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I loved this book and I don't know why I didn't read it years ago. (I felt the same about Margaret Atwood's Alias Grace.) I read a copy from the library, but I wish I owned it so I could easily pick it up and re-read it, but maybe I'll buy it for myself eventually.
The story is well-paced, interesting and rivoting. The story about Sibyl Danforth's emergency C-section on a patient is narrated by her daughter Connie 30 years later. I liked that this was told in retrospect because the narration was mature and also teased the eventual outcome in a way that kept me reading voraciously.
Bohjalian's books tend to revolve around some kind of dilemma about which I can see both sides (i.e. "Transister Radio"), and though obviously I was rooting for Sibyl, if I'd been on the jury I'm not sure which side I might have landed. Women should absolutely decide to have a baby at home and not in the sharp florescent lights of a hospital but to do an emergency cesarean on a woman who might still be alive... that's a whole other situation. Of course, what else could Sibyl have done- the roads were iced over and the phone lines were down.
I liked the little touches that made the story richer - things like Tom Cort's support of Connie and her family, and Cheryl's visits to the Danforth family and the stories at the beginning about other women's babies Sibyl delivered. I also liked that the chapters opened with an entry from her personal diary. The last entry, where she admits that looking back, she's not certain that Charlotte Bedford didn't react ("flinch") when the knife cut into her, was chilling. But the ambiguity makes sense and actually probably made me love the story even more. When faced with high-stress situations, how likely is someone to remember every single detail? When Steve proposed, even at the time I was thinking I needed to remember everything, I think both of us remember different parts.
What a great book, highly recommend.
The story is well-paced, interesting and rivoting. The story about Sibyl Danforth's emergency C-section on a patient is narrated by her daughter Connie 30 years later. I liked that this was told in retrospect because the narration was mature and also teased the eventual outcome in a way that kept me reading voraciously.
Bohjalian's books tend to revolve around some kind of dilemma about which I can see both sides (i.e. "Transister Radio"), and though obviously I was rooting for Sibyl, if I'd been on the jury I'm not sure which side I might have landed. Women should absolutely decide to have a baby at home and not in the sharp florescent lights of a hospital but to do an emergency cesarean on a woman who might still be alive... that's a whole other situation. Of course, what else could Sibyl have done- the roads were iced over and the phone lines were down.
I liked the little touches that made the story richer - things like Tom Cort's support of Connie and her family, and Cheryl's visits to the Danforth family and the stories at the beginning about other women's babies Sibyl delivered. I also liked that the chapters opened with an entry from her personal diary. The last entry, where she admits that looking back, she's not certain that Charlotte Bedford didn't react ("flinch") when the knife cut into her, was chilling. But the ambiguity makes sense and actually probably made me love the story even more. When faced with high-stress situations, how likely is someone to remember every single detail? When Steve proposed, even at the time I was thinking I needed to remember everything, I think both of us remember different parts.
What a great book, highly recommend.