Community Reviews

Rating(3.9 / 5.0, 100 votes)
5 stars
34(34%)
4 stars
25(25%)
3 stars
41(41%)
2 stars
0(0%)
1 stars
0(0%)
100 reviews
April 25,2025
... Show More
"Peyote solidities of halls, backyard green tree cemetery dawns, wine drunkenness over the rooftops, storefront boroughs of teahead joyride neon blinking traffic light, sun and moon and tree vibrations in the roaring winter dusks of Brooklyn, ashcan rantings and kind king light of mind"
April 25,2025
... Show More
Disclaimer: Do not read this edition of Howl.

Drooker may have collaborated with Ginsberg on n  Illuminated Poemsn, but he's also responsible for the unspeakably bad animated sequences in the unwatchable Ginsberg biopic n  Howln.

Unlike the inspired illustrations found in n  Illuminated Poemsn, Howl features poorly-rendered screenshots from the movie. They contribute nothing from the text and may discourage the reader from engaging with the text by imposing a dull literal interpretation.

For example, when Ginsberg writes "I saw the best minds of my generation destroyed by madness, starving hysterical naked, / dragging themselves through the negro streets at dawn looking for an angry fix", the illustrator presents a literal representation of a naked person crawling in the street.

This is both patronizing (being told "this is what a naked person crawling in the street looks like", as if I couldn't imagine it for myself) and a failure of the illustrator's imagination (as if this literal representation is all that could be derived from these lines).

The prospective reader needn't look any further than the cover for an example of the literal-minded illustrator's failure to interpret the text. The cover depicts a man howling at the moon. What could be more obvious, more contrived? In effect, Howl is robbed of its subtext and reduced to a children's picture book, an Idiot's Guide to reading poetry, a potable DIY lobotomy kit.

Read this edition instead. Or this edition.


n  
HOWL
for Carl Solomon

I

I saw the best minds of my generation destroyed by madness,
starving hysterical naked,
dragging themselves through the negro streets at dawn looking
for an angry fix,
angelheaded hipsters burning for the ancient heavenly
connection to the starry dynamo in the machinery of night,
who poverty and tatters and hollow-eyed and high sat up smoking
in the supernatural darkness of cold-water flats floating
across the tops of cities contemplating jazz,
who bared their brains to Heaven under the El and saw
Mohammedan angels staggering on tenement roofs
illuminated,
who passed through universities with radiant cool eyes
hallucinating Arkansas and Blake-light tragedy among the
scholars of war,
who were expelled from the academies for crazy & publishing
obscene odes on the windows of the skull,
who cowered in unshaven rooms in underwear, burning their
money in wastebaskets and listening to the Terror through
the wall,
who got busted in their pubic beards returning through Laredo
with a belt of marijuana for New York,
who ate fire in paint hotels or drank turpentine in Paradise
Alley, death, or purgatoried their torsos night after night
with dreams, with drugs, with waking nightmares, alcohol and
cock and endless balls,
incomparable blind streets of shuddering cloud and lightning in
the mind leaping toward poles of Canada & Paterson,
illuminating all the motionless world of Time between,
Peyote solidities of halls, backyard green tree cemetery dawns,
wine drunkenness over the rooftops, storefront boroughs of
teahead joyride neon blinking traffic light, sun and moon
and tree vibrations in the roaring winter dusks of Brooklyn,
ashcan rantings and kind king light of mind,
who chained themselves to subways for the endless ride from
Battery to holy Bronx on benzedrine until the noise of
wheels and children brought them down shuddering
mouth-wracked and battered bleak of brain all drained of
brilliance in the drear light of Zoo,
who sank all night in submarine light of Bickford’s floated out
and sat through the stale beer afternoon in desolate
Fugazzi’s, listening to the crack of doom on the hydrogen
jukebox,
who talked continuously seventy hours from park to pad to bar to
Bellevue to museum to the Brooklyn Bridge,
a lost battalion of platonic conversationalists jumping down the
stoops off fire escapes off windowsills of Empire State out
of the moon,
yacketayakking screaming vomiting whispering facts and
memories and anecdotes and eyeball kicks and shocks of
hospitals and jails and wars,
whole intellects disgorged in total recall for seven days and
nights with brilliant eyes, meat for the Synagogue cast on
the pavement,
who vanished into nowhere Zen New Jersey leaving a trail of
ambiguous picture postcards of Atlantic City Hall,
suffering Eastern sweats and Tangerian bone-grindings and
migraines of China under junk-withdrawal in Newark’s bleak
furnished room,
who wandered around and around at midnight in the railroad
yard wondering where to go, and went, leaving no broken
hearts,
who lit cigarettes in boxcars boxcars boxcars racketing
through snow toward lonesome farms in grandfather night,
who studied Plotinus Poe St. John of the Cross telepathy and
bop kabbalah because the cosmos instinctively vibrated at
their feet in Kansas, who loned it through the streets of
Idaho seeking visionary indian angels who were visionary
indian angels,
who thought they were only mad when Baltimore gleamed in
supernatural ecstasy,
who jumped in limousines with the Chinaman of Oklahoma on
the impulse of winter midnight streetlight smalltown rain,
who lounged hungry and lonesome through Houston seeking jazz
or sex or soup, and followed the brilliant Spaniard to
converse about America and Eternity, a hopeless task, and
so took ship to Africa,
who disappeared into the volcanoes of Mexico leaving behind
nothing but the shadow of dungarees and the lava and ash of
poetry scattered in fireplace Chicago,
who reappeared on the West Coast investigating the FBI in
beards and shorts with big pacifist eyes sexy in their dark
skin passing out incomprehensible leaflets,
who burned cigarette holes in their arms protesting the
narcotic tobacco haze of Capitalism,
who distributed Supercommunist pamphlets in Union Square
weeping and undressing while the sirens of Los Alamos
wailed them down, and wailed down Wall, and the Staten
Island ferry also wailed,
who broke down crying in white gymnasiums naked and
trembling before the machinery of other skeletons,
who bit detectives in the neck and shrieked with delight in
policecars for committing no crime but their own wild
cooking pederasty and intoxication,
who howled on their knees in the subway and were dragged off
the roof waving genitals and manuscripts,
who let themselves be fucked in the ass by saintly motorcyclists,
and screamed with joy,
who blew and were blown by those human seraphim, the sailors,
caresses of Atlantic and Caribbean love,
who balled in the morning in the evenings in rosegardens and
the grass of public parks and cemeteries scattering their
semen freely to whomever come who may,
who hiccuped endlessly trying to giggle but wound up with a sob
behind a partition in a Turkish Bath when the blond & naked
angel came to pierce them with a sword,
who lost their loveboys to the three old shrews of fate the one
eyed shrew of the heterosexual dollar the one eyed shrew
that winks out of the womb and the one eyed shrew that does
nothing but sit on her ass and snip the intellectual golden
threads of the craftsman’s loom.
who copulated ecstatic and insatiate with a bottle of beer a
sweetheart a package of cigarettes a candle and fell off the
bed, and continued along the floor and down the hall and
ended fainting on the wall with a vision of ultimate cunt
and come eluding the last gyzym of consciousness,
who sweetened the snatches of a million girls trembling in the
sunset, and were red eyed in the morning but prepared to
sweeten the snatch of the sunrise, flashing buttocks under
barns and naked in the lake,
who went out whoring through Colorado in myriad stolen
night-cars, N.C., secret hero of these poems, cocksman and
Adonis of Denver--joy to the memory of his innumerable lays
of girls in empty lots & diner backyards, moviehouses’
rickety rows, on mountaintops in caves or with gaunt
waitresses in familiar roadside lonely petticoat upliftings
& especially secret gas-station solipsisms of johns, &
hometown alleys too,
who faded out in vast sordid movies, were shifted in dreams,
woke on a sudden Manhattan, and picked themselves up out
of basements hungover with heartless Tokay and horrors of
Third Avenue iron dreams & stumbled to unemployment
offices,
who walked all night with their shoes full of blood on the
snowbank docks waiting for a door in the East River to open
to a room full of steamheat and opium,
who created great suicidal dramas on the apartment cliff-banks of
the Hudson under the wartime blue floodlight of the moon &
their heads shall be crowned with laurel in oblivion,
who ate the lamb stew of the imagination or digested the crab at
the muddy bottom of the rivers of Bowery,
who wept at the romance of the streets with their pushcarts full
of onions and bad music,
who sat in boxes breathing in the darkness under the bridge, and
rose up to build harpsichords in their lofts...
n


Read the full text here: https://www.poetryfoundation.org/poems/49303/howl
April 25,2025
... Show More
I'm not entirely sure that I understood the work of Ginsberg, but it gave me feelings of urgency, melancholy, and reminded me of the musical Rent, for some reason? As well as the book "One Flew Over the Cuckoo's Nest". Overall I enjoyed it though, because poetry is more about how it makes you feel than actually understanding what the author is trying to say.
April 25,2025
... Show More
TLDRP: if you own a rug you own too much. P.S. U R beautiful, I heart you, and ms U. A musician-friend gave me this in San Francisco when I was young, fun, and liked to stay up late. So I recommend you stay up late with your musician-friend and read this, while we're young, people. Aah-ooo!
April 25,2025
... Show More
Drooker's art style paired well with the beautifully hard-working & harmonious mechanics of the prose and gritty detail that make Howl such a delight to read. I always get chills reading Moloch and the artstyle was perfect for that section. Part three about Carl Solomon was exceptionally beautiful, i loved the images Drooker chose to focus on. Overall a fun way to re-experience Howl.
April 25,2025
... Show More
Aullido es en esencia la incertidumbre de la vida adulta. Una lectura algo cruda, aunque necesaria por defecto de esa incógnita mencionada. Destaco en particular unas líneas; << que tiraron sus relojes desde el tejado para emitir su voto por una Eternidad fuera del Tiempo, y cayeron despertadores sobre sus cabezas día tras día durante toda una década >>.
April 25,2025
... Show More
(I did not actually read this copy! I just read the poem itself, but I couldn't find a separate entry for it on Goodreads, so this is the best I could do.)

If you haven't read the poem, it is everything. It's not just that mid-century modernism we have all come to love or hate, not just the young hippie cry for help, not just the beat generation manifesto, etc. etc., but somehow the entire history of culture and poetry wrapped up in a dirty bow. Love, love, love it.
April 25,2025
... Show More
I'll have to expose myself as a half wit perhaps, but I struggled with this. Howl has been on my list to read for a long time. This graphic illustration was a wonderful accompaniment to the text. There are some wonderful turns of phrase, but I had trouble understanding the whole. Much of it seemed like an inside joke and I was on the outside. Maybe a better understanding of the time and people mentioned would clarify.
April 25,2025
... Show More
A segunda parte de "Uivo", Moloch, é tão atual! e as ilustrações ainda ajudam a potencializar os efeitos do poema. Goste!
April 25,2025
... Show More
Written in a style that reminds me of Whitman, this long beat poem describes America's harsh oppression of counter-culture during the 1950's. Ginsberg must have been on some bad drugs at the time. In addition to the poem, this book contains the original marked-up manuscripts, several after-the-fact letters, and a history of the many legal challenges.
April 25,2025
... Show More
Confession - this is not actually the version of the poem I read. I read an online version which I found here: https://www.poetryfoundation.org/poem...

This poem - THIS POEM - you ever read something and feel like you need to be smarter/more informed to actually understand what is happening? There is SO MUCH happening here; Howl is the perfect name for this, it feels like a scream, like a chorus of people howling and yelling and screaming into a void that's swallowing them whole.

I went looking it up on google for some more information which is when I found out this was written in 1956 which was another shock because it doesn't read like something older, or out of touch. It seems relevant right now. Also, because it was written in 1956 it was banned everywhere for several reasons.

Consider it starts like this: I saw the best minds of my generation destroyed by madness, starving hysterical naked,/ dragging themselves through the negro streets at dawn looking for an angry fix then just keeps going nonstop, every phrase packing a punch. This first sections deals with people; people who are struggling, who are addicted, who are living in poverty and trauma. It ends with this line: with the absolute heart of the poem of life butchered out of their own bodies good to eat a thousand years.

Part II is about Moloch, which the internet tells me is a biblical reference. I'll just quote the one line from this section: Moloch whose love is endless oil and stone! Moloch whose soul is electricity and banks! Moloch whose poverty is the specter of genius! Moloch whose fate is a cloud of sexless hydrogen! Moloch whose name is the Mind! Can you see why I thought this might have been written slightly more recently?

Part III is about Carl Solomon, which is one of a number of names I had to look up. He was a writer famous for his work about the use of shock treatment on people who were mentally ill.

I’m with you in Rockland
where you bang on the catatonic piano the soul is innocent and immortal it should never die ungodly in an armed madhouse
I’m with you in Rockland
where fifty more shocks will never return your soul to its body again from its pilgrimage to a cross in the void


So if you want to read this be prepared to spend some time researching aspects of it in depth if you simply have to know - like me - or just take it in and make of it what you will.
April 25,2025
... Show More
I'm a spatial person. I like picturing in my head the words that I read. Reading Howl as words was not an easy task for me because it comes off abstruse and run-on at times. After realizing there was a graphic novel version I immediately sought it, but I couldn't find it. I did, however, find the video from which the graphic novel emerged, part of the movie adaptation (thankfully available on Youtube).

The content matter itself weaves in and out of numerous subjects, and if you're not familiar with Ginsberg it will be pretty difficult to make heads or tails of it. However, with some background info, along with the illustrations, it's a rather captivating poem.
Leave a Review
You must be logged in to rate and post a review. Register an account to get started.