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This was such a fun read, and a perfect introduction to Garro’s work. I share the opinion of most other reviewers, “Look for my Obituary” was the stronger of the two. The metaphors, unpredictable character behaviors, unnerving shifting of setting, and flairs of passion are nearly dizzying in this one.
“First Love” is the tale of two European tourists befriending German soldiers, now prisoners, post WWII. Mother and young daughter both called Barbara are attracted to prisoner Siegfried for different reasons. They start frequenting the beach the prisoners are stationed to fulfill their labor duties, despite the remarks of disapproval from the bourgeoise guests at the hotel they are staying in. Look for my Obituary” is the story of married man Miguel rushing to the aid of lost, frantic Irene. They begin a fleeting romance— where the police are constantly prohibiting shared affection between the two, Irene can never stay for long or reveal her past, and Miguel dooms over his loveless marriage arranged by his family, his stagnant life, and his refusal to walk away from his mysterious first love.
Both novellas deal with passionate affairs of the heart and characters imposed with limitations of their desires. Protagonists from both are dealt with being in loveless marriages and are therefore stripped of the freedom to explore independency they desire. Garro is a phenomenal wordsmith, and the surrealist imagery in both novels is the bow these stories are wrapped in. “First Love” was a little too Nazi sympathizery for me lol… especially reading about Garro’s husband’s politics
“First Love” is the tale of two European tourists befriending German soldiers, now prisoners, post WWII. Mother and young daughter both called Barbara are attracted to prisoner Siegfried for different reasons. They start frequenting the beach the prisoners are stationed to fulfill their labor duties, despite the remarks of disapproval from the bourgeoise guests at the hotel they are staying in. Look for my Obituary” is the story of married man Miguel rushing to the aid of lost, frantic Irene. They begin a fleeting romance— where the police are constantly prohibiting shared affection between the two, Irene can never stay for long or reveal her past, and Miguel dooms over his loveless marriage arranged by his family, his stagnant life, and his refusal to walk away from his mysterious first love.
Both novellas deal with passionate affairs of the heart and characters imposed with limitations of their desires. Protagonists from both are dealt with being in loveless marriages and are therefore stripped of the freedom to explore independency they desire. Garro is a phenomenal wordsmith, and the surrealist imagery in both novels is the bow these stories are wrapped in. “First Love” was a little too Nazi sympathizery for me lol… especially reading about Garro’s husband’s politics