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I've had this on my shelves for years, and had become quite wary of picking it up, having read Said et al in the time since I bought it. And yes, all the caveats about the idea of a white American woman 'becoming' a geisha apply, although Dalby herself is rather more careful inside the book than the blurbs on its cover - she is clear that she doesn't go through the full geisha training, and is only ever playing a role (albeit one to which she has, in fact, been invited by her geisha interlocutors and hosts), as part of her academic research. I imagine there have been many critiques of this book, and of such ethnographic practice, in the years since it was published.
Nonetheless, I found Dalby's account to be sensitive, respectful, and insightful (certainly for a reader who knows little about the topic, at any rate), offering lots of context for her observations, giving a decent amount of space to the voices of the women she interviewed, and - of particular interest to me - presenting a clear sense of how geisha practices, and attitudes to geisha, have changed over time. Inevitably, a lot of the older generation of interviewees (c. 1975 when she did her fieldwork) think things aren't as good as in their day. I also found the explanation of variation in geisha practice between Kyoto, Tokyo, and a spa town fascinating.
Nonetheless, I found Dalby's account to be sensitive, respectful, and insightful (certainly for a reader who knows little about the topic, at any rate), offering lots of context for her observations, giving a decent amount of space to the voices of the women she interviewed, and - of particular interest to me - presenting a clear sense of how geisha practices, and attitudes to geisha, have changed over time. Inevitably, a lot of the older generation of interviewees (c. 1975 when she did her fieldwork) think things aren't as good as in their day. I also found the explanation of variation in geisha practice between Kyoto, Tokyo, and a spa town fascinating.