Star Wars: Return of the Jedi - The Illustrated Screenplay

... Show More
A LONG TIME AGO IN A GALAXY FAR, FAR AWAY. . . .

"Luke Skywalker has returned to his home planet of Tatooine in an attempt to rescue his friend Han Solo . . . Little does Luke know that the GALACTIC EMPIRE has secretly begun construction on a new armored space station even more powerful than the first dreaded Death Star."

INTERIOR: YODA'S HOUSE

He beckons the young Jedi closer to him.

YODA: Luke . . . Do not underestimate the powers of the Emperor, or suffer your father's fate, you will. Luke, when gone am I, the last of the Jedi will you be. Luke, the Force runs strong in your family. Pass on what you have learned. Luke . . . There is . . . another . . . Sky . . . Sky . . . walker.

*****
Even the best actors, the most talented director, and the most amazing special effects can't make a great movie without a superb story to build on. Now here is the complete screenplay of Star Wars: Return of the Jedi--the climactic final installment in the legendary Star Wars Trilogy.

The adventure reaches a fever pitch with Luke Skywalker's confrontation with monstrous gangster Jabba the Hutt, and the daring rescue of Han Solo and Princess Leia . . . The breathtaking high-speed battle in the Forest of Endor . . . The heartbreaking death of beloved Jedi Master Yoda . . . And Luke's powerful final face-off with Darth Vader and the evil Emperor himself.

Fully illustrated with original storyboard art--and featuring an introduction especially written for this edition by producer Howard Kazanjian--this definitive volume is a must for every Star Wars library.

113 pages, Paperback

First published March 24,1998

About the author

... Show More
George Walton Lucas Jr. is an American filmmaker and philanthropist. He created the Star Wars and Indiana Jones franchises and founded Lucasfilm, LucasArts, Industrial Light & Magic and THX. He served as chairman of Lucasfilm before selling it to The Walt Disney Company in 2012. Nominated for four Academy Awards, he is considered to be one of the most significant figures of the 20th-century New Hollywood movement, and a pioneer of the modern blockbuster. Despite this, he has remained an independent filmmaker away from Hollywood for most of his career.
After graduating from the University of Southern California in 1967, Lucas moved to San Francisco and co-founded American Zoetrope with filmmaker Francis Ford Coppola. He wrote and directed THX 1138 (1971), based on his student short Electronic Labyrinth: THX 1138 4EB, which was a critical success but a financial failure. His next work as a writer-director was American Graffiti (1973), inspired by his youth in early 1960s Modesto, California, and produced through the newly founded Lucasfilm. The film was critically and commercially successful and received five Academy Award nominations, including Best Director and Best Picture. Lucas's next film, the epic space opera Star Wars (1977), later retitled A New Hope, had a troubled production but was a surprise hit, becoming the highest-grossing film at the time, winning six Academy Awards and sparking a cultural phenomenon. Lucas produced and co-wrote the sequels The Empire Strikes Back (1980) and Return of the Jedi (1983). With director Steven Spielberg, he created, produced, and co-wrote Indiana Jones films Raiders of the Lost Ark (1981), The Temple of Doom (1984), The Last Crusade (1989) and The Kingdom of the Crystal Skull (2008), and served as an executive producer, with a cursory involvement in pre and post-production, on The Dial of Destiny (2023).
In 1997, Lucas re-released the original Star Wars trilogy as part of a Special Edition featuring several modifications; home media versions with further changes were released in 2004 and 2011. He returned to directing with a Star Wars prequel trilogy comprising The Phantom Menace (1999), Attack of the Clones (2002) and Revenge of the Sith (2005). He last collaborated on the CGI-animated movie and television series of the same name, Star Wars: The Clone Wars (2008–2014, 2020), the war film Red Tails (2012) and the CGI film Strange Magic (2015). Lucas is also known for his collaboration with composer John Williams, who was recommended to him by Spielberg, and with whom he has worked for all the films in both of these franchises. He also produced and wrote a variety of films and television series through Lucasfilm between the 1970s and the 2010s.
Lucas is one of history's most financially successful filmmakers. He directed or wrote the story for ten of the 100 highest-grossing movies at the North American box office, adjusted for ticket-price inflation. Through his companies Industrial Light and Magic and Skywalker Sound, Lucas was involved in the production of, and financially benefited from, almost every big-budget film released in the U.S. from the late 1980s until the 2012 Disney sale. In addition to his career as a filmmaker, Lucas has founded and supported multiple philanthropic organizations and campaigns dedicated to education and the arts, including the George Lucas Educational Foundation, which has been noted as a key supporter in the creation of the federal E-Rate program to provide broadband funding to schools and libraries, and the Lucas Museum of Narrative Art, a forthcoming art museum in Los Angeles developed with his wife, Mellody Hobson.

Community Reviews

Rating(4.5 / 5.0, 2 votes)
5 stars
1(50%)
4 stars
1(50%)
3 stars
0(0%)
2 stars
0(0%)
1 stars
0(0%)
2 reviews All reviews
April 17,2025
... Show More
Lucas and Kasdan are firing on all cylinders with this thrilling conclusion to the classic Star Wars trilogy. True, on paper it lacks some of the energy that is apparent onscreen, but it's plotted well, has clever dialogue, and has a powerful message that anger is an easier emotion to feel than love.
April 17,2025
... Show More
My reading habits have gotten so poor that it has taken me five months to finish the screenplay of a two-hour movie, which is really dismaying to me. I originally started this as preparation for The Rise of Skywalker, and of course by now even the postmortem of that film has long since came and passed. It was frankly a little bit of a chore to return to this book when after TROS all I wanted to do was take a break from Star Wars, and it didn't help that there really wasn't anything very new to me in this edition, other than a handful of black-and-white facsimiles of concept art that weren't especially illuminating, and a brief introduction from Kazanjian, who seemed to be a suit rather than one of the film's true creatives.

But though the story was already very familiar, it was nonetheless the screenplay of a beloved film from my childhood, and seeing it on the page reinforced for me how good a script it was, exercising great economy in many of its most iconic moments. It has a few weaknesses, which I'm sure anyone reading this review will already have their opinion on. The only two that really matter to me are the (mis)treatment of Boba Fett, and the sloppiness of the resolution to Yoda's "there is another" line. Luke and Leia's relationship in this script is beautiful, and is one of the very economically-handled things I mentioned in this script where a lot is going on, but it's not really a full pay-off to the promise of a second Skywalker. Anyone who would rank this film poorly among the Star Wars films however is, I think, mistaken. This is a satisfying cap to the saga, and one of the greatest sci-fi adventure spectacles ever put to film.
Leave a Review
You must be logged in to rate and post a review. Register an account to get started.