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O'Brien has a go at the unreliable narrator and delivers in full Nabokovian splendor. (I note that the unreliable narrator is always someone who reveals himself to be increasingly loathsome as the story progresses, rather than the opposite.) For many of O'Brien's characters, their Vietnam experience has indelibly shaped the entire rest of their lives - in this instance, there is a wartime component to the main character's adult psychosis but it is less clear that is the primary driver.
The theme of a sexually predatory college professor being in turn exploited by his undergraduate conquests echoes Philip Roth's "Sabbath's Theater".
The theme of a sexually predatory college professor being in turn exploited by his undergraduate conquests echoes Philip Roth's "Sabbath's Theater".