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Chloe Fowler is a thirty-something wife and mother with one foot in the 1950's and the other in the pre-HIV, sexually free 1970's (book takes place about 1979) who finds herself unexpectedly in an Iran on the verge of revolution sans husband. I expected some superb writing since this book was nominated for a Pulitzer. But I could not identify with Chloe (especially her lament at the end "to be good") or any other character in the book. I also found awkward the frequent change of perspective--especially when the change was accomplished in very short paragraphs. The first few chapters seemed to drag on. I would like someone to tell me why this book was Pulitzer material--what am I missing?