top my top 5 books of 2018. Guaranteed.
April 26,2025
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I've come to the conclusion that Russian door-stoppers might just be where it's at. "It" here meaning general awesomeness that combines history, philosophy and readability to make books that are both thought-provoking and enjoyable.

Up until this point, Tolstoy had basically taught me everything I knew about nineteenth century Russian society and its people. By that, I mean that everything I knew was about the drama and scandals of the Russian aristocracy. The difference here is that Dostoyevsky took me on an educational - but also gripping - journey around the backstreets and drinking dens of St Petersburg. He showed me the nitty gritty details of life in Russia for those less fortunate - drunks, prostitutes, the poor - and he painted a very vivid portrait of this time and culture.

Raskolnikov is a great protagonist; he really is. His head is one messed-up place and he constantly struggles with what he believes in, his conscience, and his desire to get what he wants. The reader is pulled so deep inside the dark depths of his mind that it's hard to avoid becoming completely absorbed in the story. He is at times nasty, at others funny, and at others pitiful. Dostoyevsky has created one extremely well-rounded and complex character. Crime and Punishment shows the human capacity for evil, but also for shame and remorse. And this latter is the real "punishment" for Raskolnikov when he is driven near to insanity by his guilt.

I don't really know how best to fully articulate my feelings for Crime and Punishment. I don't give many five star ratings and I rarely feel this strongly about what I've read. I actually had a dream about it!

Speaking of dreams, I want to use this one example of Dostoyevsky's ability to engage the reader so thoroughly: I read one particular scene in the book that made me seriously distressed. I was furious, on the verge of tears, and like a child who wants to jump inside the TV to make everything better... and then Raskolnikov awakes to discover it was just a dream. I swear that my sigh of relief fully eclipsed his! But that's how far I was drawn into this world, how much I really cared about it. That doesn't happen often.

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April 26,2025
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Una lectura difícil por culpa de su protagonista y el rechazo y angustia que me generaba... he estado casi el mes completo entre sus febriles pensamientos y he terminado por odiar profundamente a Raskólnikov.
Pero el libro me ha gustado, ¿Lo he disfrutado? No ¿Merece la pena? Para mi sí.
'Crimen y castigo' es un libro que te lleva a lo más bajo del ser humano, pero también a lo más noble y bueno. Representa un estudio apasionante de la mente humana y hasta dónde podemos llegar llevados por la desesperación, pero al mismo tiempo creo que le sobran páginas.
Ha sido una lectura extraña, no he amado este libro pero sí me ha generado muchísimos sentimientos contradictorios y me ha dado que pensar...
Seguiremos con Dosto pero me voy a dar un buen respiro ahora...
April 26,2025
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My star rating is purely subjective and means only what GR says it means: I didn't like it. It didn't mean anything to me, sadly, and I didn't even find it to be an interesting story. I'm not saying it's a terrible book; in fact, I'd be very interested to hear what others think (reviews are a bit light for this book here I see).

First, I have a confession to make: I got two thirds of the way through and skimmed the rest. Well, worse than that: I flipped through and got the gist, but such is the way it's written you can't even skim. I just really had to put the book to rest, and it made me feel miserable thinking about making myself keep reading it. Reading should never make you miserable, so I did something I rarely ever do, and it nags at me but, well, there you have it.

The premise sounds interesting, and I had high hopes it would be one that would suck me in and captivate me. It's not that I had particularly high expectations - I didn't really have any expectations, though I thought it might be heavy on the intellectual side of things - but it was apparent from fairly early on that it wasn't going to be my kind of book.

It's Petersburg and a young student, Raskolnikov, is pawning his only valuables to an old crone, Alyona Ivanovna, who lives in a small apartment with her sister Lizaveta. He hasn't been able to afford to go to uni in several months, and his dress and manner makes him seem even lower class than he is. In desperation he hatches a plan to murder Alyona and rob her. He carries this out, killing not just her but her simple-minded sister who returns home unexpectedly, and in his fear and haste flees the scene with only some pawned trinkets and a small pouch.

His guilt manifests itself in fever and delirium, and he behaves very strangely thereafter. His friend and fellow student, Razumikhin, puts up with an awful lot and generously gives his time and efforts to help Raskolnikov; his mother, Pulcheria Alexandrovna and his sister, Dunechka, come to town to prepare for Dunya's marriage to an odious man; and Raskolnikov becomes somewhat obsessed with the family of a poor alcoholic who dies early on, in particular his eldest daughter Sonya, who had to become a prostitute in order to make some money for her family.

There's a lot of twoing and froing, a lot of agonising on Raskolnikov's part, and a lot of exclaiming. I wouldn't even have minded but Raskolnikov became such a bore, I didn't even want to slap, I just wanted to ignore him. It comes down mostly to the way it was written, which I didn't care for and which made the book a real slog.

I know this is some kind of work of genius, but if that's true, then I just felt stupid. It all seemed pretty obvious to me. No doubt if I made the effort I could see something special here, but it's like The Red and the Black - other people find the psychological melodrama truly fascinating, but to me, it's just melodrama, which I loathe. There's also no mystery, and not much suspense. There's a somewhat clever police inspector investigating the murder, but the game of cat-and-mouse the blurb enticed me with fell flat pretty quickly, and there was nothing left to hold me.

The blurb describes the book as "a preternaturally acute investigation of the forces that impel a man toward sin, suffering and grace." Uh huh. You can tell I'm really impressed can't you? It reads more like an account of a man going mad and being really self-centred, but after my sorry lack of appreciation for the equally masterful The Red and the Black, is it any surprise that I didn't like this book at all? If you're looking for a good story, this isn't it.

April 26,2025
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cant... form.... coherent thoughts..... the brainrott....... [shakes fist at sky]

no but seriously i've completely lost my ability to think critically and write long-form reviews. typically i'd just write some short quip relating to the book, but i've sat staring at my screen for like 15 minutes and i cant come up with anything. so in advance, i apologize for this lackluster review. woops.

overall i thoroughly enjoyed this book, dostoevsky's writing has to be one of my favorites. i loved raskolnikov, he's just so silly. (hes a murder)

if you want to read an actual quality review on this book please please please go read leo's!! she's criminally underrated. leo's review<3

(instead of a long witty review i'm givnig you guys memes relating to the book, enjoy)


  




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April 26,2025
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If I were not to be a reader, would’ve not known the places I’m never been to, nor the people I’ve never met, it is only when we identify with another soul, we come to know our own, our caged beings are feathered and our little brains expanded as we glide over infinity other worlds so different from ours and yet alike. I’ve been sleeping with a murderer for last fortnight, in long dark hours I’ve been an intent listener and an ardent lover, to be in mind of a murderer is not a very safe port to be, Dostoevsky makes his readers suffer by the same excruciating pain as his characters experience in their doomed state, the never-ending battle of right from wrong, reality from delusion, mental stability from confusion and crime from confession leaves us exasperated and in awe of such nerve wrenching tale which with every turn of page leaves us in midcoitus just the moment we thought we had it all, in us. As life tells us he did so, it’s only through a book we realize the “why” of it, and it is the time we become lovers of murderers.
Stricken by poverty and dogged to change his doom, Raskolnikov regards the idea of robbing an old pawnbroker on his way back to the closet apartment he resides as paying guest. The subject is very simple. A man conceives the idea of committing a crime; he matures it, commits the deed, and so the punishment starts, the flash back of the scene plays in the screen of his mind, he is tortured by his own self, he wants it to end, considers confessing his crime before the authorities, and yet finds no courage to do that, in the long run goes to police, states his crime and is sent to Siberia. If it could only be that simple! Raskolnikov is the student of law and a self-acclaimed revolutionary, a nihilist to the boots, intelligent, unprincipled, unscrupulous, reduced to extreme poverty, decides to take matters in his hands for once, for him world is crowded with two kinds of people, the one who act and are named in history, like Napoleon, for whom the smaller crime done to accomplish bigger aims is defensible and even requisite, Raskolnikov strive to be the one.
“Pain and suffering are always inevitable for a large intelligence and a deep heart. The really great men must, I think, have great sadness on earth.” And there is no greater grief than to be the torture cell of one’s own thoughts, no greater agony than to ablaze in uncertainty at the point of insanity, Raskolnikov’s punishment started the day he seeped in him the idea of crime, suffering never brings atonement, as Dostoevsky tried to preach, but more suffering.
Other plot threads weave the whole picture of Russia of the time, when one with three times a bite of bread was considered lucky, the time when women were either domestic hags or harlots, the time when everyone talked too much, spanned over hundreds of pages the talk of no consequence, the time when Russia had witty officers in police, who used to hunt down criminals like a tiger and yet waited for his surrender, and the time when people killed just to see if their theories were in alignment with reality. Dostoevsky had witnessed death with his bare eyes, as he faced the firing squad in St.Petersburg and was spared at the last moment, and the way he rips off the layers of human mind, lays us naked before us and the whole world to view, is of no surprise!!
April 26,2025
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This was my first Dostoyevsky, and I’d heard a lot of praise, but I was still not expecting it to be so immersive and engaging. A character as brilliant and profound as Raskolnikov doesn’t need my acclaim—following his twisted flow of thoughts felt like nothing short of a train wreck. The reader is pulled so deep inside his dark mind that it's hard to avoid becoming utterly engrossed in his story. I've never read a book that made me wonder and doubt like this did; the guilt, shame and horror Rodya experiences after killing an innocent woman strangle him with more severity than the law ever could.

I was also pleasantly surprised by how complex and yet progressive the female characters were. Sonya, a 19th century prostitute, ought to be of the most disgraced and powerless people in society, and yet Dostoyevsky doesn't present her as stained or disgusting. She’s a nuanced, kind-hearted, almost christlike figure; the only force strong enough to transcend Raskolnikov’s contempt of humanity. And Dunya’s strength in confronting her villainous abuser, Svidrigailov, was one of the highlights of my read.

Dostoyevsky’s themes, though spectacular, aren't always the lightest. But if you want to appreciate the storyline without diving into the philosophy, you can do that too, because I was genuinely shocked by how modern this felt, and what an absolute thriller of a page turner it turned out to be! Crime and Punishment is many things, but it's never boring; not when you’re in a world of St Petersburg slums, axe murderers, oafish drunks and spying police investigators. Maybe we non-Russians have it easy because of translation, but I’m happy to say this masterpiece isn’t nearly as dense as people make it out to be. I thoroughly enjoyed every one of its seven hundred closely written pages.

Instead, I'd say the lack of paragraphs and Russian naming conventions are what pushes this into a slightly heavier read, but it's still worth it. I find it interesting that Crime and Punishment has the reputation of being one of the bleakest and most depressing books out there, but I found myself truly moved by the beauty and poignancy of its ending.
April 26,2025
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“Pain and suffering are always inevitable for a large intelligence and a deep heart. The really great men must, I think, have great sadness on earth.”

The first modern murder mystery? The scene between Raskolnikov and Porfery still one of the classic exchanges in all of literature, obviously very influential in this genre from then on.

“The darker the night, the brighter the stars,
The deeper the grief, the closer is God!”

“When reason fails, the devil helps!”

April 26,2025
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O Caminho da Consciência


Será crime matar um ser execrável que explora o seu semelhante?! Uma Sanguessuga! Um Abutre da Miséria alheia! Será crime aniquilá-lo?! Esmagá-lo como o verme que é?! Ou será, simplesmente, uma acção de limpeza social!?

Afinal a História da humanidade transborda de Heróis que exterminaram milhares, alegando causas nobres. E não raras vezes, pereceram inocentes como mortes colaterais.
Quantos Lideres Históricos chacinaram e trucidaram?! E a História não os absolveu e, mais que isso, jubilou?!...

Raskolnikov matou um ser socialmente perverso e outro inocente (uma morte colateral não intencional), e foi castigado!
Estaline matou milhões e conquistou um estatuto de popularidade na História da Rússia ao ponto de lhe serem consagrados um museu, uma rua e uma estação ferroviária!
Enfim!... Os Desígnios da Justiça são insondáveis!...

Porém... há a Consciência, aquela Sentinela implacável que não deixa escapar impunes as lacunas da Justiça!
E Raskolnikov tem uma, que... se é certo que o arremessou aos Infernos, também lhe concedeu a Redenção!

Á luz da Consciência, Raskolnikov cometeu um crime — por maior que seja a Podridão Social, a Cura correspondente, não passa pela eliminação dos Hediondos. Se enveredássemos por essa via, seríamos... provavelmente... reconduzidos à era "Adão e Eva"
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