...
Show More
I'm sure you've heard people say, "I've got to get a handle on it" when they are telling you they need to better understand something.
Edward Said has written this comprehensive account of how people in the West have gotten a handle on the area of the world called the Orient - the Middle East, Asia Minor, the Far East and Southern Asia, much of it Islamic. It isn't about the Orient at all but about the representation of the Orient in the West. To say the result was a better understanding would be wrong...with a couple of notable exceptions, all they really got was a variety of stereotypical impressions having common themes.
Said acquaints the reader with the difficulty of dealing with the "other" in a way that gives even an approximation to the reality of lives and cultures in other places. He makes a solid case that more is to be discovered about the West and its experts on the Orient themselves than anything solid on the subject they claim to be illuminating.
What IS the "Orient"? What are the themes that run through writing about it? Said is convinced that the imbalance of power between West and East during the period from the 1700's through the 1900's is a driving factor and the bus really gets rolling with the invasion of Egypt by Napoleon and the voluminous study he commissioned on it. One object of Orientalist writing was to defuse the fear of the ominous East for Westerners by putting it in its place.
The superiority of the West is assumed, as one would expect of material written for Europeans.
Another theme is the nature of Islam. Being considered a challenger to Christianity, Orientalists held up Islam as a bizarre, inferior, perverse, anti-modern and anti-intellectual entity that kept its subjects benighted and unable to think in the clear and rational way of Western man. Said stresses the fact that the Orientalists didn't really like their subject and were ever ready to belittle it.
Keenly appreciating their assumed authority, these writers often held forth with flights of speculation intended to show their own brilliance rather than revealing anything about distant lands and peoples. Racism was never out of the picture. No interviews of those who lived in the Orient were required. In fact, even a visit by the author wasn't necessary, though of course many did tour the area and a few even learned the languages.
Philology (the study of languages) was the "handle" upon which Orientalism started. Great gobs of "wisdom" and summary judgments about the Orient were made on the basis of language analysis alone, showing the clear inferiority of the Semitic languages to the Indo-European languages. Then came the political/colonial experience which put another set of almost opaque spectacles on Western writers. The arrogance of colonialism was quite compatible with orientalist writing. In other words, the orientalists wrote in service to their time and culture, not to their subject in itself.
Instead of individuals, Orientalists wrote of "The Arab" or "The Semite" or "The Musselman". Like those who might inspect insects under a magnifying glass, entire peoples are given immutable characteristics preserved from ancient times which bound their mental outlook allowing no escape; instinctual just as one could speak of how insects behave. The people of the Orient were not fully human like the European.
Islam takes on the character of an invariant blanket of rules that determines life from birth to death, ignoring all the variety that we know to be characteristic of Christianity in the Western world. Not surprisingly, none of the Orientalists were born or raised in the cultures they claimed to know with great accuracy. And the Orientalist outlook has continued to current times, think of the advisors to the president of the United States on foreign policy.
But Said is clear that he doesn't mean only those who live in the Orient are capable of writing about it, nor that one must be a member of any group in order to understand the group. He describes how Orientalism infected the Orient and became a comfortable home for Arab writers as well. Perhaps that is the primary lesson for me in this book - that one can become so at home within the in-group that conforming to the norms of that group and behaving so as to gain the approval of that group becomes more important than any reality outside of it.
The Afterward of the book is a must read. Said relaxes and explains his thinking in reaction to criticism of the book received from all over the world. In describing how his work was misinterpreted, by Islamists holding it out as a repudiation of the West and a vindication of Islam, for example, he explains how easily we label and categorize others, unable to see the rich variety in culture and daily life that we conclude is exclusively ours. He did not write Orientalism as a rejection of the West or to claim that Europeans are uniquely prone to what the book describes.
He ends with optimism, citing the work of such as Clifford Geertz (whose work is fascinating and well worth investigating) and a new generation of writers that have conducted their investigations on guard against the dangers Said exposed.
Orientalism is now a classic text, but Said had great difficulty in finding any publisher for it when he completed it in the late 1970's. As another reader said to me, "it's a scholarly work, but he nailed it." I'd bet most readers will learn a new word or two. I did. His writing expects an educated audience.
There aren't lots of books that mark a sharp dividing line, but this is one of them. I found the high praise I'd heard about it well deserved. It's an education we can all use.
Edward Said has written this comprehensive account of how people in the West have gotten a handle on the area of the world called the Orient - the Middle East, Asia Minor, the Far East and Southern Asia, much of it Islamic. It isn't about the Orient at all but about the representation of the Orient in the West. To say the result was a better understanding would be wrong...with a couple of notable exceptions, all they really got was a variety of stereotypical impressions having common themes.
Said acquaints the reader with the difficulty of dealing with the "other" in a way that gives even an approximation to the reality of lives and cultures in other places. He makes a solid case that more is to be discovered about the West and its experts on the Orient themselves than anything solid on the subject they claim to be illuminating.
What IS the "Orient"? What are the themes that run through writing about it? Said is convinced that the imbalance of power between West and East during the period from the 1700's through the 1900's is a driving factor and the bus really gets rolling with the invasion of Egypt by Napoleon and the voluminous study he commissioned on it. One object of Orientalist writing was to defuse the fear of the ominous East for Westerners by putting it in its place.
The superiority of the West is assumed, as one would expect of material written for Europeans.
Another theme is the nature of Islam. Being considered a challenger to Christianity, Orientalists held up Islam as a bizarre, inferior, perverse, anti-modern and anti-intellectual entity that kept its subjects benighted and unable to think in the clear and rational way of Western man. Said stresses the fact that the Orientalists didn't really like their subject and were ever ready to belittle it.
Keenly appreciating their assumed authority, these writers often held forth with flights of speculation intended to show their own brilliance rather than revealing anything about distant lands and peoples. Racism was never out of the picture. No interviews of those who lived in the Orient were required. In fact, even a visit by the author wasn't necessary, though of course many did tour the area and a few even learned the languages.
Philology (the study of languages) was the "handle" upon which Orientalism started. Great gobs of "wisdom" and summary judgments about the Orient were made on the basis of language analysis alone, showing the clear inferiority of the Semitic languages to the Indo-European languages. Then came the political/colonial experience which put another set of almost opaque spectacles on Western writers. The arrogance of colonialism was quite compatible with orientalist writing. In other words, the orientalists wrote in service to their time and culture, not to their subject in itself.
Instead of individuals, Orientalists wrote of "The Arab" or "The Semite" or "The Musselman". Like those who might inspect insects under a magnifying glass, entire peoples are given immutable characteristics preserved from ancient times which bound their mental outlook allowing no escape; instinctual just as one could speak of how insects behave. The people of the Orient were not fully human like the European.
Islam takes on the character of an invariant blanket of rules that determines life from birth to death, ignoring all the variety that we know to be characteristic of Christianity in the Western world. Not surprisingly, none of the Orientalists were born or raised in the cultures they claimed to know with great accuracy. And the Orientalist outlook has continued to current times, think of the advisors to the president of the United States on foreign policy.
But Said is clear that he doesn't mean only those who live in the Orient are capable of writing about it, nor that one must be a member of any group in order to understand the group. He describes how Orientalism infected the Orient and became a comfortable home for Arab writers as well. Perhaps that is the primary lesson for me in this book - that one can become so at home within the in-group that conforming to the norms of that group and behaving so as to gain the approval of that group becomes more important than any reality outside of it.
The Afterward of the book is a must read. Said relaxes and explains his thinking in reaction to criticism of the book received from all over the world. In describing how his work was misinterpreted, by Islamists holding it out as a repudiation of the West and a vindication of Islam, for example, he explains how easily we label and categorize others, unable to see the rich variety in culture and daily life that we conclude is exclusively ours. He did not write Orientalism as a rejection of the West or to claim that Europeans are uniquely prone to what the book describes.
He ends with optimism, citing the work of such as Clifford Geertz (whose work is fascinating and well worth investigating) and a new generation of writers that have conducted their investigations on guard against the dangers Said exposed.
Orientalism is now a classic text, but Said had great difficulty in finding any publisher for it when he completed it in the late 1970's. As another reader said to me, "it's a scholarly work, but he nailed it." I'd bet most readers will learn a new word or two. I did. His writing expects an educated audience.
There aren't lots of books that mark a sharp dividing line, but this is one of them. I found the high praise I'd heard about it well deserved. It's an education we can all use.