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First of all, this is an odd book. After reading Nick Hornby's book about football and Arsenal FC, here I am reading about what he was reading. Sounds boring? Well, it somehow isn't - his combination of direct writing, witty commentary and British humour make this a very engaging read. More than anything, this book made me eager to write more and better reviews. They look fun to write and read, so it's a win-win, right?
Anyway, as for the content itself, I liked that Nick didn't spoil the books too much. A thing to point out is that he basically only gives positive reviews and omits the bad ones due to explicit instructions from the magazine he originally wrote these for. It was a pity that our reading habits and collections had basically zero overlap, as it would have been very interesting to find out how our thoughts compared. Moreover, he looks like a fun person to discuss literature (and soccer, and life!) with. Many of his rants about book blurbs and the gatekeeping attitude in reading resonated with me.
Quotes: (there were way too many good ones...)
"In Britain, more than 12 million adults have a reading age of thirteen or under, and yet some clever dick journalist still insists on telling us that unless we’re reading something proper, then we might as well not bother at all."
"I want to know what it's like to be him or her, to live there or then. I love the detail about the workings of the human heart and mind that only fiction can provide - film can't get in close enough."
"If you pick up the Penguin Classics edition, however, don't read the blurb on the back. It more or less blows the first (fantastic) plot twist on the grounds that it's 'revealed early on' - but 'early on' turns out to be page ninety-six, not, say, page eight. Note to publishers: some people read 19th century novels for fun, and a lot of them were written to be read that way too."
"Even if you love movies and music as much as you do books, it’s still, in any given four week period, way, way more likely you’ll find a great book that you haven’t read than a great movie you haven’t seen, or a great album you haven’t heard: the assiduous consumer will eventually exhaust movies and music… the feeling everyone has with literature: that we can’t get through the good novels published in the last six months, let alone those published since publishing began.”
"Any novelist, even a great one, has to accept that what he is doing is keeping one end of a book away from the other, filling up pages, in the hope that these pages will move, provoke and entertain a reader."
"And I think a decent lawyer could have gotten her off, in the unfortunate event of a shooting. She spends 10 years writing a book, and a reviewer in a national newspaper doesn't even notice what it's about."
"Reading reviews and interviews with him over the last few weeks, one is reminded that there's nothing critics like less than a writer producing something that he hasn't done before - apart, that is, from a writer producing more of the same."
"Poetry (at any rate in my case) is like trying to remember a tune you've forgotten. All corrections are attempts to get nearer to the forgotten tune. A poem is written because the poet gets a sudden vision - lasting one second or less - and he attempts to express the whole of which the vision is about."
Anyway, as for the content itself, I liked that Nick didn't spoil the books too much. A thing to point out is that he basically only gives positive reviews and omits the bad ones due to explicit instructions from the magazine he originally wrote these for. It was a pity that our reading habits and collections had basically zero overlap, as it would have been very interesting to find out how our thoughts compared. Moreover, he looks like a fun person to discuss literature (and soccer, and life!) with. Many of his rants about book blurbs and the gatekeeping attitude in reading resonated with me.
Quotes: (there were way too many good ones...)
"In Britain, more than 12 million adults have a reading age of thirteen or under, and yet some clever dick journalist still insists on telling us that unless we’re reading something proper, then we might as well not bother at all."
"I want to know what it's like to be him or her, to live there or then. I love the detail about the workings of the human heart and mind that only fiction can provide - film can't get in close enough."
"If you pick up the Penguin Classics edition, however, don't read the blurb on the back. It more or less blows the first (fantastic) plot twist on the grounds that it's 'revealed early on' - but 'early on' turns out to be page ninety-six, not, say, page eight. Note to publishers: some people read 19th century novels for fun, and a lot of them were written to be read that way too."
"Even if you love movies and music as much as you do books, it’s still, in any given four week period, way, way more likely you’ll find a great book that you haven’t read than a great movie you haven’t seen, or a great album you haven’t heard: the assiduous consumer will eventually exhaust movies and music… the feeling everyone has with literature: that we can’t get through the good novels published in the last six months, let alone those published since publishing began.”
"Any novelist, even a great one, has to accept that what he is doing is keeping one end of a book away from the other, filling up pages, in the hope that these pages will move, provoke and entertain a reader."
"And I think a decent lawyer could have gotten her off, in the unfortunate event of a shooting. She spends 10 years writing a book, and a reviewer in a national newspaper doesn't even notice what it's about."
"Reading reviews and interviews with him over the last few weeks, one is reminded that there's nothing critics like less than a writer producing something that he hasn't done before - apart, that is, from a writer producing more of the same."
"Poetry (at any rate in my case) is like trying to remember a tune you've forgotten. All corrections are attempts to get nearer to the forgotten tune. A poem is written because the poet gets a sudden vision - lasting one second or less - and he attempts to express the whole of which the vision is about."