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The Outcast is full of cheese and fluff and represents a cheap version of a prophecy fulfillment story. The problems I spotted in The Hatchling return tenfold in this book, to the point where not even nostalgia could win the day.
Let’s start with Nyroc/Coryn. Coryn consistently speaks in grandiose, cheesy statements, and is given advice that is also grandiose and cheesy. He’s not as familiar or as memorable a protagonist as Soren; in fact, he’s a rather flat character who is pretty much flawless in every way. The only thing Coryn struggles with in this book is fear that other people will confuse him with his mother. He does everything perfectly because, as this book tells us multiple times, he is the next owl king and everyone knows it and welcomes him and whoever doesn’t recognize that fact is evil.
The side characters also speak declaratively and pithily. Even the introduction of the dire wolves and their clan system is derailed by the clunky dialogue and lack of plot. Too much happens too fast, and there wasn’t enough buildup to this whole idea of a new owl king for the plot to be in any way coherent or believable.
Lasky tried to take this series in a different direction, but the lack of adequate development and buildup, lack of worldbuilding in terms of Hoolian knowledge (something she tries to rectify with her three prequels about Hoole) and prophecies, and the awkward, cheesy dialogue only make The Outcast a chore to read and difficult to finish.
Let’s start with Nyroc/Coryn. Coryn consistently speaks in grandiose, cheesy statements, and is given advice that is also grandiose and cheesy. He’s not as familiar or as memorable a protagonist as Soren; in fact, he’s a rather flat character who is pretty much flawless in every way. The only thing Coryn struggles with in this book is fear that other people will confuse him with his mother. He does everything perfectly because, as this book tells us multiple times, he is the next owl king and everyone knows it and welcomes him and whoever doesn’t recognize that fact is evil.
The side characters also speak declaratively and pithily. Even the introduction of the dire wolves and their clan system is derailed by the clunky dialogue and lack of plot. Too much happens too fast, and there wasn’t enough buildup to this whole idea of a new owl king for the plot to be in any way coherent or believable.
Lasky tried to take this series in a different direction, but the lack of adequate development and buildup, lack of worldbuilding in terms of Hoolian knowledge (something she tries to rectify with her three prequels about Hoole) and prophecies, and the awkward, cheesy dialogue only make The Outcast a chore to read and difficult to finish.