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There is something to be said for authors that refuse to write the "Hollywood ending." They believe in their stories enough to write characters that need more than a big screen smooch to resolve their conflicts. Instead, these authors take the chance of writing an extended resolution, arguing, I imagine, that it takes time to resolve the problems people have. I would argue that novels that have a strong sense of resolution, something more than the sum of its tied-up-loose-ends, make a more enduring impact on us than their counterparts.
The resolution of Dreamland takes up 32 pages of a 250 page novel, which I suspect some readers will find a little long.
But it's good.
Caitlin O'Karen's older sister, Cass, runs away from to be with her boyfriend, even though she has been accepted to Yale and has parents that can afford to send her there. Caitlin, just turned sixteen, has always been the younger sister. Now, she has to find herself in the absence of Cass. However, no matter how hard she tries, she finds that the people around her act as though she is the new Cass.
It is only when Caitlin is with Rogerson Biscoe that she feels free of her sister's shadow and her parents' expectations. Rogerson drives a sleek BMW, his report card is impressive, and his counselors think he's "driven but misguided." He has dreadlocks that alarm parents everywhere and a look in his eyes that cannot be understood. He is very dreamy, and he is the love interest that Caitlin thinks will set her free.
Unfortunately, he does not transport Caitlin to a "dreamland" that Sinatre might sing about. Dreamland is not a romance novel. It's not even a "not a romance novel" in the way that Twilight is not a romance novel.
Rogerson sells pot "and other illegals," his father beats him, and he has a way of getting Caitlin to do things that she knows are wrong. Still, she thinks, it's better than cheer leading, right? That is, spoiler alert, until Rogerson hits Caitlin for the first time. At this point, Dreamland takes a turn for the dark. We come to realize that Caitlin, the battered girlfriend, is receding from reality and entering a sort of dreamland. Her grades are dropping, her squad tries to stage an intervention, and one teacher asks her to "wake up."
Sadly, Caitlin doesn't know how to proceed.
The climax Dreamland details how Caitlin escapes Rogerson's control, but it is not until the resolution that we see the true Caitlin emerge. I like how Dessen guides Caitlin through her convalescence. Her recovery would not make for a very good "Hollywood ending." If this were a film, we might expect the proper ending to be brief, a few scenes in which Caitlin, rising up with all of her sense of self, overthrows her violent male oppressor.
Instead, Dessen suggests that the psychology of the battered woman requires a more complicated narrative. I'll admit that I was impressed to see all of this in a novel marketed to young adults.
The resolution of Dreamland takes up 32 pages of a 250 page novel, which I suspect some readers will find a little long.
But it's good.
Caitlin O'Karen's older sister, Cass, runs away from to be with her boyfriend, even though she has been accepted to Yale and has parents that can afford to send her there. Caitlin, just turned sixteen, has always been the younger sister. Now, she has to find herself in the absence of Cass. However, no matter how hard she tries, she finds that the people around her act as though she is the new Cass.
It is only when Caitlin is with Rogerson Biscoe that she feels free of her sister's shadow and her parents' expectations. Rogerson drives a sleek BMW, his report card is impressive, and his counselors think he's "driven but misguided." He has dreadlocks that alarm parents everywhere and a look in his eyes that cannot be understood. He is very dreamy, and he is the love interest that Caitlin thinks will set her free.
Unfortunately, he does not transport Caitlin to a "dreamland" that Sinatre might sing about. Dreamland is not a romance novel. It's not even a "not a romance novel" in the way that Twilight is not a romance novel.
Rogerson sells pot "and other illegals," his father beats him, and he has a way of getting Caitlin to do things that she knows are wrong. Still, she thinks, it's better than cheer leading, right? That is, spoiler alert, until Rogerson hits Caitlin for the first time. At this point, Dreamland takes a turn for the dark. We come to realize that Caitlin, the battered girlfriend, is receding from reality and entering a sort of dreamland. Her grades are dropping, her squad tries to stage an intervention, and one teacher asks her to "wake up."
Sadly, Caitlin doesn't know how to proceed.
The climax Dreamland details how Caitlin escapes Rogerson's control, but it is not until the resolution that we see the true Caitlin emerge. I like how Dessen guides Caitlin through her convalescence. Her recovery would not make for a very good "Hollywood ending." If this were a film, we might expect the proper ending to be brief, a few scenes in which Caitlin, rising up with all of her sense of self, overthrows her violent male oppressor.
Instead, Dessen suggests that the psychology of the battered woman requires a more complicated narrative. I'll admit that I was impressed to see all of this in a novel marketed to young adults.